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11
Sep 24

You’re going to wonder what this sounds like

I made some more phone calls today. Left voicemails with different people. Finally got the gentleman I needed. He seemed helpful. He required of me a one page document, some other files and a couple of weeks of waiting. So at least that was resolved. Somewhat.

I also had a nice 31-mile bike ride this evening. Just me, myself and the endless hum of my wheels on the road. Even made a dorky little video abut it.

  

Every road on this route was a familiar one, and that’s OK. It was a day to be aware of the time, and that doesn’t always allow for exploration. Indeed, the pause to make that video took about three minutes and I questioned that in the moment. But I got back to the most familiar roads — the nine-mile square out in front of us, here where the heavy land and the green sands meet — and started the last 12 miles in the gloaming, which gave way to the final five miles in the early darkness. Most of that were on sleep little subdivision roads. But the part just before it, and just before the darkness, I was surrounded by farmland, and this is why I enjoy riding at that time of night.

That, my friends, is worth all of the little bugs you’re trying not to swallow when you ride between two fields.

We return once again to We Learn Wednesdays. For this feature, I’m riding my bike around the county to discover the local historical markers. This is the 47th installment, and the 79th marker in the We Learn Wednesdays series.

On a drowsy downtown street, in a town of low slung buildings, this one isn’t too much taller, not really, but it surely does feel like it when you stand back just a bit.

The church is celebrating 165 years. They’ve got a Salvation Army office on the premises and they also do all of the services and ceremonies and mission work you expect of an active congregation.

Their pride is the pipe organ, installed in 1880 after six years of fund raising. A Boston outfit built and installed the thing. Hook and Hastings, we learned in April they installed an organ at the Presbyterian church, which is down the street and around the corner, just three-tenths of a mile away. That organ went in in 1879, and maybe that’s how the company got this commission, as well. The original organ at Broadway church had 2 manuals and 20 stops. Wind was pumped first by hand, then water. They went electric in 1912. Updates in 1929 brought the organ up to 1,306 pipes.

A rebuild in 1961 gave the organ 52 stops and 1,462 pipes, the smallest is about the size of a straw, the largest is a booming 12 by 12-foot wooden box that stands 10 feet tall.

Broadway says theirs is one of the last large pipe organs in the region that is still in continuous weekly service. The man who plays it today has done so for more than two decades.

Next week, we’ll look at a historic house and, hopefully, find out why it is on the national register of historic places.

If you have missed any markers so far, you can find them all right here.


10
Sep 24

Day two of a bit of grrr

I am waiting for a phone call. I waited yesterday. I have waited today. Tomorrow, I’m making a lot more phone calls. I am tired of waiting.

While we wait … it has been brought to my attention that I did not run the site’s most popular weekly feature yesterday. Apologies have been rendered and forgiveness offered, contingent upon my remedying the situation. So here we are, checking in on the kitties.

The other day I was removing boxes from upstairs to the recycling staging area — the garage — but Phoebe got there before I could complete the task.

So those boxes stayed just like that for a while. Finally, she moved. Finally, I convinced her there would be other boxes. Also, I reminded her of the other three or four boxes that are always around for her.

At some later point, she curled up next to me for a mid-afternoon nap. I have resolved to not being inside on beautiful days such as that, but there’s no resisting a power move like this. She covered her eyes, and everything.

Poseidon is ready to be plugged in. How else can he know if I am keeping up my end of the cat photo feature bargain? (People tell him, I’m sure.) Fortunately for me, he doesn’t know the difference between a power plug and a network plug.

He’s still not online. Good thing, too. He’s definitely the cat that would land us in the news for buying $4,000 of catnip and self sealing stem bolts.

And much like his sister, if there’s something he can climb into, he’s already been in it twice.

When the groceries come in, he is very helpful. He surprises our storage procedures, chews on plastic, examines the vegetables, raids the pantry, and climbs in the bags. Much of it happening faster than I can type it.

He is a boundless source of amusement.

We return to the Re-Listening project. This is the one where I am listening to all of my old CDs in the car, in the order of their acquisition. It’s an excuse, one I didn’t need, to listen to my old music. And I’m writing about it here to pad the site, maybe share a memory or two, and to include some good music. These aren’t music reviews, because no one needs a decades old review. This is a 2002 CD, one that I picked up used a few years later, in about 2006, just to round out my collection a little bit. And it’s a soundtrack.

“I Am Sam” was a Sean Penn and Michelle Pfeiffer vehicle. Diane West was in it too, and so was Dakota Fanning. But most people just remember Penn, and the Beatles covers.

It begins with “Two of Us,” a song my lovely bride and I sometimes sing to one another.

