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5
Oct 23

The rock videos are at the end of the post

We drove to campus — problem getting to the car on time, no incidents getting out of the house — in good time today, and I’d like to take credit for all of that. I don’t deserve the credit, but I feel it should be mine, all the same. I usually volunteer to take the blame if we’re late (because it’s usually my fault when we’re late) so why not get the upside, right?

We were so on time there wasn’t even a person in the security guard shack to look for parking stickers. We overcame everyone’s expectations today.

The class before my class was not in the classroom, so I got in early and started setting up all of the things that we were going to talk about. Oh, the happy feeling of being organized.

Today we talked about the videos the students shot demonstrating different camera settings for aperture, white balance, ISO and so on. We set up external hard drives. We started organizing the workflow structure that the hard drives will use. And we started talking about the commercials they’ll be producing over the next three weeks. All of this took six hours.

Because, on Thurdays, I do it twice. Two classes, identical, back to back. This is fun in that it presents its own conceptual challenges. I thought the second class would be a better presentation — take two, and all that — but I am not sure which one comes across better. Sometimes the first class. But, then, the make up of the room in each class is a bit different, so class dynamics would have to fit into that, too.

Today though, finally, I stumbled into the thing I feared. There was a problem we discovered in the first class and, given the small 15 minute break in between, there wasn’t enough time to correct it for the second class. Fortunately it is a small thing. Where some settings are in differing versions of Premiere. No biggie. I can update that info in other ways. Just not in real time — which is the universe’s way of really understanding and appreciating my limitations, I think.

Darkness fell as we were driving back to the house, and that was the day. So let’s put some other stuff in this spot.

This plant that the sellers of our house left on the front porch for us — the one that we’ve been diligently watering every day because, despite what the little tag in the soil says about being drought resistant, it needs it — is now showing its gratitude.

No one wanted to go that direction anyway, Department of Transportation.

Here’s a strike you don’t read about much anymore. The Great Railroad Strike of 1877, specifically, in this case, the Baltimore railroad strike of 1877. We saw this on our way to the concert last night, right in the heart of Baltimore, very near where the demonstrations began. This strike involved several days of work stoppage and violence.

The Great Railroad Strike of 1877 was a nationwide series of events, the enough-is-enough point of a global depression and series of economic hits during that decade. Around those parts, in Baltimore, the strike came about because the B&O Railroad was going to cut employees pay by 10 percent.

Four days into the demonstration, violence broke out. Police. The National Guard. Thousands of demonstrators. President Rutherford B. Hayes sent in the army, the locals called up 500 additional police. And for the next two days they were attacked with rocks and bottles and returned fire with rifles, ultimately putting down the protests. Wikipedia tells me Between 10 and 22 were killed, more than 150 were injured, and many more were arrested. Several of those killed were soldiers or local militiamen.

The strike itself, though it seems to have motivated others far to the west, failed. Most quit rather than work for less. The company hired replacements. Under armed oversight, rail traffic began again a few days later. The company made a few changes over the course of the next year. And that’s a pro-argument for unions, I suppose. Indeed, this is considered the first national strike, and labor historians point to the 1877 strike and violence as something that energized labor movements for the next several decades.

It seems distant enough to be from another planet, but whenever you get to that dramatic moment in a book or movie where the one side says “Are we going to fire on Americans?” the answer has, historically, never been that surprising.

We were, of course, in Baltimore to see Queen + Adam Lambert. This is where they kicked off their North American tour. And you can see them, too, right here.

Bicycle Race! It climbed to number 11 on the UK Singles Chart, and somehow only peaked at 24 in the Billboard Hot 100 in the US.

Lambert really leans into the whole show. It’s hilarious, one supposes, given the various layers involved in that song.

Fat Bottomed Girls went platinum in the U.K. and double-platinum in the U.S.

They all look like they enjoy that song, as do we. And the good news, I have enough videos to make it through most of the next week or so.

adventures / history / markers / music / Queen / video / We Learn Wednesdays / Wednesday — Comments Off
4
Oct 23

‘Living in a new world thinking in the past’

It was class prep during the day, because we had an adventure tonight. You see, there was a rock ‘n’ roll show in Baltimore, and that’s a relatively short ride away.

And so we found ourselves at the North American opener of the Queen + Adam Lambert North American tour. They came out to a Machines, Radio Ga Ga, Hammer to Fall medley.

