Re-Listening

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16
Jul 24

‘Step high and light’

Just when you thought the sinusitis was done with you, the head thickens once again. Otherwise? Feel great! Except for right around the middle of the head. It’s just a head pressure thing, a let me go and move on abut my day thing, an enough already thing. It’ll be fine soon.

So, it’s back to the OTC pills.

I treated myself to a nice long swim today. The water was warm, 92 degrees the thermometer said, and it is true what swimmers say, you swim faster in colder water.

That’s why I went slow, you see. Has nothing to do with taking forever to get my arms warmed up. Nothing to do with poor form. Nothing to do the continued head cold recovery. It was all about the warm water.

But I did have a nice 3,000 yards of it.

It gave me a lot of time to think of something legendary swim coach David Marsh told me. He has won 12 national team championships and 89 individual NCAA champions, and he’s coached 49 Olympians, so you come around to thinking he knows a thing or two about what happens in a pool.

On a show I hosted, he told me, “You have to respect someone willing to spend hours and hours, swimming hundreds of laps, to shave a thousandth of a second off of their best time.”

I didn’t swim a lot then, but I thought I understood his point. But now, swimming lots of laps of my own, I appreciate the point a bit more.

See? I’m slow in the pool.

I’m never shaving anything off my time.

But I bet if Marsh stopped by, he could give me two pointers that would improve everything.

Too bad he’s busy just now, Olympic year and all.

We return to the Re-Listening project. I’ve been playing all of my old CDs in my car, in the order of their acquisition. The real point is to just enjoy the music, but I’ve doubled my value by using it as a way to pad out the site with a few memories and some good music. These aren’t reviews, far from it; there are enough of those, and then some, out there. Besides, we’re going back to 2005, or 2006, to discuss a 2000 record.

I picked up “Smile” without knowing anything about it, because I’d been fully bitten by The Jayhawks bug. It was their sixth studio album, and it was a move in a somewhat new direction for the band from Minnesota. The alt-country, jangle-pop sound gave way to a more straightforward pop, sonically.

“Smile” reached number 129 on the Billboard 200 and number 14 on Billboard’s Top Internet Albums chart, which no one knew existed.

If you picked up this album, the first sounds you heard were also the title track.

It isn’t entirely devoid of the jangle-pop sound we all loved so much. But you can chart the progression all throughout the record.

But you couldn’t overlook the new direction. Probably it didn’t sit well with the purists, but Gary Olson was gone (for the first time) and this was their second album without him. It was like they were looking for something. And it took a little getting used to.

They were clearly exploring new distortion pedals. If you sit with it, though, the lyrics are still strong in spirit. Most importantly, the harmonies were still shimmering.

This was always a car CD for me. A lot of back-and-forth to work, 20 or 25 minutes at a time, for quite a while. I was probably late a lot. Hurried parking lots and the like. I remember I bombarded The Yankee with it, because we were carpooling at the time, but she preferred other Jayhawks records, I think. I also think it’s hard to go wrong. What you get, across their catalog, is material for a lot of different moods.

The Jayhawks are going back on the road next month. And, in October, they’ll be playing a show about two-and-a-half hours from us. This was the first band my lovely bride and I saw together. They were about that same distance away that night. And the next day we decided we, in our late 20s, were too old for driving that far and back in one night for a show, with work the day after. (We were both working morning drive at the time and being in the newsroom at 6 a.m. the next day was not easy or pleasant.)

But this show is on a Saturday. Something to think about.

And with that we are, for the time being, caught up in the Re-Listening project. But there are still about 150 CDs to hear again, and share with you.

Come back tomorrow, we’ll talk about a neat little light.

books / music / photo / Re-Listening / swimming / Tuesday / video — Comments Off on Mid-century sod
9
Jul 24

Mid-century sod

It is so hot, it must be July. Later this week, I’m shopping for ice vests. Summer just feels different, the older I get, and it is, of course, getting hotter, too. Maybe I should invest in ice vests.

We sat in the water to read. Shade, body-temperature water and good books. There was little relief in the activity. But it was a lovely activity.

