memories


24
Sep 24

Keens

My in-laws had this steakhouse in Manhattan that they went to for years and years. It was quite the classy old New York charm. One of those places that was hard to get into. But the in-laws knew a guy, and so they could walk in like stars. They took me there once or twice, and I was glad for it. But the place closed — landlords, man — and then re-opened in some form elsewhere for a few years, but it wasn’t the same, so my father-in-law found himself a new place.

It was two years ago, as far as I know, that they found a new place to call their steakhouse in the city. I’m not sure how they came upon it, but my lovely bride took her parents in for a show and they went to this place. They raved about it. Insisted I had to come with them into the city to go to this place. Full of history, and also the food.

Keens traces its roots back to the 19th century, when the owner’s first joint, a theater man, turned it into a hot spot for the players who trod the boards, and the people who made the plays happen. Many of the walls in the old rambling building are filled with quirky headshots of actors and actresses, most of them forgotten by all but the true connoisseurs. The real item, though, is this.

(Click to embiggen in a new tab.)

That’s supposedly Abraham Lincoln’s playbill. Ford’s Theatre, 1865, the night he was assassinated. The story goes that someone found it after he was shot and picked it up. It passed through a few hands and when Keens took on what is essentially its current form just after the turn of the century, someone found it on the property.

So the second floor has the Lincoln room, and this wall has been devoted to the theme. Here’s an undated article that most likely over-romanticizes the story.

There are framed photos of Lincoln, an image of John Wilkes Booth, a quality reproduction of Booth’s mother that he kept, an 1862 playbill of a show Booth was headlining in Boston. And then there’s this poster, dated six days after Lincoln’s murder and six days before Boston Corbett killed Booth.

Another feature are these pipes. Keens says they have the largest collection of churchwarden pipes in the world. The story in the menu says they once were ordering 50,000 of them every three years. Apparently there was a sort of coat-check style system, and some people left their pipes there. And here are some of the famous ones.

Ted Turner, Stephen King, John Kennedy, Michael Jackson, Jackie Mason, Joseph Heller, Redd Foxx, Arthur Ashe and more have pipes in that case. That one sits right by the door. This one is by the host stand, it’s obviously from a different era.

Please excuse the glare, but in that case the pipe warden placed the spit covered clay pipes of people like Babe Ruth, Will Rogers, Albert Einsten, J.P. Morgan, and many others.

A closer look at Teddy Roosevelt’s pipe. The tradition here started in the early 20th century, so that’s presidential spit on a hard clay pipe that was imported from the Netherlands.

Once upon a time pipe smoking was considered beneficial for dissipating “evil homourse of the brain,” so naturally this was a big thing. The pipes have these thin stems, so they were too fragile to carry, hence the storage and, presumably, the regular big orders the place put in.

I’m guessing MacArthur might have brought and left his own. Looks a bit more ornate, and fits the personality.

Keens’ site says the membership roster of the Pipe Club contained more than 90,000 names. That’s a lot of smoke! And here’s another presidential pipe.

I assume this is the former vice president Adlai Stevenson, not Stevenson II, who was a senator and UN ambassador.

There’s a display case with some signed pipes just thrown in it. No mounts, no labels, just chaotic. This is for a lesser tier of Pipe Club members, I guess. Regular folks pipes?

Just stored on the ceiling. In every possible space.

It’s a steakhouse, but the menu says “legendary mutton.” And when the first woman won the legal right to go into this place in 1905, she sat down and ordered the mutton. She’d been waiting on that. It’s also the first item on the menu. I got that. I was not disappointed.

I was, in fact, too full for the giant desserts, which were giant and delicious.

I’d visit Keens again — that meal was delicious! — but you’re buying.


17
Sep 24

Come for the cats, be pleasantly surprised by something else

I have been asked by the house’s executives to get right to the important part of the day’s activity, which is, of course, the most popular feature on the site. So we will go directly to checking in on the kitties.

Phoebe is usually the driver of this, because she knows she is very photogenic. Just sitting on the landing of the stairs, look at those pretty eyes.

She does not want to share the mail, however. Sometimes she gets mail, but she’s convinced all of it is hers. She sits on it.

Oh, sure, she lets us have the bills, but she keeps the bulk mail, magazines and the like. She’s not supposed to be on the counter, but our cats are jailhouse lawyers, and they’ve figured out that if you’re sitting on a bank mailer, you’re not sitting on the countertop.

Poseidon is no better about countertops. And here he is, different day, same counter, sleeping on a box full of produce.

