No point in making you wait, let’s jump in to the most popular feature of the week, after which everything will be a big letdown, but that’s the risk I run on Mondays. If I run this part late, you might skip everything else in disgust, or just go elsewhere. If I do it early, everything else has to be compared against this cuteness.
I mean, really.
I’d like to know what it is about the landing Phoebe likes so much. Good vantage points to both parts of the house? The ability to stop foot traffic? Because that stops traffic every time.
I understand, at least, the naps and stretches in the sunlight.
Most of our windows face either east or west, so they get good daylight. Not quite as good as being outside, though, right Poseidon?
He got outside once this weekend, and in the garage several times. He’s pretty good at timing his sprints. He has no idea what to do when he gets outside, but he makes a big effort. And he’s judgmental when he fails in the effort.
But he’s also trying a new tactic. If he can hide in the grocery bags, maybe no one will see him, and when we move them back to the car, that’s when he’ll make his break.
He’s hidden so well, no one can possibly know.
How can anything else compare to all that cuteness?
Saturday we played in the water. Scrubbed and treated and vacuumed, anything to stay out of the sun and heat. Also, some of it was easier to do in and under the water than above it. And, when all of that was done, I spontaneously decided to go for a swim.
And so it was that I slowly accumulated enough laps in the pool to be able to tell you that I swam 1,650 yards. This was my fifth swim in the last two weeks. It was also my first mile since the 17th. Of November. November 2015. Somehow, I was still able to move my arms afterward.
On March 19, 1776, John Barnes petitioned the judges of the Gloucester County Court to license his house, at the intersection of five main roads in Mantua Township, as a tavern. “An Inn at this said house is much wanting,” he stated in his petition, “as there is not one on said road nearer than eight miles on one side and five on the other.”
[…]
In Barnes’ honor, the community, originally called Lodgetown after an early settler, Benjamin Lodge, was renamed Barnesborough, later shortened to Barnesboro. For reasons not wholly clear, the settlement at one time was known as Lousetown.
The Tavern itself has undergone name changes during its nearly 300-year history. It was known as the Spread Eagle, the Crooked Billet Inn, and the Barnsboro Hotel before its present designation as the Barnsboro Inn.
Lousetown: one of those names you’re glad you learn about after your visit.
We had ice cream at a local overpriced ice cream place, and then caught dusk in the car.
We lounged about the rest of the weekend, visited a farm market and got some produce. I walked through the pretty things in our yard. I pulled weeds and started studying up on peaches because …
Later, I’ll learn all about grapes.
Also, the hibiscus just exploded seemingly overnight.
And I killed three lantern flies. You’re welcome, America.
Last night we dined on the sidewalk in front of place called The Red Hen. We were sat by perhaps the most aggressively no eye contact person I’ve ever met — and we just moved here from the midwest. To make up for it, the waiter was full of eye contact. I had the chicken sandwich … it was right there in the name … and it was good. Everyone enjoyed their meal and the pleasant evening temperatures and it was, all around, just a lovely little weekend.
Before I share a few more clips from the concert we attended last weekend, let’s look at the sign on the side of the venue. A classic.
I bet that came with the 2018 renovation. The Metropolitan Opera House was built in 1908. At the time, it was the largest theater of the sort in the world. A big handful of opera companies used it into the Great Depression. At times it was a movie theater, a ballroom, a sports venue and, from the 1950s to the 1988, a church. Now it’s a concert venue. This sign is definitely original.
And since the name is right there on the sign, let’s hear some music. Here’s the classic, “If I Had a 1,000,000.” Sing along.
And there was also a Harry Styles, a-ha, Rodgers and Hammerstein medley. There’s always a medley, I just want to know how they get from A-B. Soundcheck must be amusing.
I’ll put the last couple of videos from the show up tomorrow. For now, I should find something to be productive about.
This morning we took The Yankee’s car to a mechanic. It was a planned event. She needed an oil change and, I suspected, a radiator flush. She searched around, found a place that got great reviews, and made an appointment so, literally, a planned event.
I followed her over, we met the guy, sitting three rooms deep into his shop. Large fellow, sleeveless shirt, bandana on his head. Hunting paraphernalia on his desk. There were fishing rods in the corner, a Dale Earnhardt flag hanging on the wall. I felt like I understood him right away.
We left the car, which he said would be ready this afternoon. We headed back, stopping off at the grocery store for a few lunch supplies. The afternoon passed easily enough. I believe I was finishing up a bit of reading and writing on LinkedIn when she said the mechanic called and her car was ready. So we went back over, the first half of the short trip entirely by memory. And the car was ready! Windows rolled down. Key in the ignition. Inside, she paid the fellow. Cash. He made change, from his pocket. He said the radiator flush was the right call. Said he tested it. So we established I knew what I was talking about, that he’d work on both of our cars, his prices are fair and, possibly, he doesn’t hold up progress by slow-walking maintenance work.