I finished reading a biography on Gino Bartoli, Road to Valor. It’s one of about 250 books you can get on Ginettacio, any number of which are quality reads. It’s one of the handful that focuses a bit more on the Gino the Pious aspect of the man. Champion cyclist, hero of Italy, Resistenza italiana, who had his best years on the bike taken away by the war, a man who nevertheless used his bike to save an uncounted number of people’s lives during that time.

Among his highlights, Bartali won the Giro d’Italia in 1936 and 1937 and the Tour de France in 1938. Then the war, and when it was time to race again, he was already viewed, in his early 30s, as an old man. And so the anziano won the Giro again in 1946, and the Tour in 1948. It was, and remains, the longest between Tour wins and the second longest such streak in the Giro, which brings us to his rival, the great Fausto Coppi.

Coppi was the vanguard of the next generation of great Italian bike racers, another top talent, and he didn’t want to sit in line behind the old man, hence the rivalry. The book oversells it a little. There are stories, not included here, of how the two got along and worked together, even at the peak of their rivalry. But that duality doesn’t lend itself to drama, one supposes.

(Coppi would later set the mark for the longest interval between wins in the Giro.)

Everything about Bartali’s life — short of his riding a bike at the absolute peak of his powers — strikes you as a hard life. But it isn’t a hard read. The authors, Aili McConnon and Andres McConnon, took great pains with their source material and interviewed many people who knew Bartali. He was the subject of some of the myth-making, lyrical style of mid-century Italian journalism, but none of that was used here. Instead, this easy breezy read comes off a tiny bit elementary. It’s a backhanded compliment: I enjoyed the story they were telling. I wanted more of it.

There are other stories about his time during the war that deserve more attention. He put some of his Jewish friends in an apartment he owned, hid people in his cellar. The biography discusses his ferrying messages and forged documents through the Italian underground, hiding them in the frame of his bike and risk his life, trading on his celebrity, to move this information from one place to another. There are varying accounts of how this played out with the fascists and the Nazis, but that gets glossed over somewhat. There was no mention of his leading refugees toward the Swiss Alps in 1943. Some of the gloss is understandable. It wasn’t something he talked about, and a lot of it are now vague and, contemporaneously dangerous diary entries others kept, or decades old recollections. Bartali himself told his son, “One does these things and then that’s that.”

It was an act of his faith, and then, like many people, he simply tried to return to his life, tried to build a new and better one. And chapters and chapters could have been written about that, for most of us are fortunate enough to not know the experience. Just after the war, for example, when Italians started racing bikes again, they did not race for money. No one had any. They raced for chickens. Or for supplies. Or, in one instance, there was a race for pipes, that the winner gave his community so they could continue rebuilding their infrastructure.

There are always a lot more to these stories, is all.

I had a 2,500 yard swim today. The water was about 92 degrees. It felt a bit warm for a swim.

Swimmers say they swim faster in colder water. I swim slow enough, under any conditions, for this to be a negligible, to say nothing of perceiving it. But I did notice how warm the water is. Can a pool feel sticky?

Just as I finished my laps, I saw a plane turning north overhead. I waited until this moment to take a picture, because I thought I might need to make up a navel-gazing essay about two planes occupying the same plane and what it means for time and conspiracy theories and the efficacy of windshield wipers at speed.

But then I rememebered, it is Tuesday, and I’m not pressed for content.

Still, airlines aside, do you think a pilot ever gets up in the air and aims for a contrail? Just to break it up?

And while you think about that, please enjoy one of our stands of brown-eyed susan flowers (Rudbeckia triloba).

If anyone needs some for an art project, a bouquet or flower pressing, let me know. We have plenty.

And, finally, we return once more to the Re-Listening project. Longtime readers now this is an intermittent feature. In my car, I am playing all of my CDs, in the order of their acquisition. Here, I am writing about some of what I hear. It is one part reminiscence, one part excuse to put some good music in this space and entirely an excuse to pad the site.

I’ve been behind on the Re-Listening project for … I dunno … roughly a year. (See? Very intermittent.) It looks, though, as I’ll be caught up next week. That’s a weird feeling. But I digress.

So we’ll return to 2005, when I was listening to the 2004 Harry Connick Jr. release, “Only You.” it was his 21st studio album. It earned a Grammy nomination debuted at number five on the Billboard 200 in the U.S. and hit the top 10 in the UK and Australia. All of the tracks are Baby Boomer standards. I think I picked this up used.

