After a leisurely day around the house, I’ll give you one guess about where we went this evening.
OK, I’ll give you a second guess about where we went this evening. You’re sure to get it from here.
(Click to embiggen.)
Thursday night is theme night, I guess. And it was also inexpensive ticket night. So we semi-spontaneously went across the river and spent some time at Citizens Bank Park. We watched the great Shoehei Ohtani go 0-4 and saw Aaron Nola scatter four hits and two walks across six innings as the homestanding team beat the not-very-well-liked visitors 4-0. Brandon Marsh hit a home run and charted a triple to right, Trea Turner recorded his sixth home run in nine games. And just after I took that large photo (seriously, click it, it’ll open in a new window and you can scroll around) Kyle Schwarber hit a baseball a very long distance, as he frequently does.
The good guys won, 5-1. It was a series sweep. In a related story, after a two-inning battle I defeated the sunscreen that oozed into my left eye.
Did you notice the new graphic up there? The blue one? I’m updating a few of those as I go. And, this evening, as we were leaving the park, I had the opportunity to get a nice skyline of the city.
I was, of course, photobombed.
It was a delightful night over the river. Except for the sunscreen incident.
We’ll be back over there in a few weeks. Not eager to repeat the same mistake, I’ll be sure to have a new skin protection strategy by then.
I’m feeling mostly better, thanks. Progress is progressive, and I’ll take every positive signal possible. Now, it takes twice as long for the fatigue to kick in, and so on. By next week, or perhaps next month or next year, I’ll be approaching the maximum allowable approach to 100 percent.
This allows for time, which I am told must be accounted for. I don’t necessarily agree with that. One could say I don’t believe it, because I don’t believe it. I’m sitting in this chair and I feel great!
I only believe in time when I must crawl around on my knees for something.
That’s not entirely true. I only believe it when I have to stand up, after crawling around on my knees.
A wise person learns when to be careful of one person’s criticism. A singular critique, no matter how nuanced, no matter how well-intentioned, no matter how accurate from an independent perspective, is just that.
It’s something news leaders should really do some soul searching about. Are we doing our job of informing the American public so that they can do their job of voting in an informed way? If many people don’t know the facts, the media needs to take some responsibility for that.
That’s Margaret Sullivan, the former editor of The Buffalo News, where she was also the vice president. She is the former public editor of the New York Times (a position they axed, wholesale, a while back, for times just like these) and media columnist for the Washington Post. Sullivan is the executive director of the Craig Newmark Center for Journalism Ethics and Security at Columbia University and is currently doing some terrific work for The Guardian. I’m not being critical of Sullivan, indeed I agree with her here.
But there’s two things here. Three things. First, she’s 100 percent correct.
Second, that this is a position we are in, that this is a thing that needs to be said — and ignored — says a great deal. We shouldn’t have to be doing this sort of soul searching, because we should already be doing this sort of soul searching. The responsibility is baked in and, often, ignored. This is the civic duty in which we were all trained, and which is now so often put aside for clicks, subscriptions, outrage. Dismissed for access, favor and larger corporate interests. The business model, in this configuration, hamstrings itself and everyone dependent upon it.
Third, and the less obtrusive, point, now that I’ve given you a thumbnail of Sullivan’s impressive bona fides: who are the news leaders here? Hers is only one pen, and she is well regarded by her peers. Sullivan does her part in trying to set tone. This interview with Public Notice, a quality independent outlet, furthers that conversation somewhat. At least she uses “We.” There’s a complicity in the problem, and she knows it. (And, if you read that, you do to, now.) For a media critic to have a criticism is proper. For it to go unheeded, for the sake of a dollar, with so much at stake, is a dereliction of civic responsibility.
Separately, but also related …
Some 16 years ago (give or take), there was this notion that companies and events would hire journalists to cover their programming.*
Mingling with the top brass and world leaders at the NATO summit in Washington this week will be some fresher faces on a unique mission: social media influencers recruited to improve NATO’s image with young people.
NATO invited 16 content creators from member nations including Belgium, Canada, the United States and Britain to attend the summit. The United States is running its own social media mission in support. An additional 27 creators were invited to the summit by the Defense Department and the State Department, which last year became the first Cabinet-level agency to establish a team dedicated to partnerships with digital content creators.