We all come to discover Rufus Wainwright in our own time, and that is right and as it should be, I’m certain of that. And track three was when I discovered Wainwright, and my goodness can he sing.

The whole album is easily findable online, of course. And there’s a some good stuff on there, if you like the Beatles, and aren’t bothered by covers of Beatles classics. I’m hit or miss on some of their catalog, but there’s something for everyone. I like the Wallflowers, Eddie Vedder, and Stereophonics covers.

I just learned that the European version, which I do not have, has a Nick Cave rendition of “Here Comes the Sun.” Nick Cave is brilliant, but I’m afraid it’d make me sad. That’s the song I played when I did the newscast that George Harrison died. It’s been 23 years, this November, and that’s still what comes to mind when that song comes on. But when this soundtrack is in the player, I’m just waiting to hear that Wainwright track.

The movie itself, I remember thinking it was a missed opportunity.

In the next installment of the Re-Listening project, we’ll try an unimpressive bit of little blue-eyed soul.

But tomorrow, we’ll have a bit of history to contemplate. Be sure to come back for that.


9
Sep 24

Buncha peektures

And how was your weekend? Mine was lovely. (I hope yours was even better!) Let me show you.

On Friday, I swam a mile, a nice cool 1,650 yards.

Somewhere around 500 yards or so my arms finally decide they want to make the many revolutions required to complete the swim. I say arms because there’s precious little for my feet to do. Oh, I try to kick, but it doesn’t come automatically. I have to tell my feet to do the fluttering, splashing thing. And then, soon after, they stop. I’m probably a few thousand miles away from them doing their one job in the pool without conscious thought. Maybe I should do kick drills.

I think about that, but somewhere around that 500 yard mark my mind goes away and it’s just breathing and counting and turning, and 500 yards turns into 1,300 or so.

It’s satisfying, to count up those lap numbers — if I can keep count while I try, in vain, to remind myself to kick.

I had a nice ride Friday afternoon, too. I turned right out of the neighborhood, rode on down to the stop sign and, instead of going straight or turning left, as I normally do, I turned right. Because, somewhere down that road about five miles, there is a four-exit roundabout and I suddenly wondered, Where does the other exit go?

So I went down there to see where that road went. Part of the way down I thought I knew where it would take me, but I was wrong. Also, I wasn’t too wild about the road. I probably won’t use it too often. Five miles later it dropped me off in town, and I spent the next 10 or so miles just noodling around through the countryside. I took this one near the end of my bike ride.

I got back in just before it got dark, making my lovely bride happy, because that meant we could eat dinner at a reasonable hour, and not dictated by pedaling away in the quiet of a late summer evening.

On Saturday, we were enjoying a nice early evening outside, and when we looked to the east, we saw …

I don’t think phone cameras do a good job of capturing rainbows, but this was a spectacular rainbow. And then it became a double rainbow.

It hung there for more than 20 minutes, long enough for two planes to fly toward it, or through it. I wondered if they could see it up there. Rainbows are a question of timing and positioning, perspective, then.

We know they saw it in the city. On what was, I suppose, a slow news weekend, this was a big doing in the paper and noted on local TV.

Also, we got a double rainbow out of the deal. This is a panorama.

(Click to embiggen.)

This was, I am sure, one of the best, if not the best, rainbow experiences I can recall. It looked like it touched down just on the other side of the neighborhood. I haven’t heard about anyone finding the gold, though maybe they’re wisely keeping that quiet.

The Yankee and I enjoyed a nice ride yesterday. We did a variant of one of her favorite local routes, and then tired from some big workouts, I dropped her off at home and pedaled on.

Around 30 miles into the ride, I saw this masterpiece of modern art.

For the next 10 miles, so all the way home, I wondered how you fix that. Surely, there must be enough slack in the lines to allow them to move the busted pole out of the way while they installed another one right next to the old stump. You can think of a lot of ways that the linemen might address that problem in that half hour or so. I bet they do it with good cheer. After all, you finally must assume they’ve handled something like this before, probably many times. There is surely a procedure. No doubt they have a contingency. And I’m sure it will be repaired this week, if it isn’t already back up to spec today.

And while I was thinking of all of that, my shadow had a pretty good ride.

  

Sure, he looks like he has good form, my shadow, but he never has to pull any actual weight on these rides.


6
Sep 24

The 1954 Glomerata, part one

After a month away from this feature, we return to the dusty old pages of old yearbooks. Prepare for pretty pictures from the Plains.

That’s the 1954 edition of The Glomerata, the yearbook of my alma mater. To refresh the memory, I collect the yearbooks. It’s an almost unique thing, and they look great. The first Glom was published in 1897. (I don’t have that one, so if you run across it … ) and the last one I’ll collect was the 2016 book. There are 120 in between. (One year they published two books.) I now have 112 of them.

