adventures
29
Aug 22
‘To give a little something even though he gets behind’
They are making progress. Progress is being made, of the destructive sort. Just across the way is the building where Elvis slept. And, before that, a bunch of college students, and then some guests to the city, and then people worked in there. Now the building, long in the tooth in it’s seventh decade, as being pulled apart. A green space will be where the Poplars Building is. This only means that no one has decided on a better use for it yet.
I wonder if the person who had the room-converted-to-an-office knew they had Elvis’ room. Seems like you’d spend a little time trying to figure that out, no?
Anyway, we’re several weeks into this now, and they were scraping away ferociously on the east end of things today. No ETA on when the job will be completed, or when the adjacent parking deck will reopen, but I shall try to keep you up-to-date on this, the least useful, interesting or successful feature on the site.
Let’s balance that out with the most successful feature on the site, the weekly check on the kitties. They’re doing just great. Having a ball. Despite my playing zone defense these last two weeks, don’t let them fool you. They will try. But I have documentary evidence. Here’s a blissed out Phoebe enjoying an evening cuddle.
And here, Phoebe is surveying her queendom in a most grand style.
Poseidon, meanwhile, is playing the role of the jester of the royal territory. He often does.
And, last night, he got in a bit of reading with me. It was, again, a nice cuddle. Don’t let him tell tall tales. He will tell tale tells, fib, fabricate, dissemble and lie.
We went to a rock ‘n’ roll show tonight, making for a long but fine day. Earlier this summer we finally saw a 2020 concert in Indianapolis. It was postponed, twice, because of Covid, but when we finally got to see the show, it was great. Concert tickets purchased in 2019 age well, turns out. That adventure was a wonderful little return to normal — whatever that is these days.
The same bands were going to be playing Cincinnati last month, and The Yankee found a good deal on resell tickets and made a good impulse buy. But someone in the tour got Covid, so they had to postpone that show. We found out at the parking both of the concert. It’s a quick two hour drive, and the weather was nice that evening, so we walked around a bit of Cincinnati and made silly videos that never got used anywhere, I’m sure, and had some acceptable-north-of-the-Ohio-River pork barbecue.
Tonight was the rescheduled show. Or, to be more precise, tonight was the re-re-re-rescheduled show. The original was in 2020, and then they tried to run it in 2021. And then again, and now, finally … oh, and a thunderstorm was moving through lower Ohio.
But the lightning stayed away, and the 90s and turn-of-the-century pop music blared forth. Another great show, even if we knew the setlist.
As an added bonus, I can spread out music on the site for the next three days. So here’s Toad the Wet Sprocket, playing all the alt radio mainstays of the 1990s.
I don’t know if Crazy Life was my first protest song or the first for my slice of my generation, but I’m pretty sure it was the first one I really noticed. The first one I read about. And I read a lot about Peltier. I’ve never really settled on how I felt about it, not really, but this is Wounded Knee.
The Eighth Circuit thought a jury would have acquitted him had information improperly withheld from the defense been available, yet the court denied a new trial. And if you really dive into the story it’s easy to question how the system was used. But I don’t know, not really. None less than Nelson Mandela, Mother Teresa, and the Dalai Lama have campaigned for him, though, and that means something.
The point is, this song made me look it up, and think, and ask questions of things in general and specifically. And I probably shouldn’t like a pop song this much, but anything that scrapes your brain for a quarter of a century is worth noting.
They did a Best Of album in 2011 — and it’ll come up much later in our regular music feature — in part to regain control of their masters. They reworked a few small things in some of their songs, including the ending of this one. This is still good, but I much prefer the original.
Toad opened the show, playing a short set, but most of their hits. In fact they removed two songs from the previous show in Indy, for whatever reason.
It must be weird to be a still-working band, on what is the growing and, hopefully, lucrative nostalgia tour circuit, knowing you can only get in so many of your songs. Of their eight songs tonight, seven singles, six of which charted, were released to great success in the early or mid-90s. The newest song they played was a ditty from 2013. I’d guess most of the audience wasn’t familiar with it. They released a new album last year, all new material, but not the first selection made the set list.