He’s waiting to see what’s inside. He loves trying to chew on some of our veggies. This summer he discovered corn stalks. Corn stalks are bad for cats, so we have to hide them. And we have to hide them when he’s not paying attention, because he remembers they’re in the fridge, or stored away here or there. He remembers long after they’re gone. He’s probably dreaming about corn there.

And when there is no corn, he might switch between pouting about it, and trying to charm you into getting some for him.

But we, of course, tell him no. He’s never one not to try, though. He’s a persistent little so and so.

The cats, you see, are doing well, and they thank you for your interest.

I had a nice cool swim this afternoon. It was a 1,720 yard swim. They’re getting a little faster of late, but there’s only so much improvement of which I am capable of. I know it, because I can still shave chunks of time off in pretty decent increments. Probably it’s the cooler water.

Also, I’m swimming enough to know when my arms will stop protesting and just do the work. And I’m close to knowing lap lengths just by feel.

But to demonstrate my ability: this is the summer where I’ve finally started to swim in a straight line.

More or less.

Let us return to the Re-Listening project. Here, I am listening to all of my old CDs in the car, and I’m playing them in the order of their acquisition. I’m also writing about them here, because we need the content. These aren’t reviews, because they’d be woefully out of date and I’m no critic. They are, however, sometimes full of memories, and a good excuse to post a few videos. These songs are from 2003, from an album I got in 2006 or so, of the overnight success, Howie Day, who was, in fact, a seven-year overnight success.

“Stop All the World Now” was the second album and, the major label debut, for Day. Critically, it got a lukewarm reception, but it went platinum in 18 or 19 months, and the third single, “Collide,” which you heard on the radio and in TV and movies a lot, was certified gold. And, two-plus decades later, it holds up as a pop-rock record.

And it’s full of hum-along songs, tunes you pick up quickly on the first or second listen and want to come back for a few more times. This is the fifth track on the album, and it fits that bill with an instrumentation that feels simultaneously earthly and ethereal, which seems a feat.

It is also of it’s time. But, there’s a small window on the musical calendar where rock was in an ebb and alt was disappearing and singer-song writers with some indie-pop sensibilities could fill some airspace and some evenings. I don’t really know what that means, except that I do, and it also sounds right.

This was the first single from that record, the first time a broader audience heard him. It was August 2003, and this sounds like that. I don’t remember the first time I heard that song, but I do remember the work I was doing late that summer.

I was doing interviews and producing a documentary on an upcoming tax referendum. (The tax went to a statewide special ballot vote that September, but this is Alabama and so it didn’t just fail, but failed spectacularly. The director of the state Board of Education was in tears on TV that night.) Also, at about that same time I was busy covering Roy Moore being removed from the bench as Alabama’s Supreme Court Chief Justice. Being Alabama, he got another shot at the bench, largely on the same religious rhetoric that got him kicked off the first time.

Probably I picked up on Howie Day a little bit after that. Sharp-eared listeners might have found him on the “I Am Sam” soundtrack, which we featured here a few weeks ago. He covered “Help!”

Day has had a handful of ugly legal trouble of the domestic and chemical varieties, but he’s still out there doing it. Day is touring on the 20th anniversary of this record right now.

Next time in the Re-Listening project, we’ll have a glance at a post-grunge album at it’s most polished and most posty.

Tomorrow, a meeting, and also a meeting!


16
Sep 24

Twenty years ago today, and this weekend, and today

Twenty years ago today Hurricane Ivan came ashore, straight up Mobile Bay. It came ashore as a Category 3 hurricane.

I woke up at that morning to go to work. My power was still on. The drive got treacherous pretty quickly. Visibility dipped. A 20-minute trip turned into almost a 40 minute drive, but the worst was yet to come for our area, which was a good 250 miles inland. That far away from the coast, hundreds of trees were down and power poles snapped. Miles and miles of power lines were on the ground before the worst had even arrived. Early on, the state broke its power outage record, with Alabama Power saying three-quarters of their customers were in the dark. We couldn’t communicate with people down on the coast.

Whole forests down there were snapped, shredded and felled by 100 mph winds down there. The eastern part of Mobile Bay took a wallop. In Gulf Shores, they had eight feet of water on the main drag. Everything almost a mile from the beach was underwater. A handful of people waited out the storm on the battleship, the USS Alabama which is a museum in it’s day job. One wind gauge on the ship broke after registering a gust of 105 mph, another recorded a 112-mph gust. “You could feel the whole superstructure of the ship move when a big gust would hit,” one of the men that worked there said. The USS Alabama weighs 85 million pounds, and she was shuddering.