Oh, and they were great. The building was full, and the crowd was into it, and Queen fans and Adam Lambert fans are going to enjoy this show. Roger Taylor can still beat on the drums and keeps great time. And Brian May and The Red Special are still in peak form.

I have more videos from the show. Figured I would spread them out over a few days. Spread those page counts and video views out as much as possible. It’s all part of a strategy to go unnoticed by the bots and spiders.

Time now for the 10th installment of We Learn Wednesdays, where I ride my bike to find all of the local historical markers in this county. Seeing things by bike is the ideal way to do it. You learn new roads, you see new things. Counting today’s discoveries I have listed 21 of the 115 markers found in the Historical Marker Database.

The two markers we’ll see today have to do with a very small part of the Revolutionary War. A minor battle took place in this spot in March of 1778. The British were occupying Philadelphia at the time.

It was a harsh winter. Both sides were scavenging the countryside for food. They’d been skirmishing and probing one another for a month. In February 19, General Mad Anthony Wayne led his Continentals through the region looking for supplies. General William Howe had sent a few forces out to harass him. One of them was Lt. Col. Charles Mawhood who had about 1,200 men under his command. He was in a town three miles away, learned about the local militia guarding this bridge (OK, not this modern bridge, but it’s 18th century ancestor) and, ultimately laid a trap.

As we ride here, we’re moving from the American side over to where the British troops were waiting. The British lured the militia across the bridge — and this creek, which had been a natural barrier between the two — and attacked. Other American soldiers arrived just in time to hold off the red coats and prevented a larger calamity. The next day the British crossed the river to the south, moved to the bridge just down from this one and bayoneted 20 to 30 people, including a local judge and British loyalist, but we’ll learn about him later.

Here’s one of the markers you’ll find at this little spot.

Col. Benjamin Holme commanded a militia of about 300 that March. He survived the war, and is buried just three miles away, having died in 1792. This man’s great-great grandson was a minister. He died in Michigan in 1989. The colonel’s great-great-great granddaughter died in Virginia, in 2001.

Holme’s house still stands.

It was built in 1729, looted and burned by the British, again under Mawhood’s command. After the war, Holme rebuilt the home and reclaimed his looted Wagstaff clock, which is now in the custody of the county’s historical society.

Col. Elijah Hand, the grandson of a whaler, has been called Cape May’s forgotten patriot. He would have been 49 during this battle. It was Hand who showed up in time to stop the British attack. And it was Hand who responded to Mawhood’s “or else” letter, which asked the militia to lay down their arms and go home, or else he would attack them all, burn all of their properties and reduce their families to beggars. Mawhood listed the names of 21 patriots, the ones who would be first.

Hand wrote back:

SIR,

I have been favoured with what you say humanity has induced you to propose. It would have given me much pleasure to have found that humanity had been the line of conduct to your troops since you came to Salem. Not only denying quarters, but butchering our men who surrendered themselves prisoners in the skirmish at Quintin’s Bridge last Thursday, and bayonetting yesterday morning at Hancock’s Bridge, in the most cruel manner in cold blood, men who were taken by surprize, in a situation in which they neither could nor did attempt to make any resistance, and some of whom were not fighting men; are instances too shocking for me to relate, and I hope for you to hear.

The brave are ever generous and humane. After expressing your sentiments of humanity, you proceed to make a request which I think you would despise us if we complied with. Your proposal, that we should lay down our arms, we absolutely reject. We have taken them up to maintain rights which are dearer to us than our lives, and will not lay them down, ’till either success has crowned our cause with victory, or like many ancient worthies contending for liberty, we meet with an honourable death. You mention that if we reject your proposal, you will put arms into the hands of the tories against us; we have no objection to the measure, for it would be a very good one to fill our arsenals with arms.

Your threats to wantonly burn and destroy our houses and other property, and reduce our wives and children to beggary and distress, is a sentiment which my humanity almost forbids me only to recite, and induces me to imagine I am reading the cruel order of a barbarous Atila, and not of a Gentleman, brave and polished with a genteel European education.

To wantonly destroy, will injure your cause more than ours—it will encrease your enemies and our army.

