Re-Listening


12
Sep 24

The press section put me over the top

This will be quick, because I am behind. (Watch this now become a 3,000 word, two-hour post.) It was a lovely day, foggy this morning, but then the low clouds turned into mist and it all rolled out just before noon. The mercury got to 81, found that this was an appropriate effort for mid-September, and stared there. It was all delightful.

Two news items piqued my interest today. If you get two a day, you’re probably working too hard at it. If you get more than two a day, you’re probably living in a decade-long election cycle and you should put down the phone, close the computer, and walk away. So I stopped at two.

This first one, simply because I came up with a slogan that should appeal to two opposed elements of modern society, Republicans who think their pets are at risk from their neighbors, and anyone else that would like to not catch an illness from a sick neighbor in denial.

NJ Republican governor candidate introduces bill to outlaw wearing masks in public

A Republican candidate for New Jersey governor introduced new legislation Thursday that would prohibit people from wearing masks in public, just weeks after a similar bill was passed in Nassau County on Long Island.

The bill would prohibit masks in certain circumstances, but even its sponsor, Sen. Jon Bramnick, acknowledged that it is a long way from passing.

[…]

According to Bramnick, there are people using masks to disguise themselves and commit crimes, and that’s who he wants this bill to target.

He believes that ultimately it would be an additional charge when a crime is being committed and that “legitimate mask wearers have nothing to fear.”

The bill would make it a petty disorderly persons offense for people to congregate in public while wearing masks or obscuring their faces in some way to conceal their identity.

Legitimate mask wearers. Police will know the difference.

Look, politicians who need to demonstrate their tough-on-crime bona fides push these sort of proposals, without a single care about putting high risk and immunocompromised people in greater danger, all in the hope of squashing protests and heightening surveillance. That’s all we’re talking about here.

But here’s my idea. And it works as a slogan or bumper sticker.

You can’t eat the dogs or eat the cats if you are wearing a mask.

The newsroom’s editorial board calls this what it is.

Start with this basic question: What if a troublemaker simply decides to disguise his face with large sunglasses and a hat, instead? Are we going to criminalize sunglasses and hats, too? Where will it end?

Not to mention all the enforcement and constitutional problems that this bill presents. Even with an exception for people who wear masks for medical reasons, it’s a threat to personal freedoms, because it leaves it up to the cops to decide whether someone has a legitimate medical reason for wearing a mask at a public gathering.

How will they know that? It’s subjective. And based on past experience, we know what that means: Police will disproportionately stop and question Black and brown people, who have also been the most likely to continue wearing masks to protect against COVID-19.

And, as Jim Sullivan of the American Civil Liberties Union of New Jersey adds, this “overbroad and vague” bill “also gives law enforcement the ability to target people based on their political beliefs.”

This think piece … from Dan Froomkin, curiously enough, is just about the most frustrating thing you’ll find today.

Trump’s mental capacity is now topic one

The Donald Trump who melted down on the debate stage Tuesday night is not a well man.

He sounded like a lunatic. He expressed his belief in things that simply aren’t true. (Think: “They’re eating the dogs. They’re eating the cats.”) He was easily distracted. He repeated himself. He lied egregiously.

Is he competent to be president?

That’s a question journalists should be asking, prominently and relentlessly, until Election Day.

[…]

Concerns about Trump’s mental state are hardly new. They’ve been raised for years on social media, in opinion columns, and on cable TV. But they’ve generally been avoided by traditional news reporters.

The good news is that this is officially no longer a story that’s too hot for reporters to touch. A permission structure has been established — by the New York Times’s star political reporter Peter Baker no less.

PERMISSION?!? I yelled to no one at all. PERMISSION? NOW YOU HAVE PERMISSION?!?

I said Froomkin, curiously enough, because he started Press Watch for a particular reason.

Press Watch is an independent non-profit organization devoted to encouraging political journalists to fulfill their essential mission of creating an informed electorate and holding the powerful accountable. It is funded by donations from readers and the philanthropic community.

The Trump era, like never before, has exposed the weakness of the elite media’s refusal to be seen as “taking sides” in matters of public interest — even when it comes to verification of facts and democracy. As a result, corporate political journalism ends up spreading lies instead of shouting the truth. It engages in false equivalence that normalizes outrageous political extremism.