If that’d been it, that would have been a day’s worth, right there.
At the house, she said, there was something she wanted to show me. Turns out, we’ve got a peach tree.
Five varieties of peaches grow here. Now we have to become peach experts.
There are also some tomato plants out back. Do you know who is a tomato expert?
And there’s a corner of Lactuca sativa. Funny, you just don’t think of growing your own lettuce.
This is something called clammy goosefoot, an herb from Australia. I don’t know what you’d use it for, and I have yet to find a site that screams “You simply MUST put this on your pasta.” So probably I won’t.
But we also found some chives …
Nearby was the oregano.
And, of course, the sage.
We’re going to have to determine the schedules for all of these plants now. And, if that had been it, that would have been a day’s worth. But no.
For, you see, we went to join this running club. But, for the second week in a row, they no showed. They are, in fact, running away from us.
Which is fine, because I need someone to chase I wasn’t going to run this evening anyway. It usually works like this. I think Rest day? Schmest day! And then, the next day, I realize the error in that thought, and the wisdom in a rest day. So today, I did not run, or anything else, because I had eight days of workouts (be they ever so humble) in a row, and 11 days in the last 12.
Tomorrow I’ll … exercise … or something.
Instead of running, we got milkshakes. Dinner. We got dinner. And also milkshakes. We carried that back to the house and watched today’s stage of the Tour de France. And here’s the thing about the Tour … it’s 21 days of racing and this is the 110th edition and that means there’s a lot of history and trivia and wonderful anecdotes and a lot of it, until recently, wasn’t kept with baseball statistic precision. We did know, coming into this stage, that this was the third-narrowest time differential (10 seconds) between first and second place riders after 15 completed stages. We knew that because the TV producers made a fine graphic telling us about it.
Also, you know, it’s a bike race. Real roads, differing technologies and external circumstances and terrain and routes and all of that. It’s hard to compare the apples and pears of the time differential in this year’s race with the leading comparable statistic, which was four seconds between Jos Hoevenaers and Federico Bahamontes in 1959.
Bahamontes wound up winning, Hoevenaers finshed eighth, down 11-plus minutes. But everything about the style of the race was different then.
It also seems difficult to compare the tight affairs of this year’s Tour with the legendary 1989 race, which was a 50-second race on the last day, ultimately won by Greg Lemond by eight seconds. Someone put together the Lemond and Laurent Fignon time trial side-by-side.
Evolving cycling technology is coming into play here. Lemond, on the left, has aero bars and a new teardrop-shaped aerodynamic helmet. He only used the disc wheel on the back. Fignon ran two disc wheels, which leaves you more susceptible to crosswinds. Also, Fignon road a conventional style. It got so silly after the fact that people also speculated that, had he cut his hair, Fignon would have avoided eight seconds of air drag.
I’ve heard Lemond say, more than once now, that he was told Laurent Fignon was haunted by that race for the rest of his life. That he walked around counting eight seconds. Fignon, in his autobiography, wrote “You never stop grieving over an event like that.”
Anyway, that was the closest finish in history, but after 15 stages, the difference between them in first and second was 40 seconds.
It’d be a bit easier to compare the technology of today to the second closest, the 2008 edition, where Frank Schleck, of Luxembourg, was leading Australian Cadel Evans by eight whole seconds after 15 stages. (Also, bikeraceinfo.com reminds me that Austrian Bernhard Kohl was in between them, down only seven seconds to Schleck. Kohl later confessed to doping, so he disappears from the official records.) Eight seconds! Neither of those guys won the Tour.
At least that looks familiar. Modern. It’s only 15 years ago, and those riders have all retired, but the names are familiar. Indeed, I remember that particular tour. The technology and nutrition have jumped significantly ahead in the generations hence. Even the way they race, in terms of strategy and tactics, has been evolving since then. It’s the same, but different, remember.
But this year’s tour will be difficult to forget. Today …
Time trials aren’t usually very interesting to me, but I’d love to know how this ranks historically. The guy in second place, two-time Tour winner Tadej Pogacar, started the day down 10 seconds, and he had an incredible ride. The only problem was the guy behind him, his rival, the defending champion and current leader, Jonas Vingegaard, had an incredibler ride. A gobsmacking ride. Watching the time gaps grow at the checks was something that strained credulity. You could tell he was riding hard, working for it, riding well. It was in the body language right away. But that stage was a deconstruction. This is a place I actually want more statistics. Has a time trial ever done such a thing to an evenly matched opponent? SBS offered a slightly more technical comparative look of the two rivals.
What started the day as a tense, 10-second race finished a mind-boggling one minute and 48 second race between the two best road racers in the world. This will be hard to forget. And there are more mountains to come.