To destine to destruction the property of our most distinguished men, as you have done in your proposals, is, in my opinion, unworthy a generous foe; and more like a rancorous feud between two contending Barons, than a war carried on by one of the greatest powers on earth, against a people nobly struggling for Liberty—a line of honour would mark out that these men should share the fate of their country—If your arms should be crowned with victory, which God forbid, they and their property will be entirely at the disposal of your Sovereign. The loss of their property, while their persons are out your power, will only make them desperate; and, as I said before, encrease your foes and our army; and retaliation upon tories and their property is not out of our power. Be assured that these are the sentiments and determined resolution, not of myself only, but of all the officers and privates under me.

My prayer is, Sir, that this answer may reach you in health and great happiness. Given at Head-Quarters, at Quintin’s Bridge, the twenty-second day of March, 1778.

Elijah Hand, Colonel

Hand also survived the war, as did Capt. William Smith. He was the officer who led the pursuit across the creek and fell into the trap. He died in 1820 and is buried about three miles down the road, as are several of the men who died at Quinton’s Bridge. No one knows how many, though, or their identities. The only grave marker there is Smith’s. The marker above is actually on what was Smith’s farmland.

(Mawhood died in Gibraltar, during a siege there in 1780. Apparently it was a gallstone problem.)

And the second marker has to do with the little battle itself.

It was a small thing in the scheme of the war, but apparently the battle of Quinton’s Bridge was the last part of the conflict in this county.

There’s much more to learn. For next week’s installment of We Learn Wednesdays we’ll head upstream to see the next few markers. Miss some of the markers? You can see them all right here. Before that, though, we’ll of course have more Queen videos, a week’s worth of Catober and more!

music / Re-Listening / Rowan / Thursday / video — Comments Off
28
Sep 23

Things that stick on you

I heard my alarm, both times this morning. And I pulled up the cover and closed my eyes tight and smiled and stayed halfway-conscious because I had to get up and get ready for the day. Then my lovely bride came back into the room and touched my shoulder. She said “You need to get up.”

I did need to get up. I needed to get up about 75 minutes prior to that, but that’s OK, because the day starts late so I’m not behind, except that mentally I am. When you set an alarm and overshoot it, that sensation can stick with you. For me, it is on my mind for the rest of the day. No matter how accomplished, how full or how complete the schedule, it’s just sitting there: You were late, and so you are late. It clings.

I had an apple and some peanut butter for breakfast*. I got ready to head to campus. And then the cat escaped through the laundry room and into the garage. He then goes under a car and just sits there, feeling like he’s achieved a great deal, I assume.

We’d even made it into the garage on time this morning — this is often my fault — but now the cat kept us from getting into the car on time because he is an ordeal.

But we made it to campus on time, fortunately. And it was only marginally my fault this time that we felt pressed for time.

I stood in the hallway and talked with two of my students while the class taking place in our room wrapped up. Eventually they all filed out, an entirely predictable and uneventful arrangement, and we walked in. Over the course of the next several minutes a dozen more students came in. Today we reviewed their first video assignments. The work concentrated on asking them to achieve certain camera shots and motions. You are put with a partner, who is your video subject, and you show the basics. Some people keep this simple. “My subject is just standing there, and this is a low angle. Here is a shot of my subject from a high angle,” and so on. This gets the job done. One group got very involved, overly so, and tried to create something of a narrative. Kudos for originality, though it doesn’t figure into this grade. One of my favorites video sequences came from two women who clearly enjoyed this way too much. There was a lot of acting, the best unselfconscious, purely hammy, scene chewing kind. They were delightful. I also had three slide decks to work through with them. I managed to work through two of those and the class still went long.

On Thursdays I teach two sections of the same class, back-to-back, in the same room. There’s only a 15-minute break between them, at about 3:15, and that’s lunch. But if I go long, that sneaks into my lunch time. So I had a handful of grapes* while the second class filtered into the room.

Fortunately, the two classes are in synch, so the second section feels like a second try, albeit with a group of an entirely different personality. We reviewed the shots from their first video assignment, as well. And one of the best parts are the shots when someone chooses an extreme closeup. I will play those clips over and over until I can get the class to talk about the emotions they’re seeing in the shots. Getting them going is the key to the whole puzzle, I think. I had three slide decks for the second class as well. I got through all three. We finished with 10 minutes to spare.

I’m not sure how that happened, but I have a few guesses.