[…]

This website is intended to agitate for change. It encourages reporters to fight disinformation more enthusiastically and effectively, especially when our democracy and people’s lives are at stake. It identifies best practices that others can emulate. It urges the reality-based parts of the industry to explicitly condemn Fox News and other far-right propaganda outlets as disinformation operations.

People who love journalism are deeply troubled by the media’s loss of credibility with the public. Press Watch’s view is that we lose credibility by not fighting more assertively for the truth.

Permission. You don’t need permission. Or political cover. You need the support of your publisher and to inform your audience. A person, any person, running for high office is always under the microscope. Or should be. I can’t image how the news business has lost it’s credibility.

Permission.

It was a lovely afternoon for a swim, so I swam. My arms and feet took me one mile, but I ended up at the same place I started from. And that’s laps, to me. I say my feet, but it was mostly my arms. I am not a good swim kicker.

I keep forgetting to kick. Then I remember, and I kick. For about 15 yards, maybe less, and then I stop again. And a lap or so later I’ll remember, Kick! And so I kick. Maybe 10-15 years, and then I forget again. And I did this today for 1,720 yards. It was nice.

Back outside for the nightly chores, the view above was peaceful.

You can hear kids playing, and a few adults chatting up the street. It’s a perfect, mild THursday, and why wouldn’t they be outside doing those things until deep into the evening?

Let’s dip our toes back into the Re-Listening project. I’m playing all of my old CDs in my car, in the order in which I acquired them. So, I figured, why not write about them here, too? Pad the site! Content is king! And there’s nothing better than 20-year-old content!

Or so I told myself before I sat down to write about 2003’s “Long Time Coming,” Johnny Lang’s fourth studio album. I picked this up in 2006 or so. And, for me, it’s a record I’d listen to once in a long while. It doesn’t find a lot of extended play or repeats. Lang was a gifted performer — sadly, he’s had some health issues that took him away from music — and it’s important to remember here that he was 22(!!!) when he released his fourth album. But, with the exception of a few moments this one doesn’t really stand out as his earlier efforts did. It made it to #17 on the Billboard 200, which was his best placement yet, and great for mere mortals. His live record at the Ryman, in 2009, would climb to the second spot on the blues charts. And that makes sense, the guy was a seriously talented live perform.

This record, though, it wasn’t highly received, and while it hasn’t aged poorly, it isn’t a fine wine. And the Re-Listening project isn’t meant to be a review. I’m just posting music and occasionally trying to summon up a memory to go with a song. But I don’t have any here, because it just didn’t get that many spins. Right from the first track, you can feel the genre fusion beginning. There’s a bit of a lot of things on this album, and maybe that’s part of the issue. And, again, the guy’s 22 years old.

I’ve always thought this song should be on infinite rotation in produce sections across this great land of ours.

Tell me that you wouldn’t happily puzzle over the ripeness of that pineapple during that chorus.

If blue-eyed soul and blues had an exemplar … well, there are many … this would be one, too.

And that’s sort of the difficulty here. Lang had been blowing away critics and fans since he was 15 or so. Here, it just felt a little workmanlike.

As we realize, over and over, music is a strange business.

And there we go. Fifteen-hundred plus words. As I said, I’m behind.


10
Sep 24

Day two of a bit of grrr

I am waiting for a phone call. I waited yesterday. I have waited today. Tomorrow, I’m making a lot more phone calls. I am tired of waiting.

While we wait … it has been brought to my attention that I did not run the site’s most popular weekly feature yesterday. Apologies have been rendered and forgiveness offered, contingent upon my remedying the situation. So here we are, checking in on the kitties.

The other day I was removing boxes from upstairs to the recycling staging area — the garage — but Phoebe got there before I could complete the task.

So those boxes stayed just like that for a while. Finally, she moved. Finally, I convinced her there would be other boxes. Also, I reminded her of the other three or four boxes that are always around for her.

At some later point, she curled up next to me for a mid-afternoon nap. I have resolved to not being inside on beautiful days such as that, but there’s no resisting a power move like this. She covered her eyes, and everything.