In 1954 the world was changing quickly, and so was the old alma mater. Ralph B. Draughon was the president. On the faculty since 1931, he moved into the president’s mansion in 1948. There was, of course, political tumult between the university, the Alabama Extension Service and the governor. (All of this went on for decades.)

The day-to-day campus issues centered around a population explosion. The GI Bill doubled enrollment in the late 1940s and it was obvious they needed more faculty, more space, more books for the library, more everything. Draughon’s almost two decades as president concentrated a great deal on growth and modernity.

Money, as ever, was the sticking point, but Draughon hit on a unique idea. He convinced the presidents of the other schools in the state — the white ones, anyway, because segregation was still everywhere — to present unified budgets to the state legislature. It made for an uneasy alliance, but sometimes it worked. Other times that, too, was contentious. You get the sense the state might have preferred it that way. Much of the legislature didn’t care for Draughon’s emphasis on education and modernism. Alabama isn’t a hard place to understand when you come to understand that the people with votes don’t always want to understand how to improve things. And change, improvement, was coming.

During his tenure, he put up 50 new buildings, doubled the on-campus housing options, opened 16 doctoral programs, landed an important series of accreditations and boosted the faculty numbers.

Civil rights and segregation were as much a part of the era as the university’s growth. It was the spring of 1954 when Brown vs Board of Education was handed down, but it would be another decade before Harold Franklin enrolled at Auburn, overcoming the board and state government’s intransigence, ending segregation on the campus. Draughon spent years trying to thread a non-confrontational needle while walking slowly along the fine line of progress.

We’re looking at the 1954 Glomerata here, but it’s important to note that in just a few more years, in 1960, the name would finally change from Alabama Polytechnic Institute to Auburn University. (It had been a topic of conversation since at least 1948.) Also in 1960, they started work on a new library. In 1965 the university named it for Ralph B. Draughon. Several decades later, when I was in school, state budget cuts were so severe that the RBD had to cut back on book, periodical and journal acquisitions. Draughon, buried just two blocks away from his library, would have had a fit.

Let’s look inside the book!

The first photo is in big, bright, beautiful color. It’s a signal to you and I, dear reader, that the future, grounded in wonder, inspiration and science, was here.

On the opposite leaf was this lovely little photo.

He’s wearing an Auburn button, and there’s a little football hooked to it. You can occasionally see those on e-bay. Here’s one now. Her corsage suggests that was a homecoming photo, but there’s no caption with it.

I don’t know what building this is, which annoys me. You think you know everything, but then there’s this marble staircase and that’s certainly something that should stand out in the memory.

The marble stands out, but so do those outfits. That shirt the guy is wearing. His shoes. No way that’s not a staged photograph. That getup couldn’t catch a woman’s eye, could it?

Students playing cards on the shore at Chewacla.

If you look at this Google Maps image, this is where they would have been. Seven decades ago.

The Tektronix Type 511-D Cathode Ray Oscilloscope was a wide range, portable instrument. It allows scientists to observe a wide variety of electrical waveshapes and was primarily intended for laboratory and shop use, in the development and testing of all types of electronic equipment. And while I’ve been reading about this, I’ve wondered, how long did this instrument stay on campus?

It was sold through 1955 or so, but it would be a hard-to-part item today. And that over-engineered press in the smaller photo? What even is that thing?

We can see now how sports culture is starting to become a more prevalent part of campus life. There’s already a crowd shot here in this front matter.

I think that’s from the Ole Miss game, but we don’t know for certain. It is a pretty educated guess, though, and I’m sure it’ll come up again later.

Look at that dress! I wonder what event this charming woman is heading to.

And those wire fish on the wall! How have those not come around in fashion at least twice in the years since.

Here’s the classic arch shot from Samford Hall. That’s the administration building. In the background is Smith Hall, no relation. (This is basically the same view today.)

I love how the stone is almost glowing. Wouldn’t that have been a neat trick back then, architecturally speaking? It’d be a wonder today, too.

I imagine it’s hard to spend a whole career on a campus and have everyone love you, but that was the case for James Foy, who generations of students knew and loved as Dean Foy. The 1954 Glomerata was dedicated to “one whose influence, leadership, guidance, and loveable personal qualities are known and felt by all.”

He was the dean of student affairs. Probably that job is different, and harder, today. Back then, his duties included being a hype man and a vibe guy. There are photos, decades after this, of students tossing him high into the air. He loved every bit of it.