I played this whenever The Yankee was around so I would appear cultured.

My favorite songs were full of understated little moments. The Temptations and Stevie Wonder and a big handful of other recording artists made it famous, but Connick had to do it too. He puts some nice coloratura to it. And that little vocal nod at 1:24 somehow makes the whole song.

I was, and remain, a fan of this one.

And since we’re listening to standards, the next CD up in the Re-Listening project is a Frank Sinatra greatest hits, another 2005 library find. I prefer Deano, but this is pretty good. “Nice ‘n’ Easy” spent nine weeks atop the Billboard chart in 1960, and was nominated for the Grammy in the Album of the Year, Best Male Vocal Performance and Best Arrangement categories. It went gold. Old blue eyes could do no wrong, right? He was doing some things right here, to be sure.

It’s one of those records that is useful to have, but I never really played all of that much.

This is Sinatra’s take of a Hoagy Carmichael-Ned Washington classic. It’s beautiful.

There are 16 tracks, almost all of them are performed as ballads. The notable exception is the first song, the title track.

George and Ira Gershwin wrote this one for an operetta that was never realized. Ginger Rogers and Fred Aistaire brought it to life, Billie Holiday immortalized it. And then came Sinatra. There’s a story out there about how he had to really understand a song, really feel a song, to be able to sing it, and this song is on a slow enough roll that you can think about that for a bit, and then, sure enough, you hear it.

Most of the tracks here will be at least passingly familiar to casual listeners, but you have to have an affinity for 1947 music to know this song. Those times when I play this CD I marvel at how I’ve never heard this before. In 1947 Art Lund, Dick Haymes, Sinatra, Dennis Day, The Pied Pipers and Frankie Laine all had a hit with it. (Lund’s version topped the charts. Sinatra’s peaked at number six.) The Four Freshmen, Andy Williams and Dean Martin all made renditions later as well. But the first time I heard it, it sounded like this.

Those crying violins put you in that cafe, but the voice really puts you in the seat at the table.

And that’ll do it, for now. The next time we return to the Re-Listening project we’ll try some 2000 Americana pop from Minneapolis. And then I’ll be caught up. Unless I get behind again by then.

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11
Jun 24

A mechanic, two hours of exercise, and music that still holds up

Took my lovely bride’s car to the shop yesterday and got it back the same afternoon. Regular maintenance sort of stuff. But things are better, she said.

The guy has a shop in the middle of a neighborhood. It’s a two-bay shop, with a slab that’s not big enough for the cars he has on the property. His office is all the way in the back, it’s a … careworn sort of place. That isn’t ordinarily the right word for this sort of thing, but it fits. No one is especially happy when they have to see their mechanic. You take a little angst and stress and — depending on your pocketbook or what’s going on — maybe a little anxiety to your mechanic. People bring in the things that make something careworn.

The couple of times we’ve been there, I’ve seen a few fishing poles in the front room. They’re just sitting there, on a pile of stuff that looks like it hasn’t been moved in a long time. Two rooms back, there’s the guy. A bit on the tall side, thick all the way around. Always wears a bandana. He strikes you as a time-is-money guy. He’s economical with his words, because if he’s talking with you he isn’t making money elsewhere.

I’m not even sure what the guy did to her car given the small amount of money he charged. I asked him to look into something about my car, too. And maybe he will. If he does, maybe he’ll charge me a low, low price, too.

It’ll cost more.

Monday was a beautiful, mild, sunny day. Today was perpetually overcast, but Monday was just lovely. The sort of day where you could unassumingly spend too much time indoors. The sort of day where you wouldn’t even notice it. I spent too much of it inside.

I did go for a little 30-mile bike ride, my first in eight days. I felt like I needed a few days after my last one, and then other things come along and fill your days and before you know it, you wonder if you’ll remember how to balance the thing. It’s embarrassing.

They closed a road while I wasn’t riding. The first sign I saw said the bridge was out. It’s an overpass over the freeway, and I figured it couldn’t be really out, because that would have inconvenienced the motorists below and surely I would have learned about this. So I ignored the signs and the barrels, rode right around them and up to the bridge. And only when I was on the thing did I worry, but the bridge is an engineering marvel and, halfway over, I rationalized that if it could hold itself up then whatever was going on wouldn’t be challenged too much by one guy and a bike.