Poseidon is ready to be plugged in. How else can he know if I am keeping up my end of the cat photo feature bargain? (People tell him, I’m sure.) Fortunately for me, he doesn’t know the difference between a power plug and a network plug.

He’s still not online. Good thing, too. He’s definitely the cat that would land us in the news for buying $4,000 of catnip and self sealing stem bolts.

And much like his sister, if there’s something he can climb into, he’s already been in it twice.

When the groceries come in, he is very helpful. He surprises our storage procedures, chews on plastic, examines the vegetables, raids the pantry, and climbs in the bags. Much of it happening faster than I can type it.

He is a boundless source of amusement.

We return to the Re-Listening project. This is the one where I am listening to all of my old CDs in the car, in the order of their acquisition. It’s an excuse, one I didn’t need, to listen to my old music. And I’m writing about it here to pad the site, maybe share a memory or two, and to include some good music. These aren’t music reviews, because no one needs a decades old review. This is a 2002 CD, one that I picked up used a few years later, in about 2006, just to round out my collection a little bit. And it’s a soundtrack.

“I Am Sam” was a Sean Penn and Michelle Pfeiffer vehicle. Diane West was in it too, and so was Dakota Fanning. But most people just remember Penn, and the Beatles covers.

It begins with “Two of Us,” a song my lovely bride and I sometimes sing to one another.

We all come to discover Rufus Wainwright in our own time, and that is right and as it should be, I’m certain of that. And track three was when I discovered Wainwright, and my goodness can he sing.

The whole album is easily findable online, of course. And there’s a some good stuff on there, if you like the Beatles, and aren’t bothered by covers of Beatles classics. I’m hit or miss on some of their catalog, but there’s something for everyone. I like the Wallflowers, Eddie Vedder, and Stereophonics covers.

I just learned that the European version, which I do not have, has a Nick Cave rendition of “Here Comes the Sun.” Nick Cave is brilliant, but I’m afraid it’d make me sad. That’s the song I played when I did the newscast that George Harrison died. It’s been 23 years, this November, and that’s still what comes to mind when that song comes on. But when this soundtrack is in the player, I’m just waiting to hear that Wainwright track.

The movie itself, I remember thinking it was a missed opportunity.

In the next installment of the Re-Listening project, we’ll try an unimpressive bit of little blue-eyed soul.

But tomorrow, we’ll have a bit of history to contemplate. Be sure to come back for that.


5
Sep 24

‘Forever’s not so long, stop moping’

I was chatting with a friend who got a new phone. He’s rightly impressed by the quality of the images it takes at night. And they have greatly improved, haven’t they? If we can solve the digital zoom problems, and let people take high quality photos of the moon, that super computer in your pocket will really be something.

Even money on which impossible thing phone designers can solve first. Thing is, they do so many other things pretty well, or excellently, those are the next big things they can brag about in ads. Generative AI ain’t it, designers.

Anyway, I stepped outside to take a photo for comparative purposes. It’s been a pleasant discovery of late to learn that my phone, a bit older now, still takes interesting photos of the night sky. I went out to demonstrate this, because why not? But it was one of those nights common to the season. A bit overcast. Still, a few stars amidst a pixelated background.

When I came back inside and looked at the photo again I was impressed. The camera caught light reflecting off the maple leaves. The light is coming from a small handful of solar powered yard lights, mounted 80 feet away.

How much harder can it be to let me take archival quality moon photos from the small rectangle that also plays music, games and shows me maps?

It’s time for another installment of the Re-Listening project. This, as you might recall, is where I am listening to all of my old CDs in the order in which I acquired them. It’s a fun bit of nostalgia and good music and I’m writing about it here, for days like this, so I can pad out the site. This isn’t for review — because who cares? — but it is an excuse to put some good music here, and sometimes they come with memories.

Today the memories go back to 2005-2006 or so. It’s another used purchase, a Barenaked Ladies record, their sixth record, 2003’s “Everything to Everyone.” This was a year before Steven Page started wondering about his future in the band, six years before he left. And 15 years before they were inducted into the Canadian Music Hall of Fame. They released three versions of this record. One was a standard 14-track effort. The limited edition features three bonus tracks from some improvised acoustic sessions. A special edition included a DVD. I got the one with the extra tracks.