After that, it was email, and staring at this pile of things to grade, and then we hopped in the car and drove back to the house. Thursdays are busy, then, and everything piles up. Email, the things to grade, the daily dose of news, whatever else you’re doing. And that 20 minute drive always feels a bit off when you’re aware of all of those things you’d like to get done tonight, or at least started.

Being behind is purely a mental construct, one that should have little to no power, but somehow it can hold a lot of sway over you, draped right over your shoulders, trying to hold you down. So you start ticking things off the list. What else could you do, anyway?

*I had a delicious and full dinner.

Let’s take a quick look at the Re-Listening project, where I am playing all of my old CDs in the car, in the order in which I acquired them. After this entry I’ll only be three discs behind!

Josh Joplin Group’s “Useful Music” was already an artifact by the time I picked it up at a used record shop. They’d originally released it in 1999 as Josh Joplin Band under the SMG Records label, and then again, with some new members, in 2001 by way of Artemis Records under their final name, Josh Joplin Group. (Big shakeups in nomenclature were an artistic signature around the turn of the century, you see.) This was Joplin’s sixth record, and so he was to become a nine-year overnight success.

It’s a radio friendly record, but didn’t get a lot of commercial support. Despite that, “Useful Music” hit number 22 on the Billboard Independent Albums chart. Three singles were rolled off, including the moderately successful, and altogether enjoyable, “Camera One.”

Odds are, if you ran across this Atlanta-based band, this was your first exposure. It quickly scooted to the top spot of the Triple A chart, which, at that time, was the most successful independent release ever. Soon after, that song was featured in an episode of Scrubs.

I don’t think I’ve ever seen that video, though. He looks like an angry singer, which is a shame for what was ultimately an incredible AOR friendly record.

If you picked up this disc because you heard that song on the radio, this was the first track you heard when you loaded it in your player.

The second single got a lot of spins on what still passed for alt radio in the summer of 2001. And we were still referencing it this summer, which is pretty great good for a pop tune.

This is a perfectly little encapsulated post-grunge pop song, if you ask me. It is one of several songs on here I never really gave it’s due when I was listening to this a lot.

But then there’s this, which should have never been attempted. Nevertheless, it’s catchy in ways that defy convention. I was on a long straight country road on a sunny day when I heard this recently, and it stuck with me for days.

They released one more single, in December of 2001. And on the re-release, which is the disc I have, there’s an alternate version of the song featuring some new instrumentation and an orchestral accompaniment. And it changes the song, except for all of the places where it doesn’t. It was, and remains, intriguing. The thing is, I listen to this so rarely that I forget that this track closes the record, and so it’s a pleasant surprise almost every time.

The Wikipedia page tells me the Josh Joplin Group disbanded in 2002, which was before I picked this up (I’m contextually assuming I got this in the summer or fall of 2003) but that live performance above was from 2019. All told, Joplin has released 11 albums, most recently with the band Among the Oak & Ash, which also featured the great Garrison Starr. Here’s the newest thing he’s published on his YouTube channel, just four months ago.

It’s always nice to see people continuing to do what they love.

Like this grading I have to do now, for example.

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25
Sep 23

Thanks, now leave, Ophelia

Three days in a row of rain and gray. It might have been more gray than rain. Hard to say. About even, maybe? Sometimes you couldn’t distinguish between the two. And another day of it tomorrow. Thank you, subtropical storm system for promising four days in a row.

We didn’t even get the big winds.

At least we didn’t get the big winds.

I did get this, however. When it rains more than enough, the place where our driveway and the road meets will puddle. And, on Saturday, I watched it puddle, and disappear. Puddle. Disappear. By the third time I was ready to find my raincoat and see if I could understand how this was happening. The disappearance wasn’t bad, but there was no way it rained enough after the disappearances to mean puddles that big once again. This was, then, a hydrological, geological, sedimentological mystery.

Where was the rain going? And where were the puddles coming back from? I sat in my office window for a while watching this, trying to figure it out. Trying to decide if it would look crazy to go outside in the remnants of a tropical almost storm and just stare at a puddle. Couldn’t I just stare it from the window? Where I was warm and dry? I was staring at it. That was strange enough, right? I’d already inspected the basement twice, surely this is a strain of thoroughness beyond what is necess —

And then the wind blew.