Only nothing was going on with the bridge. The issue was a little further down the road. This was the issue.

Once I got around that I had, of course, another little stretch of road that was closed from the other direction for the same reason. Almost a mile guaranteed with no traffic. It was lovely! I should just go back and ride that over and over and over again, for as long as it lasts.

Meanwhile, last night was the night the local volunteer fire department … practices driving their trucks around? They actually closed down one road, and a volunteer who takes his traffic directing duties very seriously waved me onto this road.

I’ve never been on this road before! A new road! This particular area is laid out in a wide country grid, so I knew exactly where it would go. It was almost like being lost, but not nearly as fun. Being lost when your legs feel good is just about the most fun thing you can do on a bike. The other day The Yankee was telling me about a ride she had without me where she got turned around for a while and I said, “Really!?” a little excited, and a little jealous. So when I’m not haunting that closed road I need to find more new roads. (I have one in mind just now.)

I saw some beautiful cattle enjoying their evening graze.

Soon after, a fire truck passed me. And I met that rig two more times. I’m not at all certain what they were practicing. (And I know for certain it was VFD practice because they’d deployed signs in some of the areas that were impacted.) Maybe they have new drivers.

Early this afternoon I went for a swim. I put my camera on the bottom of the pool to document the experience.

The experience was laps. I swam, slowly, 1,250 yards. All part of the build up. The build up to swimming more, later. As usual, it took a while for my arms to feel like doing laps. The first 50 yards or so felt great. The next 600 and change felt sluggish. Somewhere between 700 and 735 yards, though, I felt like a champion swimmer. Long build ups, short peaks. Typical.

Actually it felt like a nice swim from about 700 yards through to the end, though I was ready to be done at the end.

Ever since I was a little boy, I said in my best Robert Redford voice, I’ve always gotten hungry around the water. Playing in it, splashing around in a lake, wading in a pool or swimming medium distances, they would all create the same deep hunger. It’s a familiar feeling that a lot of little boys and girls get. Only it never left me. I came to think of it as a physical and a mental need. I can just look at the water and get hungry, was a joke I told my friends. And so I had a second lunch today.

Which was great because, in the later afternoon, and into the early evening, I went out for a casual little 25-mile bike ride. I saw this tractor, which, if you look carefully, is dripping something on the road.

And I set three PRs this evening, all on (little) hills. I am not at all sure how that came to be, but I’ll take it.

Let us return, once more, to the Re-Listening project. As you may know, I’ve been listening to all of my old CDs in the order of their acquisition. I’m also writing a bit about them here, just to pad the site, share some good music and maybe stir up a memory or two.

And today we reach back to 2005, to listen to a CD that was released in 1995, Son Volt’s debut, “Trace.” Uncle Tupelo’s Jay Farrar left the band and that lead to the creation of Son Volt and Wilco (Uncle Tupelo sans Farrar). Wilco’s debut was released first, by a few months, but Son Volt’s debut, in September of 1995, was a bigger hit. Either way, listeners one. (Both bands were, and are, terrific. Two alt-rock, alt-country bands are better than one.)

“Trace” was a reasonable commercial hit, peaking at number 166 on the Billboard 200 chart and soaring to number 7 on the Billboard Heatseekers Albums chart. Perhaps even more importantly, it was a critical success.

“Windfall” was the first single, and the first track. This was the first Son Volt sound most of us heard.

Something about Farrar’s voice that conveys a desperate, lonely, honky tonk feel that you didn’t get a lot of at that time. It was the nineties! And this, for me, was a library pickup to help fill an important gap in the collection.

Here’s the thing, though. These guys could absolutely rock.

The first time I saw them live was at Midtown Music Festival, in Atlanta, in 1998. It was a three-day, seven-stage show. There were more than 100 bands there, absurdly good acts, and you could see the whole weekend’s worth of music — if you were willing to sweat and stand for the whole thing — for just $30 bucks. Son Volt played early Friday. Just after that we saw the Indigo Girls and in between songs Amy Ray said they’d been over to see Son Volt, too. “God bless those guys,” she said.