If you can play a half dozen top 10s decades hence, and people still pay to see you do it, you play the hits.
Speaking of which, more of that tomorrow in this same space.
11
Aug 22
Settle in, there’s a lot of ground to cover here
My goal with my bike commute is to make the entire trip without having to put my foot on the ground. I had to unclip four times this morning, but only twice this evening. Had I been just a tad more daring I could have gotten that down to one, but that doesn’t really seem the point. Otherwise, the highlight was this little strip of road here.
They paved this in August/September of 2018 — I have photos — and again this week. The scrapped up the 2018 work on Monday, and it was a nice new ribbon today. How long does asphalt last around here?
Or, put another way, this little stretch of road fronts a Civil War era house. At this rate, it must have seen … carry the two … 36 coats of asphalt over the years.
I’m sure they had asphalt around here then. And I’m sure they treated it about the same way in those old winters as they do now: poorly.
I will not, I will not fall down the rabbit hole on this and read the entire history of asphalt, but just know I skimmed it to see how outlandish that joke was. Asphalt has been around since the Babylonians, and it was first used in the U.S. for roads in the 1870s, so not impossible, but not hardly likely for the tucked away place this was in the 19th century.
An interstate finally passed through here in 2015 or so.
But enough about construction, let’s see some destruction! I have for you, if you peer closely, an action shot of the grout removal going on at the Poplars Building. And by grout removal I mean the Poplars Building.
That’s some 60 years of stone and dust and carpet and dust and dreams falling out of that building just now. You’ll note they’ve got that screen held in place by the second crane. It comes and it goes, that screen. Seems to be protecting the parking deck. Protect the parking deck at all costs!
Sometimes they spray water on the rubble as it falls down. Some sort of safety measure, no doubt. I wonder what determines when they do and when they don’t spray.
I figure by Monday they’ll get to that protruding shaft — possibly the elevator system, I don’t know, I’ve never been in that building and it doesn’t seem safe to go exploring at this late date. If that’s what it is, I bet it comes down quickly.
The weather has been in the delightfully enjoyable 80s the last few days, which means the evenings have been a nice time to sit outside. We even had dinner outside this evening, because why not?
We were rewarded with a nice view.
We ordered Chinese. There were no fortunes in the fortune cookies.
They were just … cookies.
Let’s get back to the music! Last week I decided to start working my way through all of my old CDs when I’m in the car. Good way to mix it up. I did this a few years ago and enjoyed it, but figured, this time, that I could write about some of it. These aren’t reviews, except when they are. Mostly they’re just memories and good times.
I’m not doing this alphabetically, and not autobiographically — so I can’t tell you how I got from Deep Purple to Howling Wolf in 25 moves. And if I want to find the song “Landslide” by Fleetwood Mac I have to remember that it’s in the I Never Bought It Pile. Because Fleetwood Mac was old when I was young, and people always seemed to have it on the radio, somehow. I’m doing this chronologically. Yes, I know the order in which I bought all of these things — which, apparently, impresses people. Now let’s see how many of them I’m willing to tell.
The collection crosses genres and periods in a haphazard way and there’s no large theme. It is, as I said the other day, whimsy.
Recently I finished Memory Dean’s second album, which was self-titled, but people called it the “In My Father’s House” record because of the cover art. If that sentence is a mystery, don’t worry. They’re a regional band from Georgia. A good live act. A good college band back in the day. Probably quite popular in bars. I only saw them at festivals.
A college buddy of mine basically grew up not far from them, and had followed them for some time. He gave me this record, which is a curious mix of studio and live tracks. And, if you’ll notice on the Discogs site, they refer to it as the track side and the live side. Because this was a cassette first.
In the live portion they even talk about how they’ll have tapes on sell in the back after the show! This was released in 1993 and let’s say it was produced that same year.