Up in Birmingham, we reported the hell out of that hurricane. I was still relatively new in that newsroom — my last newsroom — and this was just the second big national story we’d had in my first few months there. So I was showing off a little, maybe. But it was important. Before the next day was out, the estimates were already rolling in that there was more than $10 billion dollars in damages and some places would be in standing water and without power for weeks. I think I worked about 15 hours that first day and something just short of that the next day. I was calling everyone I knew and reporting their experience online. Back then, I knew a lot of people all over the region. I was calling the parents of ex-girlfriends: Do you have power? What happened where you are?

Don’t know how you may be related to them in your day job (if not directly, certainly spiritually?) … but these guys are Pulitzer prizing their blog today. Especially great for those of us with ties to the area but who are not there.

Only al.com eligible for a Pulitzer. This was 2004 and it was all so very new. But in 2005, Hurricane Katrina went to New Orleans. Our colleagues at our sister company, The Times Picayune and nola.com won two Prizes, and they deserved them both and more.

We were writing a lot more than a blog. We were putting together multimedia stuff as it came in. We were running a weather central microsite complimenting the wire copy and the NWS content. We were moving fast and doing creative things and telling a statewide, regional story. We didn’t win a Pulitzer, but we were paving the way, 20 years ago today.

I had a 35-mile ride on Friday. Almost thwarted just six or so miles in. I bunny hopped a railroad track and caught the rear wheel on the far track and popped the tube, right after this lovely little spot.

So I stood in someone’s yard, taking the wheel off the frame and the tube out of the wheel. I fiddled with a new tube and finally got everything ready to pump it up. I carry a pocket-sized hand pump. All hand pumps have a limitation. They just won’t push enough air pressure to let you do much more than get safely home. And that’s when it works well. But my pump is 11 years old, it was probably cheap when I bought it, and they don’t even sell the thing anymore.

It works … some of the time. Earlier this summer, for example, it really didn’t. In that yard today, it didn’t. After I limped a bit farther down the road and stopped in a field to try again, my pump decided to get its act together. I had a good stiff tire and did the whole ride I’d planned out. Just a bit later than I’d expected. But the views were wonderful nonetheless.

I did the last few miles in the extended neighborhood. Enjoying this view on a perfectly quiet road, soaking this in. This is why I enjoy riding in the evenings.

  

(If that’s not the nighttime video, just refresh the page and scroll back to it. There’s an autoplay function here I can’t turn off right now.)

I had a nice and easy 20-mile ride today. Easy, and somehow I found myself sprinting along a road at 36 mph, which is about where I max out these days. I’m not even sure why I did that, and I felt it for a good long while thereafter.

But before that, corn stalks!

It’s a nice time to be outside, so I’m spending a lot of time outside.

I also had a swim on Saturday. The pool was chilly, but that makes you go faster, they say. I think if there’s anything to that it’s just because you’re trying to get out of the water. But there was a comfortable 1,720 yard workout. That’s a mile, which sounds like a lot, but it isn’t, not really.

Today, I had another mile swim, and it was a bit faster, but still slow. But fast for me, because i was trying to get my laps in before the chill set in. The thermometer said it was 76 degrees.

And so I begin to wonder, what is my tolerance? And how many more outdoor swims can I have before we find out?

Quite a few, I’m hoping.


23
Aug 24

Still not over it

Last night, we went over the river.

We went for a poke bowl. This was when I learned something about poke bowls. The fish is raw — which is not my thing. Eat it fast and in big chunks, then.

And, next time, order the ramen bowl, like you initially planned to do.

Anyway, it was a lovely night for dining outside. We were the only people at the place, so we timed it right. And the food was good, except for, you know.

The purpose of that trip was to go see a rock ‘n’ roll show. I am, of course, going to get two posts out of this.

Opening the show was Melissa Etheridge. I bought her first albums as cassette tapes. They were loud and a little rowdy and a lot intense. Or, as she said last night … (Excuse the video quality, we were roughly a quarter of a mile away.)

  

That’s a good summation, the raw lyrics, the talented guitar work, it all worked very well.