I saw them once more, the next year. On Valentine’s Day, in fact. I took a girl to a first date to see them. I’d met her in a record store — and somehow it seemed that we knew each other, or the same people, or people thought we knew one another — and music was important to her. Soon after, we worked together. I got tickets to the show and she decided to call it a date, which was unexpected, at least by me. We had a nice time, and I am came to find out later that I passed many tests that night. We dated for four months after that.

She’s manages a big construction company and is married to a realtor. They live close to the beaches where she grew up, close to her family. It looks pretty perfect for her. I wonder what sort of music she’s listening to these days.

If Son Volt is somehow on the list, she’ll have to travel to see them this summer. They are playing a few festivals. Still rocking.

adventures / music / photo / Re-Listening / swimming / Tuesday / video — Comments Off on Separation of powers
4
Jun 24

Separation of powers

I had a nice little swim this afternoon. It was little, just 1,000 yards. I am not a wise swimmer, but I am trying to be wise here. It’s early yet, I’m still building up distance or endurance or patience. I swam 1,000 the last time I was in the pool, and so my instinct today was to swim more. I thought I’d do 1,250 yards, but then I thought, no, the sensible thing to do would be to ease into things. And so I did that.

Dove in, the water was warm. Stepped on the strap of a kid’s goggles, and startled myself. A sea creature had gotten me! Laughed at myself. Started swimming. And swam and swam. This takes me a long time, because I am a slow swimmer.

But I found a random chart, with no attribution, on a random site that says my average 100 yard swim times are on par with people 15 and 20 years younger than me. So this chart is, obviously, incredibly accurate.

Of course, the times are for normal people, not fish, nor other species of superhumans or athletes. For all we know, they could be times of people who have never swam from one end of a pool to the other. It could be some ChatGPT chart that was really about cotton candy consumption times that got mislabeled, for all I know, but it suggests I’m swimming faster than young people, and I’ll take it.

We are installing a new closet system — and, Lord do I hate anything that uses the word “system” as a piece of unnecessary marketing. This is an installation for our guest bedroom. For the previous owners, this was a teenager’s room. The closet had the cheap, ubiquitous wire rack shelves. There were sliding glass doors. They’re coming out, too.

It was my lovely bride’s job to decide to upgrade the closet. It was also her job to pick the closet system. It was my job to remove the doors.

The secret to these projects is simple for us. She can build a thing. I can build a thing. We can’t build it together. So I left her alone, right there, to assemble the system. It became my job, after that, to make it actually fit.

The system has three clothes rods. Two at the traditional height and one that is lower. One side of each rod is anchored into the walls, and the other side of each rod will be attached to this MDF shelving unit. Each of these has two rods, one telescoping inside the other. And they’re all too large to work in tandem, and two short to work alone.

So it was my job to solve this problem. To the garage! And the hacksaw! The job was to slice through six medium grade hollow tubes of aluminum.

And then I sanded the burrs away.

She’ll install them tomorrow. I’ll let her put them into place. She likes to build things. It’s the sense of control and progress, I think. On these projects, I just say, I’ll be in my office if you need me. After some muttering, she’ll have made a nice little upgrade.

A now custom-built closet system.

Let us return to the Re-Listening project, where I am writing about all of my old CDs, which I am listening to in my car, in the order of their acquisition. This is just a nice pad, a good excuse to listen to some music, and a trip down memory lane.

And we are still a few decades in the past. (Which is funny because I have new music burning a metaphorical hole in my pocket that I’d really like to get to while I still, loosely, remember their order.

Anyway, the next disc up was something a friend and co-worker burned for me. It was 2004, and I was at al.com and it was late in the year, so I was no longer new there. My buddy made this mix of remixes. It was primarily Beatles, which we had debated at length, mixed with the Beastie Boys, who I never really appreciated. It’s possible he might have been trolling me, come to think of it. But at the end of the disc, he included this track, which still holds up incredibly, incredibly well.

The rest of the remixes weren’t really my thing, but as I was listening to this on a recent night I was struck by the production values. The quality of the mixes was phenomenal, even for the early oughts.

That guy, and his wife, are still dear friends. Tonight, on Facebook, I saw photos of their son graduating high school. I held that boy in my arms when he was a newborn, and now he has a high school diploma.