I found this great piece from Rick Koster, writing for the Dallas Observer, that references Memory Dean:
Rather, Memory Dean’s music is an intriguing collision of spring-break choruses, beer-fueled rhythm, and a lightly twisted lyrical sense–all of which bring to mind Flannery O’Connor and Brian Wilson harmonizing on a cypress-cloaked veranda over their morning grits.
Within that Deep South context, it’s hard to pigeonhole Memory Dean’s sound. More than just snappy choruses–there are millions of those floating around, seeking to light in listeners’ brains–the band’s songs are, on first listen, anchored in the instinctively unique vocal harmonies of co-founding guitarist-singer-songwriters Jay Memory and Bubba Dean. With naturally occurring parts that recall the low harmonies and counter-melodies of the Indigo Girls or, perhaps, Art Garfunkel and Paul Simon after a night of tequila, the fluent vocal blend lures you in just long enough for the words to hit you over the head.
[…]
Originally rivals in street-corner minstrelsy, they hooked up and began writing the sort of songs borne of two things: 1) the innate tradition of a town that gave birth to REM, the B-52s, and several other seminal ’80s “modern rock” bands, and 2) the sure knowledge that through music came liquor and sorority girls.
Koster, who wrote that in 1998 and is still working, these days at The Day, in Connecticut, overdid it — by a lot — with the Flannery O’Connor reference. And I think you sense that in the second album, even more so than Koster found it in the third album. And I think people try to sound like they overthink Flannery O’Connor because they think it makes them sound smart.
It doesn’t.
Otherwise, that piece feels spot on. Re-listening to their eponymous record, trying to figure out what it means all these decades later, I had two thoughts. First, there’s an obvious mix of bawdy lyrics that feel too clever to the authors, mixed with some surprisingly deeper material. And when Koster quotes them, they’re pointing out “Yeah, we started writing in college. We’re 30 now.”
At any rate, these days Jay Memory and Bubba Dean are a lot older than 30, and they’re still doing it a bit. There don’t seem to be an album cuts from this record online (you can’t even buy this on Amazon!) but there are a few live performances from recent years with some of these tracks.
Which brings to mind the second thing I thought. Memory Dean is the musical college companion of the entitled annoying guy with the annoying boat on Lake Lanier. Not the one that loved college, but the one that still loves it too much. He’s a little too loud. A little too tipsy. A little too much. He rents that boat. And I’d bet this crowd, with its dedicated fanbase, had examples of that guy, and his “WOOOOOOOOO” wife.
This is misnamed on YouTube. The actual song title is “Beowulf, Captain Hook & The Albatross.” See? College kids wrote that.
And while the lyrics are a little muddled in that recording, the chorus pops pretty well, and this is important. The band is at their best when they’re doing harmony. My friend said that around Georgia people called them the Indigo Boys, which naturally intrigued me.
This is “Peach State of Mind” which is a song about Georgia. This is recorded in Athens, Georgia. There will be barking from the crowd.
For some reason they sped up the tempo of the song there, compared to the record. It probably fits the bar scene better, or maybe they’re just sick of it, but that one change takes away the lament and soul of the song, which is important when you’re talking about being homesick.
I know of which I’m talking here.
This is the funniest song on the record, the crowd participation song, and one of my least favorite. I’ve sometimes wondered, when this came to mind, if they would freshen up the lyrics if they had the chance. Now I know. Yes they do. And they always pick the best low hanging fruit. They say “Rap Music Sucks,” but you don’t get here without an appreciation of the genre. And they reference “Rapper’s Delight” in an important way. It doesn’t get twisted. They don’t point out, as they do when they send up Sir Mix-A-Lot, that this is actually a good song. They just do a variation on “Rapper’s Delight.” As if, even in 1993 they were already saying that the pop version of rap is not all that it could be.
Which, for some white guys from Georgia in 1993, probably seemed prescient.
In our next installment of musical nonsense, we’re going to hear from post-peak Def Leppard. It’ll be a treat.
8
Aug 22
Milwaukee; we were in Milwaukee
Seems so obvious now, right? It was in the photos and everything. And if you looked up the Roosevelt story, or tried to figure out that tree joke, you would have figured it out, or given up, in short order.