Turns out that when the wind blows from the west south west at just the right velocity, the puddle takes on the same appearance of the chip and seal road from 35 yards away.

To be fair to myself, I was staring through double-paned windows.

Since the weather was the weather, I didn’t go anywhere. (We had a big fund raising bike ride planned for Saturday, but the weather canceled that. The right choice, I’d say.) That just means more time with the cats, and your favorite weekly feature. (Another correct choice.)

Phoebe discovered, or rediscovered, my backup clothes basket. She likes it very much.

What? You don’t have a backup clothes basket? Get with the times.

Anyway, here’s Phoebe again, on her ledge. And she’s not judging you and your clothes basket choices, not at all.

Poseidon … he’s definitely judging you. He needs more things to jump in and he thinks this is your fault. (Yes, they are related.)

Fortunately for you, Poseidon is a forgiving creature, and this box will do.

Inside the box was a gift. It was not for him, but rather for me, but the cat also won.

We went to an event for my godsister-in-law (just go with it) on Friday night. It was a backyard thing. Cookout. Nice people. A two-person band played. They had an amazing light show.

My lovely bride and her godsisters have been making this pyramid photo their whole lives. When that sunset started to showoff they figured they would, too.

I’m the second photographer, and that was in between moments, and one of several I took trying to not get in the way of the official zapper. But I like the authentic smiles.

My godsister-in-law’s husband (so my godbrother-in-law-in-law?) is friends with the band. I think they all went to school together. The Jollies, the two guys playing and singing have known each other their whole lives, I’m told, and they have a nice tight little sound. They played a Pete Yorn cover. It was so random it took a moment to register. But it was really quite good.

I ran into the two of them during a set break and complimented them for the choice. “Not everyone plays Pete Yorn covers,” I said, “but they should.” The guy did not miss a beat, that sorta response you know he’s waiting for because he’s pulled this out before and it works. He says, We play that for people like you.

And then he told me about another Yorn cover they sometimes do. Like it was a test, or something. But I, too, have “Musicforthemorningafter.” It’ll show up on the site eventually.

The Jollies, though, great light show.

And then it rained Saturday. And it rained Sunday. It was gray today. I had two meetings this afternoon and class this evening. We talked about Marshall McLuhan and Ibram Kendi. We talked about them in class, I mean. In the meetings we discussed fire codes and e-sports and documentaries.

On the way home I decided to try the drive with no map. This was my ninth time on this campus, after all, and the sixth time I’d driven myself. You have to try sometime. Why not try on just the third time you’ve done it at night.

Between here and there, there are two tricky intersections. As in poorly designed intersections. One sneaks up on you the first time, but you don’t forget it. Though I had a bit of difficulty judging the lanes in the dark. So I rounded a building, but I knew where I was. The second is a country intersection where five roads improbably run into one another. You could take two spurs and get back to the comforts of home, and I’m pretty sure the map has told me to take them both on different trips. I took the longer one this evening. The road didn’t run out where I expected — which is a big question mark since we’re talking cornfields and nondescript side roads at night — but I did find I was on a road I knew from my bike rides, meaning I knew a route back. (It was just around the corner from me.) And that’s fine, except everything happens at a slightly different speed in the car, of course. You must remember that that longer bit is now shorter, and you probably just weaved around that pothole when you were on two wheels. But, before long, hey, there’s another right turn you know and you’re pointed exactly in the right direction.

The only problem with learning the roads by bike is that I almost always take the long way when I’m pedaling.

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21
Sep 23

Starts, and ends, all classy-like

I was very classy today, which is to say I was full of class. Which is to say I was in class all day. If six hours is close enough to “all day” for you.

It was close enough for me.

It was a fun class, we discussed shot compositions and camera movements. I did this twice in different classes. And then I set the eager young people out to shoot video of some things. Next week we’ll look at all of their work, and then the class will get just a bit more technical.

My lovely bride had an afternoon full of classes, as well, similar schedule, but in a different building. So we share the Thursday drive, and this evening we had a nice sunset.

I have to grade some things for a while, so please take in the grandeur of this photograph. I call it “A Meditation On Being Near Corn.” It is a profound statement on how we let the world beyond us impact us, and the ways that, perhaps, it should and should not. It is a commentary on the environment closer to you, and the passage of time you might not see up close if you look too far afield.