And now I have to find a way to send those songs back to him. A project for next week.

But, since that mix disc doesn’t really count, we move on. I bought this next disc on January 6, 2005. It had a bonus CD. It didn’t change everything, they’d already changed everything. But, for $8.48 it proved a point I’d already realized about the importance of The Jayhawks.

“Rainy Day Music” was their seventh studio album. It debuted at number 51 on the Billboard 200 in April of 2003. They moved 19,000 copies that week. It was critically well received. Here’s a Wiki summary …

Rainy Day Music received generally positive reviews from critics. Dirty Linen described the album as “a low-key effort that features delicate harmonies, recalling California relatives such as Poco and the post-Gram Parsons Burrito Brothers”. Uncut called the album “all acoustic guitars, rich jangling melodies and heavenly harmonies” and wrote that Gary Louris “has come up with some of his most memorable compositions.” Will Hermes of Entertainment Weekly described it as “folk-rock laced with banjos, accordions, and pedal steel” and “the roots move one suspects fans have wanted for years, its classic rock flavor echoing the Byrds, CSNY, and Poco”. Mojo wrote that “their new-found economy makes for some pretty lovely highpoints” and that “Louris is unquestionably a virtuoso, playing his parts with a decorous restraint, and contributing cooing, affectingly human vocals.”

… but no one raved about it enough, for it is a nearly perfect record, even two decades later.

This was the first track, where Gary Louris and Tim O’Reagan put these beautiful, delicate little harmonies together that so typify the sound.

The (almost) title track, which comes along as the fourth track, where, even if you were new to this, you knew you had some stripped down jangly pop genius and singalongs on your hands.

This is the song that The Yankee and I sing together. She, who often mishears lyrics and sings her own, sometimes even more compelling renditions, has a nice spin on this one. For her, it becomes a song about pancakes.

I think it was a deliberate mis-hearing in this case, but we’ve done it this way for 18 or 19 years now, and I don’t want to ask.

The Jayhawks, incidentally, were the first band we went to see together. Mark Olson was back with the band for a time, and so we drove over to Atlanta to watch them in March 2005. This CD was probably the first deep batch of their songs she’d heard.

It was a solid show.

There are 13 songs on the CD, and 10 of them are stand-outs, but this has to be my favorite. Between the bus driver smiling with every passing mile, and the song’s bridge. It’s hard, I think, to feel the same visceral way about a song, after hearing it hundreds and hundreds of times over the years, but not so difficult with this song.

The bonus CD included six additional tracks. Two demos, two alternate versions of songs found here, and a classic live track and between them, I’ve gotten my $8.48 worth and then some.

One of the alternates was an acoustic version of “Tampa to Tulsa.” Yeah.

Rainy day, sunny day, every day in between. This is the record for it.

Put another way, I bought this on Amazon in 2005, which is how I could recall the date and the price. And, of course, there’s a button there, just in case I would like to purchase it again. And I thought, Yeah, OK, until I realized the CD is right next to my elbow right now.

The Jayhawks are on tour — their in Spain right now — and will soon return to the U.S., to visit the Midwest and west coast. Maybe they’ll add some fall dates a little closer to me. I’d definitely go.

And, with that, we are now only five records behind in the Re-Listening project. So we’re right on time.

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30
May 24

A double miss!

Completely whiffed on the Wednesday feature yesterday. Whoops. This just a day after I skipped a planned Tuesday feature. It seems that, in my haste to be hasty, I’ve been too hasty. That’s the problem with speeding up, or taking one’s time, or both. Anyway, apologies for missing out on the markers. I’ll return to them next Wednesday. We’ll talk music below. But first … today was a peaceful, relaxing, “What was I supposed to be doing again? Oh, that’s right, nothing.” sort of day.

And then, breaking news via email. Isn’t that something? Wasn’t that something?

Usually, I know about the story before the emails come out. Social media, despite it’s many frustrations, is a swift informer. But I hadn’t been on any of the apps in a bit, and then the New York Times wrote.

My lovely bride was swimming laps at the time. When she was finished I told her the news, and we set about wondering what the comedians and the satirists would say.