We were in Milwaukee for the USA Triathlon National Championships. The Yankee raced twice. On Saturday she competed in the Olympic distance triathlon, a 1,500-meter swim, a 25-mile bike ride and a 6.2-mile run. Here are a few quick clips, where she is rocking the bright kit of her sponsor, Team Zoot:
This was her third national championship event, and she finished just barely outside the top 100. Pretty great at a national championship level. (She was 33rd in the swim and 79th on the bike. In the nation!)
That was on Saturday. On Sunday, she competed in the sprint distance national triathlon, her fourth national championship event. This particular national championship was abbreviated a bit because of approaching weather. That just made it faster and more fun. A few more clips, and you’ll see her in her coach’s team kit, Dream Big.
In Sunday’s super-sprint she finished inside the top 100, and in her individual legs she was 34 in the water, 69th on the bike and 99th in the run. And she doesn’t even like the run.
Also, she had those surgeries, and these are second and third races she’s had while still recovering from those. (She just finished the official physical therapy about 45 minutes ago.) So, it was a successful weekend of racing. Quite impressive. A lot of fun. And it was all in Milwaukee.
Here are some photographs.
This is the pier at Discovery World where they started the race. On Saturday they did a mass start by age group. So if you were a male 25-29, you started at the same time as all the other guys in that bunch. On Sunday, because of the weather and the logistics, they did a self-seeded time trial start. Four people went in at a time based on their self-reported swim times. It is in no way official or make-or-break, but it has the benefit of being slower, which spreads out the field, particularly on the bike course. This was important on Sunday because they shrank that route in a concession to the weather, but they didn’t have fewer athletes. It’s all about spreading things out. And, theoretically, the staggered time trial start does that. Also you just watched people jump in the water for hours. Discovery World sounds pretty awesome. And the front of the building will be a banner here, soon.
Here, The Yankee is coming out of the water in the Saturday race. Barely off the ramp and already making muscle poses.
And her finish on Saturday.
Here’s a big from Sunday, where she is showing off one of the medals she won.
This is really cool. This is Madonna Buder, who is known in the sport as the Iron Nun. (Yep, she was a nun, and last year she crashed on a training ride and fractured her shoulder, collarbone, and got four fractures in a rib. Nun means the one thing, but the iron part of her nickname has several meanings.) She has opened six age groups for triathlons – meaning she was the oldest in the field each of those times, starting with 50 and over. She’s also the world’s oldest female Ironman finisher, a record she’s held since she was … 82! She’s done some 45 Ironman races.
Buder was smiling all weekend, constantly. She’s a celebrity. Everyone knows it, and they all think they know her. She’s probably met all the long timers. She did her first triathlon at 55. Yep, she has been doing this for 37 years, including those 45 full triathlons and some 350 more at shorter distances. This weekend, now a fresh 92 years young, she was doing the sprint at the national championships. She’s getting a little help up the ramp and hill from the swim, which an awful lot of people did. I also saw her heading out on the bike, and she was in perfect control.
You’re intrigued now, so here are some of videos.
She was in a Nike commercial a few years ago. One of the best Nike commercials of all time. Just watch it.
Here’s a brief interview she did in 2020.
And here’s a longform piece on her, from 2019.
Sunday, she ran, ran, across the finish line.
5
Aug 22
Where are we now? One thousand words of hints
Let’s drag this mystery out a bit more. Last night we drove late into the evening, before checking into a hotel, our base of operations for the weekend. But where is this?
Here’s a hint. This is a tree I stood under to avoid the midday sun.
The peeling bark, characteristic of the species, and the brilliant contrast of green leaves and a blue sky aren’t giving it away? They are good clues. Not a clue: my standing under a tree, seeking shade. My skin is so fair it will turn red anywhere. So while that’s no help at all, the bark might tell you something. Give it another look.
No? Need more? OK then.
I saw this on a wall in a hotel near ours.
Let’s have a closer look at that plaque.