And here’s the thing, despite my love of the band, I am not a big fan of this record. Some of the songs, if anything, are too catchy.

Consider this earworm.

That was the last single off the record, and it was released only in Canada. The first single is another song that’s too sticky, even if the video is appropriately ridiculous. The theme is too, I suppose, but it will be in your heads for hours if you listen to it more than once.

Most of my recollection of this record is hearing those two songs too often, and at times it seems like that’s all that’s on here, but there are some great understated efforts on this project. Ed Robertson is always good for one of these.

I’m in the group of people that wishes Page and the rest of the guys could put it together again. BNL works well as a foursome, but Page’s voice and stylings make the band truly great.

Mixed in here are a lot of songs that were more political than their previous efforts, but also a lot of sounds and themes that felt like the same old band, familiar as the old flannel you were wearing when you discovered them. (Though I was probably wearing a henley.)

Come on, this was released in 2003, but that absolutely feels like a henley … if a song can feel … like a shirt.

This one’s just nice. That’s all, that’s it. It’s just nice.

But here’s the problem. I said I had the limited edition with the extra tracks. Here they all are. This is an acoustic version of a song I shared a moment ago.

The acoustic songs have improvised percussion, which makes me want a concept album of their catalog with entirely improvised instruments. (They’re so talented some of those songs would come off better than their originals, I’m sure of it.) And here’s an acoustic version of “Maybe Katie.”

Seriously, there’s a part of my mind or my memory or both that thinks this is an entire record of just those two songs. I wish I could recall the circumstance behind that impression. It must have been a hard drive to somewhere.

This is the last extra song, and I have no recollection of this one whatsoever, because see above.

The next time we return to the Re-Listening project, we’ll check out a soundtrack from a 2002 motion picture. And, it’s a soundtrack of cover songs. You probably know every one of them. If you’re familiar with early 21st century films this should click into place for you without any more hints. You’ll hear some of them, probably, next week.

But, first, come back here tomorrow, too. Because we’ll have something fun to help us mark time until the weekend.


20
Aug 24

There’s a hint of live music below

Well, today was just beautiful. Impossibly so. Sunny, blue skies and temperatures settling into the 70s. There was no ambitious mercury in the thermometer. No overbearing sun. Just this …

… and the promise of another day or two of it afterward.

It was this beautiful. I couldn’t decide what to do with the day. Which was weird.

Finally, I settled on sitting outside and reading. It was a good choice.

It was such a good idea, I did it again, sitting outside this evening, listening to the symphonic crickets, flipping through pages of a book, asking myself why I don’t do this all of the time.

I should do this all of the time. Or at least more.

We return to the Re-Listening project. Regular readers know I’ve been listening to my old CDs in the car, and in the order of their acquisition. We’re in, let’s say it is 2006, listening to a 1998 record that I picked up at a library sale. It’s everyone’s 1990s friend, the Dave Matthews Band.

“Before These Crowded Streets” was their third album. Béla Fleck appears. Alanis Morissette is on it. And so is the virtuoso Tim Reynolds — this being just before he joined the band. It was another successful album, even as they were beginning to change some things up. The instrumentation gets more exotic, the time signature experiments are underway, and the themes got a bit more mature, a bit more worldly.

This was the record that pushed the Titanic soundtrack from atop the Billboard charts. Three singles became hits, the record went platinum four times in the United States.

Some of the best parts of this record are the interludes, usually outtakes, between the songs. And the biggest memory I have about this record is actually from a live show. They play the amphitheater in 1998, supporting this record and the version they did of “Don’t Drink the Water” was just about the most intense thing I could imagine seeing at a yuppie party. Here’s a version from that tour, about three weeks earlier than the show I saw. This is sedate in comparison to my recollection.

They’re still at it, of course. Ten studio albums and something like 17 live albums later. Touring machines, who even knows how many millions of concert tickets they’ve sold at this point. But I know some people who have purchased a lot of them. My god-sisters-in-law (just go with it) and their large entourage see them a lot, probably four or five different dates a year. And they invited us to one of them. It was my third or fifth time seeing them, and my first in 20-plus years.