For me, it was all about those first three albums — even though I was playing catch up. Someone played me a song as a teen and that 12-string guitar got my attention and her sound kept it. Superstardom was obviously on the way, the drama was there, and she was belting things out as fast as she could churn them out, and she’s been prolific for decades. Sixteen studio albums, five of them platinum, two golds. She’s supported them with 43 singles, including 11 that charted and six landing in the Top 40. She’s moved more than 25 million units, not counting whatever her digital sales are. But, again, for me, it was the first three records. Time and place. Lightning in a bottle. An earnestness that matched a feeling, whatever it was. If I had to narrow it down further, it just might be about this song. And, man, I still can’t believe this happened. It’ll take days to get over this. (Update — Still not over it.)

  

Amy and Emily doing melody on the song about two people running away together, or just running away? I do not know the extent to which a pop ballad can move a person, but there I was, thinking, No way 16 year-old me could have pictured any of this.

I suppose we could have left then and I would have felt as though I’d had my fill. How often can you say that just a handful of songs into a show? But you don’t do that, because there’s always the potential for magic in the air. They rolled out a piano and Etheridge put down her guitar and played a Joan Armatrading classic.

  

One day, someone is going to figure out that Melissa Etheridge has just been riffing on Bruce Springsteen, Billy Joel and Joan Armatrading her whole career. And why not? It works.

She’s 63 and still brings it. I’d never really had a desire to see her in concert, and I see now that was my loss. She put on a terrific show, and that was only the first half. We’ll get to the rest of the show next week.

Back at home, we have a new friend in the backyard. I just happened to catch this in the light as I went about the evening chores. Much better to see it than feel it.

It’ll be interesting to watch that web work evolve, I’m sure.

Meanwhile, over in the giant leaf district, we will find giant leaves.

That plant sits next to the water spigot, so it gets a bit of extra water whenever that’s on. I assume that’s why it’s taller than me now. Thankfully the brown-eyed susans that are growing next to it have no similar ambitions. But who knows what they’ll get up to this weekend.

And you? What are you up to this weekend? Make sure it is a good one!


20
Aug 24

There’s a hint of live music below

Well, today was just beautiful. Impossibly so. Sunny, blue skies and temperatures settling into the 70s. There was no ambitious mercury in the thermometer. No overbearing sun. Just this …

… and the promise of another day or two of it afterward.

It was this beautiful. I couldn’t decide what to do with the day. Which was weird.

Finally, I settled on sitting outside and reading. It was a good choice.

It was such a good idea, I did it again, sitting outside this evening, listening to the symphonic crickets, flipping through pages of a book, asking myself why I don’t do this all of the time.

I should do this all of the time. Or at least more.

We return to the Re-Listening project. Regular readers know I’ve been listening to my old CDs in the car, and in the order of their acquisition. We’re in, let’s say it is 2006, listening to a 1998 record that I picked up at a library sale. It’s everyone’s 1990s friend, the Dave Matthews Band.

“Before These Crowded Streets” was their third album. Béla Fleck appears. Alanis Morissette is on it. And so is the virtuoso Tim Reynolds — this being just before he joined the band. It was another successful album, even as they were beginning to change some things up. The instrumentation gets more exotic, the time signature experiments are underway, and the themes got a bit more mature, a bit more worldly.

This was the record that pushed the Titanic soundtrack from atop the Billboard charts. Three singles became hits, the record went platinum four times in the United States.

Some of the best parts of this record are the interludes, usually outtakes, between the songs. And the biggest memory I have about this record is actually from a live show. They play the amphitheater in 1998, supporting this record and the version they did of “Don’t Drink the Water” was just about the most intense thing I could imagine seeing at a yuppie party. Here’s a version from that tour, about three weeks earlier than the show I saw. This is sedate in comparison to my recollection.

They’re still at it, of course. Ten studio albums and something like 17 live albums later. Touring machines, who even knows how many millions of concert tickets they’ve sold at this point. But I know some people who have purchased a lot of them. My god-sisters-in-law (just go with it) and their large entourage see them a lot, probably four or five different dates a year. And they invited us to one of them. It was my third or fifth time seeing them, and my first in 20-plus years.

  

I don’t think I even mentioned the concert here. We left the show early for some reason that was never explained. The group gathered and walked out and, I said Who doesn’t stay for the false finish, let alone the encore? And the answer was, the crowd of people we were with, for some reason.

Though I blame DMB as the sole culprit in the outlandish ticket prices we’ve seen explode in the last several decades,
they still create a happy crowd. And their tour continues right now. They’re playing the northwest, before heading back east in late September for some festivals, and then a few fall dates in Mexico.

We’ll go north, to Canada, when next we return to the Re-Listening project.

But what will we get into here tomorrow? Be s ure to stop by and find out!