I also looked back at what I was doing on this day a year ago. We were in Alabama, and it seems I was looking at the ol’ family tree.

Five years ago, I said one of those bike things that sounds like something profound in a waxy wrapper of nothing. Still seems true, though.

Ten years ago, we were in Alaska.

There’s no way in the world that was a decade ago.

Fifteen years ago, we were in Savannah, and Tybee Island.

Twenty years ago, I stopped by the local civic center, on a whim, which was hosting a model train convention.

Now, I’m no train enthusiast, but there are granddads and dads and children all being kids together, so why not?

I walk in and meet some nice people; one man telling me of some very historic parts of his collection — he’d accidentally been given the paperwork that documents J.P. Morgan’s purchase of an entire railroad; three men talking at length about how best to paint a cliff face and so on. But the best part was stumbling onto a booth with college merchandise.

I found this tapestry that I love. I got it for a song.

Now I just need to figure out how to display it, without it being used for cover.

Funny the things you do, and don’t remember.

We return to the Re-Listening project, which is where I pad the page out with music. I’m doing this because I am currently re-listening to all of my old CDs, in the order of their acquisition, in the car. It’s a wonderful trip down memory lane and I’m dragging you along, because the music is good.

Today we’ll do a double entry, since it is back-to-back of the same act. I picked these up in 2004, but the albums are older than that. If we’re going back to my first listen in 2004, we have to hop in the time machine and go back another decade to when Barenaked Ladies released “Maybe You Should Drive.” It was their second studio album, and went double platinum at home in Canada, where it peaked at number three. It was the band’s first visit to the US charts, sneaking in at 175 on the Billboard 200.

The first of two singles, “Jane” was an instant catalog classic for Steven Page.

There’s a lot of great work from Page on this record. Here’s one more fan-favorite, the second single, which just feels like a deep cut at this point.

I picked up this CD after a handful of the later BNL records, and several shows. So many of the songs I knew. (Three of these tracks are on Rock Spectacle, which was my first BNL purchase.) And so I don’t know when I first heard this song from Ed Robertson, but it’s one of those beautiful works that I’d like to be able to hear again for the first time.

The day I bought “Maybe You Should Drive” I also picked up “Born On A Pirate Ship,” and I wish I remember, now, where I got them. But because I got them together, these CDs have always belonged together. The former came out in 1994, the latter was the followup, released in 1996. It was another hit in Canada, peaking at number 12, and captured more American ears. “The Old Apartment” was a breakthrough single and video, and Pirate Ship went to 111 in the American Billboard chart. It was certified gold four years later. Andy Creegan had left the band, Kevin Hearn came in soon after, but this is a four-piece record.

It is peak 1990s Canada pop.

I still think this is a song about a dog, Catholicism and a bunch of other random things. It’s inscrutable.

People that just knew BNL from airplay — well the Americans anyway — will recall this as their first song.

It used to be that “When I Fall” seemed like it had to be a full, live show performance. But then Robertson played it in one of the Bathroom Sessions, and you heard it in a different way entirely.

Page will occasionally remind you he’s working on a different level. This is one of those times. Seeing it live is the preferable way* to take in this song, so go back with me to a time when it’s amazing we had washed-out-color video and you can’t explain the tracking squiggles to the children of the future. But don’t fixate on that, follow the performance.

That song … Steven Page … it just feels like it should be a misdemeanor to not know anything more than their later pop hits.

*I think karaoke would be another ideal way to hear “Break Your Heart,” but that’s just me.

One of two Jim Creeggan songs on Pirate Ship, this one sneaks up on you every time, which isn’t creepy at all. And for four minutes it just gets better and better and better, and bigger and bigger, even when it lulls, which is a lot of fun.

And here’s Creegan’s other track, which refuses to fit in any pop music mold.

BNL is touring the US this summer, though we won’t be able to see them. We did catch them last year though, which was the third time we’d seen them in two or three years. Everyone wishes Steven Page was still in the band, most everyone has wished that for 15 years, but aside from the 2018 Juno Awards celebration of the Canadian Rock ‘n’ Roll Hall of Fame induction, that may never happen. (Though they haven’t definitively ruled it out, and that’s what hope is aboot.) The band stills put on energetic rock ‘n’ roll shows. They’re very much worth seeing.

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