  

I don’t think I even mentioned the concert here. We left the show early for some reason that was never explained. The group gathered and walked out and, I said Who doesn’t stay for the false finish, let alone the encore? And the answer was, the crowd of people we were with, for some reason.

Though I blame DMB as the sole culprit in the outlandish ticket prices we’ve seen explode in the last several decades,
they still create a happy crowd. And their tour continues right now. They’re playing the northwest, before heading back east in late September for some festivals, and then a few fall dates in Mexico.

We’ll go north, to Canada, when next we return to the Re-Listening project.

But what will we get into here tomorrow? Be s ure to stop by and find out!


16
Jul 24

‘Step high and light’

Just when you thought the sinusitis was done with you, the head thickens once again. Otherwise? Feel great! Except for right around the middle of the head. It’s just a head pressure thing, a let me go and move on abut my day thing, an enough already thing. It’ll be fine soon.

So, it’s back to the OTC pills.

I treated myself to a nice long swim today. The water was warm, 92 degrees the thermometer said, and it is true what swimmers say, you swim faster in colder water.

That’s why I went slow, you see. Has nothing to do with taking forever to get my arms warmed up. Nothing to do with poor form. Nothing to do the continued head cold recovery. It was all about the warm water.

But I did have a nice 3,000 yards of it.

It gave me a lot of time to think of something legendary swim coach David Marsh told me. He has won 12 national team championships and 89 individual NCAA champions, and he’s coached 49 Olympians, so you come around to thinking he knows a thing or two about what happens in a pool.

On a show I hosted, he told me, “You have to respect someone willing to spend hours and hours, swimming hundreds of laps, to shave a thousandth of a second off of their best time.”

I didn’t swim a lot then, but I thought I understood his point. But now, swimming lots of laps of my own, I appreciate the point a bit more.

See? I’m slow in the pool.

I’m never shaving anything off my time.

But I bet if Marsh stopped by, he could give me two pointers that would improve everything.

Too bad he’s busy just now, Olympic year and all.

We return to the Re-Listening project. I’ve been playing all of my old CDs in my car, in the order of their acquisition. The real point is to just enjoy the music, but I’ve doubled my value by using it as a way to pad out the site with a few memories and some good music. These aren’t reviews, far from it; there are enough of those, and then some, out there. Besides, we’re going back to 2005, or 2006, to discuss a 2000 record.

I picked up “Smile” without knowing anything about it, because I’d been fully bitten by The Jayhawks bug. It was their sixth studio album, and it was a move in a somewhat new direction for the band from Minnesota. The alt-country, jangle-pop sound gave way to a more straightforward pop, sonically.

“Smile” reached number 129 on the Billboard 200 and number 14 on Billboard’s Top Internet Albums chart, which no one knew existed.

If you picked up this album, the first sounds you heard were also the title track.

It isn’t entirely devoid of the jangle-pop sound we all loved so much. But you can chart the progression all throughout the record.

But you couldn’t overlook the new direction. Probably it didn’t sit well with the purists, but Gary Olson was gone (for the first time) and this was their second album without him. It was like they were looking for something. And it took a little getting used to.

They were clearly exploring new distortion pedals. If you sit with it, though, the lyrics are still strong in spirit. Most importantly, the harmonies were still shimmering.

This was always a car CD for me. A lot of back-and-forth to work, 20 or 25 minutes at a time, for quite a while. I was probably late a lot. Hurried parking lots and the like. I remember I bombarded The Yankee with it, because we were carpooling at the time, but she preferred other Jayhawks records, I think. I also think it’s hard to go wrong. What you get, across their catalog, is material for a lot of different moods.

The Jayhawks are going back on the road next month. And, in October, they’ll be playing a show about two-and-a-half hours from us. This was the first band my lovely bride and I saw together. They were about that same distance away that night. And the next day we decided we, in our late 20s, were too old for driving that far and back in one night for a show, with work the day after. (We were both working morning drive at the time and being in the newsroom at 6 a.m. the next day was not easy or pleasant.)

But this show is on a Saturday. Something to think about.

And with that we are, for the time being, caught up in the Re-Listening project. But there are still about 150 CDs to hear again, and share with you.

Come back tomorrow, we’ll talk about a neat little light.