The creators have large followings on platforms including TikTok, YouTube and Instagram, and cover topics ranging from politics to national security to news, current events and pop culture. In the space of 48 hours this week, a band of creators met with top officials from the most powerful institutions in D.C., including the Pentagon and State Department. At the White House, they met with John Kirby, President Biden’s national security communications adviser. At least two creators were granted interviews with Secretary of State Antony Blinken.
The tools, of course, exist to reach desired audiences directly. And now an enterprising entity can. This will come with varied results, of course. Some such influencers may have a great grasp of their subject matter. Perhaps more than a parachuting journalist. This could be useful. Some could have less. This could become propaganda.
Think on that awhile. With the news media diminished, and avenues to the public zeitgeist easily and readily available, what are the best approaches for an agency or nation-state to deliver its message? And who defines “best?”
It’s a brave new world out there, where the Huxleyan and the Orwellian meet.
*Yes! Our best media thinkers invented corporate hack stringers for everyone!
We went for a bike ride with one of The Yankee’s running groups. She’s running with two groups. One of them has a subset of people who do triathlons. And, once a week, they do a brick workout. They go out for a ride, and then they run.
So we went to that nearby town. Parked at one of the group member’s houses, and went out for a ride. This was the ride before the group ride. We just went … that way for a while, and then turned around to go back for the group ride.
So it was a warmup ride. Also the headwinds were about 15-20 miles per hour. I worked quite hard to stay on her wheel.
And then came the group ride. They all just go out … that way … at their own pace for a fixed time. The diea is that they all return to the starting place at roughly the same time for a quick run. I am not running just now — I’ll get back to it one of these days — so I just kept riding into those headwinds.
When I turned around, I saw some bramble berries, so I stopped and had a few of those. Anyway, it all turned into a nice two hours. A 36-mile ride that felt pretty good after my recent almost-illness.
From today’s adventure, to a previous bike ride, then.
It’s time once more for We Learn Wednesdays, where we discover the county’s historical markers via bike rides. This is the 40th installment, and the 72nd marker in the We Learn Wednesdays series.
The state really should get around to updating some of these signs …
Pea Patch Island Heronry is the largest Atlantic Coast nesting ground north of Florida for wading birds. Originally a dredge disposal site, this vegetated high ground has been a nesting habitat for nine species of wading birds since the 1970s. It is one of the few protected areas available for these birds. Pea Patch Island supports between 5,000 and 12,000 breeding pairs annually.
Wading birds are highly social and thrive in noisy crowded colonies. However, the habitat available for these birds is being threatened by oil spills, industrial pollution, and pesticides. Protecting the heronry is critical to the survival of these species. By observing the population of these wading birds, the health of the wetland can be determined. A low population can be an early warning sign of environmental changes in these areas.
The heronry shares Pea Patch Island with historic Fort Delaware. It is a designated nature preserve with limited access and is managed by the Division of Parks and Recreation.
Local folklore has it that a boat loaded with peas that ran aground on a mud shoal in the 1770s. The spilled peas sprouted, mud caught in the vines, and so the island grew. Today they call it Pea Patch Island.
The seasonal ferry will take you there. And that’s what the heronry marker is about, ultimately.
As for the island on which it sits, In 1794, the island appeared on a map from the first time. Around that same time Pierre L’Enfant — you remember that name, he designed Washington D.C. — suggested that the island should be used as river defense. The installation burned in the 1830s. A new fort there became a prison camp during the Civil War. Pea Patch Island was only about 75 acres in size at the time. It was abandoned in the 1870s, but briefly came back to life during the Spanish-American War, and saw some service in World War I and World War II. It got larger in the interim. Earth dredged from the river was dumped onto and around the island in 1906, giving it the modern size, about 300 acres.
It’s a state park. There’s the fort, and the birds, and that’s it.
The marker, above, also features illustrations of some of the birds you’ll find there, and their approximate nest heights.
Great Blue Heron (50 feet, tall trees)
Black-Crowned Night Heron (15 feet, small trees)
Little Blue Heron (1-2 feet, shrubs)
Great Egret (40 feet, tall trees)
Snowy Egret (5 feet, shrubs)
Yellow-Crowned Night Heron (30 feet, small trees)
Cattle Egret (3 feet, shrubs)
Tri-Colored Heron (2 feet, shrubs)
Glossy Ibis (low shrubs)
If you go over to Pea Patch Island, take your bug spray.
It is so hot, it must be July. Later this week, I’m shopping for ice vests. Summer just feels different, the older I get, and it is, of course, getting hotter, too. Maybe I should invest in ice vests.