Foy learned Auburn’s alma mater as a boy from his brother, Simpson, who attended API in the 1920s. (We learned about him a few months ago.) Simpson was a contemporary of the guy that wrote that song. James went to Alabama, where he was a part of the group that helped rekindle the Auburn-Alabama football rivalry. (Indeed, the trophy Auburn and Alabama share around the Iron Bowl is named after him.) After his military service as a naval aviator, he spent 28 years working at Auburn. When he retired, he worked there as a volunteer for another three decades, almost up to his death in 2010, at 93. He was beloved, then, for a lifetime, and he loved the university and its people in kind. The yearbook picked this one well.

A building on campus, Foy Hall, is named after him today. When I was in school it was the student union, which was apt. Nowadays the university names buildings after other important historical figures, and do a thoughtful job of it, or anyone who gives them a lot of money.

As ever, this is not a complete examination of the yearbook, just the images that jump out at me as I flip through it. There will be more next week. This collection will live in the Glomerata section, of course. You can see others, here. Or, to just see the beautiful covers, go here. The university hosts their complete collection here.


5
Sep 24

‘Forever’s not so long, stop moping’

I was chatting with a friend who got a new phone. He’s rightly impressed by the quality of the images it takes at night. And they have greatly improved, haven’t they? If we can solve the digital zoom problems, and let people take high quality photos of the moon, that super computer in your pocket will really be something.

Even money on which impossible thing phone designers can solve first. Thing is, they do so many other things pretty well, or excellently, those are the next big things they can brag about in ads. Generative AI ain’t it, designers.

Anyway, I stepped outside to take a photo for comparative purposes. It’s been a pleasant discovery of late to learn that my phone, a bit older now, still takes interesting photos of the night sky. I went out to demonstrate this, because why not? But it was one of those nights common to the season. A bit overcast. Still, a few stars amidst a pixelated background.

When I came back inside and looked at the photo again I was impressed. The camera caught light reflecting off the maple leaves. The light is coming from a small handful of solar powered yard lights, mounted 80 feet away.

How much harder can it be to let me take archival quality moon photos from the small rectangle that also plays music, games and shows me maps?

It’s time for another installment of the Re-Listening project. This, as you might recall, is where I am listening to all of my old CDs in the order in which I acquired them. It’s a fun bit of nostalgia and good music and I’m writing about it here, for days like this, so I can pad out the site. This isn’t for review — because who cares? — but it is an excuse to put some good music here, and sometimes they come with memories.

Today the memories go back to 2005-2006 or so. It’s another used purchase, a Barenaked Ladies record, their sixth record, 2003’s “Everything to Everyone.” This was a year before Steven Page started wondering about his future in the band, six years before he left. And 15 years before they were inducted into the Canadian Music Hall of Fame. They released three versions of this record. One was a standard 14-track effort. The limited edition features three bonus tracks from some improvised acoustic sessions. A special edition included a DVD. I got the one with the extra tracks.

And here’s the thing, despite my love of the band, I am not a big fan of this record. Some of the songs, if anything, are too catchy.

Consider this earworm.

That was the last single off the record, and it was released only in Canada. The first single is another song that’s too sticky, even if the video is appropriately ridiculous. The theme is too, I suppose, but it will be in your heads for hours if you listen to it more than once.

Most of my recollection of this record is hearing those two songs too often, and at times it seems like that’s all that’s on here, but there are some great understated efforts on this project. Ed Robertson is always good for one of these.

I’m in the group of people that wishes Page and the rest of the guys could put it together again. BNL works well as a foursome, but Page’s voice and stylings make the band truly great.

Mixed in here are a lot of songs that were more political than their previous efforts, but also a lot of sounds and themes that felt like the same old band, familiar as the old flannel you were wearing when you discovered them. (Though I was probably wearing a henley.)

Come on, this was released in 2003, but that absolutely feels like a henley … if a song can feel … like a shirt.

This one’s just nice. That’s all, that’s it. It’s just nice.

But here’s the problem. I said I had the limited edition with the extra tracks. Here they all are. This is an acoustic version of a song I shared a moment ago.

The acoustic songs have improvised percussion, which makes me want a concept album of their catalog with entirely improvised instruments. (They’re so talented some of those songs would come off better than their originals, I’m sure of it.) And here’s an acoustic version of “Maybe Katie.”

Seriously, there’s a part of my mind or my memory or both that thinks this is an entire record of just those two songs. I wish I could recall the circumstance behind that impression. It must have been a hard drive to somewhere.

This is the last extra song, and I have no recollection of this one whatsoever, because see above.

The next time we return to the Re-Listening project, we’ll check out a soundtrack from a 2002 motion picture. And, it’s a soundtrack of cover songs. You probably know every one of them. If you’re familiar with early 21st century films this should click into place for you without any more hints. You’ll hear some of them, probably, next week.

But, first, come back here tomorrow, too. Because we’ll have something fun to help us mark time until the weekend.