If that’d been it, that would have been a day’s worth, but no.
Because I also updated and upgraded a deadbolt. I only messed up two parts, and it only took several more minutes than the directions promised. But, it is installed. It is square. It matches the door knob. And, importantly, it is functional.
Each entry and exit through that door will now be reported to the ninja barracks out back, via a military grade wifi network, so that they can monitor and approve of all of the comings and goings.
Saturday afternoon I went out to explore for a bit. I needed to drive my car, basically. Also, I wanted to make friends at a nearby SCUBA diving shop. It serves you well to know all of the nearby people in your many interests. Plus it was a lovely day and so on.
So I stopped in at Ocean Spirit Aquatics, where I met Joan, who runs the joint with her husband, Jim. She was a lovely woman, happy to chat about the local dive scene. She was not able to help much with my main reason for stopping by, but the world wide web can pick up the slack. She told me about a SCUBA diving flea market that takes place each spring — buy and sell used gear! — something I would have otherwise overlooked for some time. I’ll be there next March.
I glanced at one of the little shelves I was standing next to while we were chatting and there were the goggles I do pool swims with. I had two pair of these in my Amazon cart, but the dive store were selling them for $10 less a pair. So I bought two pair from her for taking up her time, and now we are friends.
Setting out for my second errand, I was following the map app and winding my way through a residential area when I thought, Double check and see if there’s another dive shop nearby.
Good idea, me! Let me find a parking lot.
A car was following closely behind. Took every right I did. Took every left I did. Finally, that car turned off, and I found a lot for some quick map searches. I was correct, there wasn’t another dive shop conveniently nearby. But, I looked up, and the sign on the building said Aldi. I surmised I was in a grocery store parking lot. And my incredibly well-honed powers of deduction, I further determined that I was in an Aldi parking lot.
It just so happened that my next stop was an Aldi, but not this one. I figure, though, I’m here. I’m parked. Let’s see if they have what I’m after. Walk in, turn left to the far wall, walk halfway back through the cooler section, and, yep. Grab the goods, self checkout, and back to the car.
The next stop was back home. The map told me to retrace my steps. This, in the scheme of things, saved seven miles. And finding those goggles while talking with the nice people at the dive shop (but I repeat myself) means I also saved 20 bucks.
Serendipity!
Before we go any farther, let’s check in on the cats. It is, of course, the reason you’re here on a Monday, after all. (I watch the site data. And, remember, I have incredibly well-honed powers of deduction.)
Poseidon has progressed from sleeping in a cardboard box …
… to standing on the side of a cut up cardboard box.
I’m over cardboard boxes altogether, at this point.
Phoebe, for her part, has upgraded to plastic bins, because she is smart.
Also, she’s enjoying this bird on her traditional spot, the staircase landing. The bird makes tweeting, chirping noises when you move it. The cats like that.
It’s probably not as satisfying as catching the real birds outside, but these two wouldn’t know what to do with a real bird if they could grab one.
Saturday morning we went for a bike ride, of course. I feel like my legs are starting to come back, if only a little bit, and if only for shorter rides.
It was just a 20-miler; the last five miles were faster, thankfully. In that section, a couple caught up to us as we waited on the one red light on the route. The guy said hello. I said, “Welcome, join us,” and, jokingly, “Which of you can I draft off of?”
The light turned green, I told The Yankee to go ahead, as is our custom. The guy told his riding part to come along. And my lovely bride … dropped those people in about four pedal strokes. That probably looked gratuitous, but everyone is on their own ride, and there’s nothing wrong with that. Not everyone is as strong as The Yankee, or as determined as I am to stay on her wheel, and that’s OK, too.
Also, they could have just turned quickly, for all I know. I glanced back once, and they were gone.
Maybe I should save this graphic of the route that we pedaled that day.
It already has a home roads/default route feeling to it.
It rained Sunday afternoon, so we spent the time listening to the rain and reading. It was lovely. I got back into a May Sarton book, though I think it sounds better if I say, “I am reading the journal of a Belgian poet.” It’s titled Journal of a Solitude, and that’s apt. The book started in September of a particular year. I am now through April, and there’s a big meaty section of spring and summer to come. But, sitting under a July rain, trying to picture a rugged Maine January …
I love how she hints at the difference of manipulating words or concepts. Because she is a poet, one is always weighed more heavily against the other. The W.B. Yeats poem she refers to there is, perhaps, “The Circus Animals Desertion,” where he narrates that he labored on the theme for six weeks. Any number of literature shortcut sites will tell you he’s, late in life, trying to square his own life with the times and mores of his native Ireland, and how that impacted his inspiration. It’s Yeats, so just say it is full of modernism or postmodernism; people will nod sagely.