We sat in the water to read. Shade, body-temperature water and good books. There was little relief in the activity. But it was a lovely activity.
I finished reading a biography on Gino Bartoli, Road to Valor. It’s one of about 250 books you can get on Ginettacio, any number of which are quality reads. It’s one of the handful that focuses a bit more on the Gino the Pious aspect of the man. Champion cyclist, hero of Italy, Resistenza italiana, who had his best years on the bike taken away by the war, a man who nevertheless used his bike to save an uncounted number of people’s lives during that time.
Among his highlights, Bartali won the Giro d’Italia in 1936 and 1937 and the Tour de France in 1938. Then the war, and when it was time to race again, he was already viewed, in his early 30s, as an old man. And so the anziano won the Giro again in 1946, and the Tour in 1948. It was, and remains, the longest between Tour wins and the second longest such streak in the Giro, which brings us to his rival, the great Fausto Coppi.
Coppi was the vanguard of the next generation of great Italian bike racers, another top talent, and he didn’t want to sit in line behind the old man, hence the rivalry. The book oversells it a little. There are stories, not included here, of how the two got along and worked together, even at the peak of their rivalry. But that duality doesn’t lend itself to drama, one supposes.
(Coppi would later set the mark for the longest interval between wins in the Giro.)
Everything about Bartali’s life — short of his riding a bike at the absolute peak of his powers — strikes you as a hard life. But it isn’t a hard read. The authors, Aili McConnon and Andres McConnon, took great pains with their source material and interviewed many people who knew Bartali. He was the subject of some of the myth-making, lyrical style of mid-century Italian journalism, but none of that was used here. Instead, this easy breezy read comes off a tiny bit elementary. It’s a backhanded compliment: I enjoyed the story they were telling. I wanted more of it.
There are other stories about his time during the war that deserve more attention. He put some of his Jewish friends in an apartment he owned, hid people in his cellar. The biography discusses his ferrying messages and forged documents through the Italian underground, hiding them in the frame of his bike and risk his life, trading on his celebrity, to move this information from one place to another. There are varying accounts of how this played out with the fascists and the Nazis, but that gets glossed over somewhat. There was no mention of his leading refugees toward the Swiss Alps in 1943. Some of the gloss is understandable. It wasn’t something he talked about, and a lot of it are now vague and, contemporaneously dangerous diary entries others kept, or decades old recollections. Bartali himself told his son, “One does these things and then that’s that.”
It was an act of his faith, and then, like many people, he simply tried to return to his life, tried to build a new and better one. And chapters and chapters could have been written about that, for most of us are fortunate enough to not know the experience. Just after the war, for example, when Italians started racing bikes again, they did not race for money. No one had any. They raced for chickens. Or for supplies. Or, in one instance, there was a race for pipes, that the winner gave his community so they could continue rebuilding their infrastructure.
There are always a lot more to these stories, is all.
I had a 2,500 yard swim today. The water was about 92 degrees. It felt a bit warm for a swim.
Swimmers say they swim faster in colder water. I swim slow enough, under any conditions, for this to be a negligible, to say nothing of perceiving it. But I did notice how warm the water is. Can a pool feel sticky?
Just as I finished my laps, I saw a plane turning north overhead. I waited until this moment to take a picture, because I thought I might need to make up a navel-gazing essay about two planes occupying the same plane and what it means for time and conspiracy theories and the efficacy of windshield wipers at speed.
But then I rememebered, it is Tuesday, and I’m not pressed for content.
Still, airlines aside, do you think a pilot ever gets up in the air and aims for a contrail? Just to break it up?
And while you think about that, please enjoy one of our stands of brown-eyed susan flowers (Rudbeckia triloba).
If anyone needs some for an art project, a bouquet or flower pressing, let me know. We have plenty.
And, finally, we return once more to the Re-Listening project. Longtime readers now this is an intermittent feature. In my car, I am playing all of my CDs, in the order of their acquisition. Here, I am writing about some of what I hear. It is one part reminiscence, one part excuse to put some good music in this space and entirely an excuse to pad the site.
I’ve been behind on the Re-Listening project for … I dunno … roughly a year. (See? Very intermittent.) It looks, though, as I’ll be caught up next week. That’s a weird feeling. But I digress.