I know this story, perhaps you do, too. I hadn’t put it together that we’d be so close to this moment of American history. This would have been on that trip, at the train station, but not the actual moment.
There are plenty of photos of Roosevelt’s trip — he was a former president and campaigning for the office again after all — including one taken just before he was wounded.
It was October; there was a chill in the air. Roosevelt was moving from the Gilpatrick Hotel to a nearby auditorium, where he was to give an evening speech. It’s dark, there’s a crowd, and among them is a man named John Schrank. He’s a bartender, a lay Constitutional scholar, a bad poet, a New Yorker. A short man with red hair, round cheeks and thin lips, he blends into the crowd, and manages to work his way right up to the car where Roosevelt is waving to a crowd.
Schrank has been waiting for this moment for a month. He’s been trying to get this opportunity in any of the eight states and big cities Roosevelt has visited in the last few weeks. He’s been waiting in this town all day. He’s been waiting here, specifically, for hours. He’s not going to fail now. He got to within six feet of the former president, fingering the revolver hidden in his vest. In a surging moment of adrenaline, amidst the noise of the crowd, he squeezes off a round.
The place looks like this today.
It did not look like that in 1912.
Before he could fire again Elbert Martin, a man who grew up about four hours away from here, threw his body at the shooter. Martin was a high school football player, and in every photograph he looks the part. He’s a stenographer, has a law degree, and is also Roosevelt’s security.
Others leap in to help, wrestling the attacker to the ground. They’re holding him by his throat. The gun has skittered away. Roosevelt staggered back, catching himself on the car, and sees his shooter.
Roosevelt says, “He doesn’t know what he is doing. Don’t strike the poor creature. Bring him here. Bring him to me.”
They’re now face-to-face. Martin puts the gun in Roosevelt’s hand. The crowd didn’t realize the former president had been shot. He didn’t know it either. Some people thought the round went wide, but there are immediately chants to string the man up, but police take him safely away. Roosevelt gets in the car and taken to the auditorium where he’s supposed to speak. An aide notices the hole in his coat. Reaching under his overcoat, Roosevelt feels blood, but says it is a minor wound.
At the auditorium his personal physician gives Roosevelt a closer look. The round from that .38 went through Roosevelt’s coat, and through the doubled-up 50-page speech, and his metal eyeglass case, before piercing his chest. Roosevelt refused his doctor’s plea to call off the speech. “This may be my last talk,” he said. He was intent on delivering it.
The man who introduced the president told the crowd he’d been shot. There were gasps in the auditorium, but at least one man shouted “Fake! Fake!”
So that’s been around a while.
Roosevelt came to the stage, unbuttoned his coat and the people could see his bloodstained shirt. He spoke, wavered, spoke some more. Along the way he delivered the immortal line, “It takes more than one bullet to kill a Bull Moose!” The crowd ate it up. He asked his very worried physician how long he’d been talking, and the doctor said 45 minutes. The former president said he’d speak for a few minutes more. The crowd laughed again.
Later he did go to the hospital, and they sent him to another one, to see a renowned specialist. Roosevelt, who had first come to the presidency when William McKinley was assassinated, was cheerful, and walked into that second hospital, smiling, cracking jokes, waving. He had X-rays at the second hospital — not available for his predecessor. Roosevelt’s doctors decided he was lucky. The bullet did not go into his rib, did not hit anything vital, and the man was in good shape. They didn’t operate.
He would, of course, go on to give many more speeches. He lost his campaign for a third term in office, but continue to build the legend of Roosevelt, the great man, until his death seven years later, in 1919. He carried the bullet in his pectoral muscle the rest of his life.
Schrank pleaded guilty. He said he was afraid Theodore Roosevelt was trying to establish a monarchy by running for that third term. Schrank died in custody in 1943, at 67. Over the years he talked with more reporters than you’d imagine possible today for a would-be assassin. Those interviews make for curious reading. He had apologized to the city — figured this out yet? — and was later pronounced a model patient at the ward where he spent the rest of his days. His body was donated to a medical school.
We drove by it last night.
So where are we?