It’s certainly provocative, no? I thought so, too. I hope you enjoyed that while I finished today’s grading. I got all of that in just after dinner, and now I can take a day or so and re-calibrate the ol’ noggin for a different sort of class on Monday. We won’t be talking about camera motion, but McLuhan, not composition but Kendi. I’m sure it will be a lot of fun.

We’re back to the Re-Listening project, and my trip back in time is going even farther back in time. I’m listening to all of my old CDs in the car, as you might know, and I am doing so in the order in which I acquired them. From what’s surrounding them in this particular CD book, I know we are somewhere between June of 2003 and February of 2004. What we’re looking at today, however, is older still. The product of visiting a used record store or two.

Why buy things when they are released, after all, when you can wait 10 year or so and get them much, much cheaper, when you the songs you liked might feel fresh again, or you won’t mind if you pick up something and only really like the single?

And that’s exactly what we’re dealing with here, 1991’s “Pocket Full of Kryptonite” got so out of hand that the band came to resent it for a while. They organically sold some 60,000 copies before radio ever put it on the air, but then “Little Miss Can’t Be Wrong” and “Two Princes” went to the top spot of the Billboard Heatseekers chart, and number three on the Billboard 200 charts. Those singles helped the record go platinum five times in the U.S. Everything got a little crazy for a while somewhere in there. Chris Barron, the Spin Doctors’ lead singer, said it got to the point where he couldn’t go to the mall to buy new socks without being swarmed by people.

And despite all of that air play and success, “Pocket Full of Kryptonite” still finished 1993 ranked number seven on the end of year Billboard 200. (Incidentally, I wrote about their third album, “You’ve Got To Believe in Something,” last year.)

How, you might ask yourself, could six other records have landed higher than that one? And what, you might naturally continue, were they? So glad you asked.

1. Whitney Houston – The Bodyguard
2. Kenny G – Breathless
3. Eric Clapton – Unplugged
4. Janet Jackson – Janet.
5. Billy Ray Cyrus – Some Gave All
6. Dr. Dre – The Chronic
7. Spin Doctors – Pocket Full of Kryptonite
8. Pearl Jam – Ten
9. Garth Brooks – The Chase
10. Stone Temple Pilots – Core

You did ask, didn’t you?

I suppose you could say it most years with the lever of time as perspective, but if you peer into that top 10 long enough, you can almost see an event horizon of our most mainstream music. Cyrus was the last male country singer, aside from Brooks, to finish a year in the top 10 of record sales for a decade. Shania Twain and The Dixie Chicks show up a few times. Rap and hip hop, having become hugely successful genres already, were clearly in an ascendancy. Janet Jackson and Whitney Houston held the door open, too. Women — solo artists, groups or groups fronted by women — would occupy almost 40 of the top spots over the coming decade.

But I digress.

“Pocket Full of Kryptonite” comes from a lyric found in the first track, “Jimmy Olsen’s Blues.” And here’s the band playing that song, via Zoom, in 2020.

And though we’re shunning the smash hits, there was a surprisingly poignant ballad that they released late in the album’s first life cycle. And dig that classic early 1990s music video style.

Spin Doctors were a jam band that enjoyed some monstrous pop success. And there’s no greater indicator than the last track, a 12-minute almost-epic that also features John Popper.

In 2011 they released a two-disc anniversary edition, marking 20 years since their debut record. And they’re touring the United States right now. It’s been a decade since they last recorded a record, but their fans still come out.

The next album up in the Re-Listening Project is another used store find. I probably paid two or three bucks for it, thinking the single was worth it. It was and is, though the rest of Jon Secada’s “Heart, Soul & a Voice” doesn’t do much for me. It was his second English-language record, it went platinum largely on the strength of “If You Go.” The song holds up, the video feels a compelling 1994 argument for the silliness of music videos as a genre.

It peaked at number 10 on the US Billboard Hot 100, Secada’s last top-10 single in the U.S. This track topped the charts in Canada. He released “Si Te Vas,” that same year, most of the same songs as this record, in Spanish. So these were his third and fourth records. He’s put out 15 records, all told, the most recent in 2017. He’s sold 20 million records, has three Grammy awards and worked Broadway and is a noted humanitarian. He’s doing the occasional “intimate evening” venues lately. Pretty great career.

And that’s a good place to finish the day.