So we’ll return to 2005, when I was listening to the 2004 Harry Connick Jr. release, “Only You.” it was his 21st studio album. It earned a Grammy nomination debuted at number five on the Billboard 200 in the U.S. and hit the top 10 in the UK and Australia. All of the tracks are Baby Boomer standards. I think I picked this up used.
I played this whenever The Yankee was around so I would appear cultured.
My favorite songs were full of understated little moments. The Temptations and Stevie Wonder and a big handful of other recording artists made it famous, but Connick had to do it too. He puts some nice coloratura to it. And that little vocal nod at 1:24 somehow makes the whole song.
I was, and remain, a fan of this one.
And since we’re listening to standards, the next CD up in the Re-Listening project is a Frank Sinatra greatest hits, another 2005 library find. I prefer Deano, but this is pretty good. “Nice ‘n’ Easy” spent nine weeks atop the Billboard chart in 1960, and was nominated for the Grammy in the Album of the Year, Best Male Vocal Performance and Best Arrangement categories. It went gold. Old blue eyes could do no wrong, right? He was doing some things right here, to be sure.
It’s one of those records that is useful to have, but I never really played all of that much.
This is Sinatra’s take of a Hoagy Carmichael-Ned Washington classic. It’s beautiful.
There are 16 tracks, almost all of them are performed as ballads. The notable exception is the first song, the title track.
George and Ira Gershwin wrote this one for an operetta that was never realized. Ginger Rogers and Fred Aistaire brought it to life, Billie Holiday immortalized it. And then came Sinatra. There’s a story out there about how he had to really understand a song, really feel a song, to be able to sing it, and this song is on a slow enough roll that you can think about that for a bit, and then, sure enough, you hear it.
Most of the tracks here will be at least passingly familiar to casual listeners, but you have to have an affinity for 1947 music to know this song. Those times when I play this CD I marvel at how I’ve never heard this before. In 1947 Art Lund, Dick Haymes, Sinatra, Dennis Day, The Pied Pipers and Frankie Laine all had a hit with it. (Lund’s version topped the charts. Sinatra’s peaked at number six.) The Four Freshmen, Andy Williams and Dean Martin all made renditions later as well. But the first time I heard it, it sounded like this.
Those crying violins put you in that cafe, but the voice really puts you in the seat at the table.
And that’ll do it, for now. The next time we return to the Re-Listening project we’ll try some 2000 Americana pop from Minneapolis. And then I’ll be caught up. Unless I get behind again by then.
I’m beginning to feel better, thanks for asking. It is now later in the day before I feel sapped. It takes a bit more exertion to feel weary. These are important progressions, signs and portents of recovery summer. Don’t think I’m not frustrated by having been laid semi-low for three weeks and change from a sinus infection. We’ll see how I hold up this week.
I will demand refunds. I will not get them, but I will demand them.
But I am improving!
Here’s a bit of proof. I had a nice long swim on Saturday. It was ugly. I think I wrote, in my tracking app, that it wa ragged. Or raggedy. It was at least one of those things, if not both.
But I got in 2,000 yards. I jumped in the pool fully expecting I would soon be frustrated, but about a third of the way through I began to wonder if, instead of dying in the water, my shoulders would ever warm up. And then, finally they did. About two-thirds of the way through it finally turned into an acceptable swim.
That usually lasts about 500 yards for me, even on a normal day.
Tried a bike ride, just my second ride of the month and my third ride in … a while. (That’s how you know I’ve not been goldbricking, I suppose.) I had a little ride last Monday and it turned into one of the weirdest, hardest experiences I’ve had in years. So waiting was the new plan, and I did that until Friday.
My lovely bride invited me on a 25-mile ride. Then she told me the route she planned, and I knew this was not a 25-mile ride. I didn’t say anything, because some things have to be learned, and re-learned, for yourself. This is how it went.
Started out great! Tailwind! Much fast, many pedals, happy mood.
Then, for an inexplicable reason, I saw this guy in a corn field.
I rode well for the first hour, and then struggled for 20 minutes or so. And then, at exactly 25 miles, my legs had a talk with my mind and soon after I was left to sweat and struggle my way through a humid half hour.
When I got back, I received a cute little apology that the 25-mile route was, in fact, a 34-mile ride.
We’ve done that route, a combination of our two default rides, several times before, but some things insist on being learned in their own time. I’m sure, in time, we’ll have that same experience again. I’ll just fuel better.
In the meantime, I have to get back in better shape.
I sat outside the other night and listened to the noisy, noisy birds. Usually they blend in, but they were adamant at being noticed at midnight, when good birds should be sleeping. And then I remembered I have this app on my phone that listens to bird song and tells me who is violating noise ordinances.
These were our Friday night birds.
On Saturday morning, we had another visitor. He’s been by before. This, I assure you, is a sturdy, thick, frog.
No idea where he comes to us from. I always try to make sure he’s got good coverage. I wish I knew his pond or stream, so I could help him get back there. The closest water is about 900 yards away. That would have been quite a few hops, even for a frog of this size.
Sunday afternoon posing.
And speaking of posing, as we check in on the kitties, it’s the return of … Super Phoebe!
When she’s done taking a nap like that, she will push off with her back legs and spin herself down to the floor. Super Phoebe is a hopefully, an excellent nap.
Here she is in her secret identity, Posing Phoebe.
Every now and again Poseidon rediscovers the exhaust installation over the stove.
Thankfully, he leaves the spice cabinets alone. Perhaps surprisingly so. That’d be his sort of chaos, really.
As I often say about him, it is a good thing he can be charming.
After several weeks away from this feature, we return to the dusty old pages of old yearbooks. Pretty pictures from the Plains, incoming.
That’s the 1944 edition of The Glomerata, the yearbook of my alma mater. I collect the yearbooks. For one, they look great. For another, it’s a unique, and contained, hobby. I like that it was a finite thing. The first Glom was published in 1897. (I don’t have that one, so if you run across it … ) and the last one I’ll collect was the 2016 book. There are 120 in between. (One year they published two books.) I now have 112 of them.
While war was raging abroad, at home, on the college campuses, a different battle was being played out. Funding was always the question, always the fight. The University of Alabama was in a near-blood feud with Auburn, and the University of Montevallo. The legislature created the Alabama Educational Survey Commission to prepare recommendations for the 1945 legislative session. The people running the campus in Tuscaloosa sent a contemptuous report to that commission, which got Auburn president Luther N. Duncan’s attention. He said he’d never seen “a bolder, more deliberate, more vicious, or more deceptive document.” Duncan turned to his alumni base and said that if supporters of Auburn and Montevallo did not rise up to combat “this evil monster,” it would consume them “just like the doctrine of Hitler.”
It would be a mistake to think the tension between the two schools was about football.
And if the war rhetoric was overcooked between state-level officials, war was almost omnipresent for the people.
Just before school started, a young John Kennedy had his PT boat rammed and destroyed in the Pacific, the Allies conquered Sicily. In September, Dwight Eisenhower announced the surrender of Italy. That fall, Americans were looking for places like Bougainville, Tawara and the Gilbert Islands on maps. Stalin, Churchill and FDR met in Tehran that November. The following month, listeners heard Edward R. Murrow’s classic report, “Orchestrated Hell.”
At the end of 1943 and the beginning of 1944, The Great Depression ended, the Allied slog up against dug-in Germans through Italy dragged on. The Marshall Islands, Monte Cassino, Leipzig, the Mariana Islands began to enter into the newspapers in February. By mid-March, the war talk was about the bombing of Vienna, the Russian army reaching Romania and Germany occupying Hungary. In the spring of 1944, everything was still uncertain, and this is how some young people got up and went to school each day.
In 1944, the war shadowed everything, and its all over this yearbook, too, as we’ll see.
The book I have is signed Mrs. Joe H. Page. She, or someone else, helpfully told me where to find Joe’s photo. It’s in the Army’s Specialized Training Program. We’ll talk more about that program in a week or two, but the ASTP was prompted by General George C. Marshall’s recognizing that the U.S. Army had to overcome a shortage of soldiers trained in a variety of professional and technical capacities. Most of the people that went into ASTP were active duty soldiers, and they were enrolling for up to two years of engineering, languages, dentistry and more.
It took up 20 pages of this Glom, and there are 800 headshots of the people who made up this special category of the student body. Joe Page was one of those men.
Joe was born in 1924. At least one branch of his family could trace its lineage in Alabama back to territorial days. He died in 1980. His wife, Betty, lived until 2009. I looked in a few of the other books and I don’t see evidence that she attended Auburn. Her sister did. We’ll meet her in three or four weeks. But this is Joe, and this was his Glom. He and Betty had four children, all still living in Alabama.
The first full page sets the tone. It’s bright, and also subdued. It has playful graphics. And the future they saw was in science.
Then there are a handful of well done, double-truck photos, wide shots, atmospherics, silhouettes of people walking, and buildings. It comes with a ribbon of text that runs across the four pages. Here’s one half, just because the composition was promising.
The non-poem says:
Morning’s mists disappear into the early sun and day is launched in lonely splendor ….. to ripen, then, into a brazen noon — holding its bated breath under a heated sky … and chills into the long limpid shades of evening — to remain as a memory of our loveliest village.
I never know what these passages are meant to mean, or how they come to pass, and time has forgotten the unimportant conversations that came before them. Who supported the prose, and who groaned about it? Doesn’t matter. It’s surely meant to set a tone, that earnest tone we all had at 21.
Part of that passage, the brazen noon part, is over this photo. It’s another nice two-page spread of Ross Hall. It housed chemistry and became home to mechanical, chemical and aerospace engineering in the 1970s. I was always ambivalent about the building, but it’s a lovely composition. There are nine cars in the shot. And though the modern view has lovely landscaping, there are a lot more cars in view if you stand in that exact same spot today.
I wish we knew who these people were. Or where this was. We’ll have some open questions going forward. The 1944 Glomerata, at least in the early pages, is a bit spare in terms of cutlines. I also wonder if that hat was his. I wonder which of the two was more interested in this chat. And what was their relationship? And what did it become? and could either of them imagine we’d be contemplating this one moment, 80 years later?
That page was titled “diversion,” for some reason. The next page was “aversion.” I guess we disliked shop assignments and studying and what not.
All of that comes before the foreword, which reads:
We give you this Glomerata of 1944 as a record of some of your days at Auburn, with the hope that in future years you may open it to recapture in memory the spirit of the fun and the work you knew, and the friends you made and kept here in the “loveliest village.” In a warring world some things wave and fall, succumbing to the tide of change, but those days at Auburn will remain in your mind as a brilliant ray when the dull fog of strife is long forgotten. May this book serve to help keep that memory bright. This, then, is your Glomerata for nineteen hundred and forty-four.
There was always the war. This is Lawrence Cottle and Gibbs Ashley, the presidents of the executive cabinet. This was an undergrad organization that programmed campus activities. They also assisted in the community drives for war bonds, the Red Cross and more.
Cottle was a senior, from Montgomery, studying veterinary medicine. He married a woman who, I think, was a sophomore in 1944. He would live to 86, having run a small animal clinic in Mobile. His wife, a teacher and a tapestry artist, died just a few months before he did, in 2010. They had three children, six grandchildren and four great-grandchildren.
Ashley was also a senior, from a small town in Florida that had less than 2,000 people in it when he went to school. He was also studying veterinary medicine. His wife died in 1975,they had two children and four grandchildren. His wife passed away in 1975. He remarried at some point, then retired from his own clinic. He volunteered with the Humane Society and kept playing golf. He passed away in 1991, just 67.
Do you ever see photos of people you don’t know and see people you do know in them? This is Audrey Wilson, president of the women’s student government association in 1944. She was a senior. She also wrote for the campus paper. She was studying home economics, and from Evergreen, a small town in south Alabama that had about 3,000 people living in it back then, and not many more in it today. But I see someone entirely more familiar. It’s startling.
Sometimes we just wind up with mysteries. I haven’t yet found anything else about her.
This is Fred Duggar, the editor of the Glomerata. The page he’s working on here is the first one we saw today. John Frederick Duggar, III, was a senior, an architecture major from the impossibly small Hope Hull, Alabama. Fred’s parents are both buried at Pine Hill, in Auburn, at my favorite cemetery. His grandfather, the namesake, is also buried there. That man was a professor of agriculture and director of the Alabama Cooperative Extension Service. All told, the original John spent almost 50 years on campus.
Our guy, Fred, lived in Atlanta. He published an architectural book in the 1980s that is still a prominent seller in the genre, according to Amazon. He died in 2008 and is also buried at Pine Hill.
The Glomerata lists 16 people as staff, but says the book was produced in a continual “state of flux due to the war. The guy sitting in the left foreground is Frank Benning, a freshman from Atlanta, who was studying architecture. I assume their common studies will show their influence in some of the layout choices going forward. I believe he designed a movie theater outside of Atlanta. Not sure what else he did.
That guy, standing in the background? We’ll meet him next week.