I think she’s referring to “The Snow Light.” The line she went with:
In the snow light,
In the swan light,
In the white-on-white light
Of a winter storm,
My delight and your delight
Kept each other warm.
What do you want to happen in a poem after that? For Sarton, the love had to be lost.
She had published a book of poems just before that journal entry, and the rest of winter breezes by in the journal. So, much of spring and summer will be filled with her gardens and flowers and her descriptions of those things, but she’ll sneak in all manner of powerful observations about being alone, femininity, sexuality and then, near the end, something absolutely unexpected will happen.
This is my second Sarton book — My second of four Sarton books. I discovered her through Ray Boomhower, Indianapolis-based historian, who shared a quote of hers, “Keep busy with survival. Imitate the trees. Learn to lose in order to recover, and remember nothing stays the same for long, not even pain. Sit it out. Let it all pass. Let it go.” that sounded very much like something a cyclist would say. So I was intrigued. I then found a site that recommended four of her books in particular. After that, I found a used bookstore online that had each of those four books, plus free shipping. I bookmarked that store immediately. — so I know for certain there will be much about flowers and weeding and the spring and summer chores. The other three themes are all over this journal. And I’m hoping for another “Huh. How about that?!?” moment, that brings it all together, just as in Plant Dreaming Deep.
Belgian poets, man.
After the weather cleared, we took a little swim, unleashing an impressive array of splashy dives that created great splashes, even if they weren’t terribly splashy. I decided to do a few laps, because Sunday was a rest day, but by that time I hadn’t exercised in more than 24 hours and Saturday morning seemed a long time ago. So I did a few laps, and then a few more. And then I decided I’d just swim until I was tired. This being my fourth swim in just 10 days, and, also, my fourth swim since November 2015, I was curious to see what that looked like.
It looked like 1,120 yards. I feel a bit of that in my shoulders today, but in a good way.
So, naturally, we went for a run tonight. I did 2.91 miles — and I feel that in my feet — just to keep an easily reachable goal out there.
We return to the Re-Listening project, where the goal is to listen to all of my old CDs, in the order in which I acquired them. Since I am writing a bit about them here, and as I am woefully behind, the immediate goal is to … catch up. These aren’t reviews, but an excuse to pad out the blog and embed a few videos on a trip down memory lane.
Gran Torino, was a Knoxville-based band, that started with a rhythm-and-blues, soul and funk feel and shifted pretty effortlessly to a pop formula. This is their second album, the one that had a minor hit, mostly on college radio and the like. A lot of horns, a lot of fun somewhere between game show themes and Earth, Wind & Fire.
If you weren’t around Knoxville, this was probably how you were introduced to this band.
Infectious!
Gran Torino put out only one more album before they disbanded in 2003, but they have played the occasional show, often for a fundraiser, here and there.
Jimmie’s Chicken Shack dropped their second album in August of 1999, a time when almost no one used the word “dropped” in that way. I picked this up in a giveaway bin at one of the stations I was working at, and I am so glad I did. This is a fusion of slack rock, entry-level ska, acoustic pop and some sort of blue-eye hip hop and new wave sounds. Now, as I type that out, it sounds ridiculous, but this record is so, so great.
Track one feels like a nod to their early work before they diverge into that odd collage.
I did not understand this when I first heard it, but I liked it straight away.
And this was the low key hit. “Do Right” peaked at number 12 on the Billboard Modern Rock Tracks chart, helping to push the album to 153 on the Billboard 200.
Really, almost every song here has something to offer. How it didn’t get a bigger push is a mystery.
Oh. Wikipedia tells me that Elton John had a record label and Jimmie’s Chicken Shack was one of their acts. They apparently did not often see eye-to-eye. Also, it was “marketed” by Island Def Jam, this would have been before IDJ really figured out they were supposed to be a major entity.
Jimmie’s Chicken Shack put out two-independent records after this one, and now they’re releasing things on Bandcamp. And they’re touring now, too. Good for them.
I’m putting this up front because I want to. Because it is great. Because you should listen to it.
Mark Knopfler wrote this song. “Romeo and Juliet” is a big part of the Dire Straits catalog. It’s a classic song, and that means it has been covered a lot. But this is Amy Ray’s song now. Her intensity with this puts it in a class by itself. I’ve heard the studio recording, of course, and a few live recordings, but I’ve never been seen her do this song in person. It’s a rock ‘n’ roll moment, no doubt about it.
Goosebumps.
They’re playing a few hours from here in a few more months. Maybe we should go see them again. We should go see them again.
Today we made a recycling run. Always a little smelly, but also satisfying. We stopped at the local hardware store, at place that still holds the name from way back when ice and coal were the big sellers. On the sign out front they were advertising a now oddly popular horse wormer medicine. We met the owner, Doug, and his son, who looked like a young, bearded version of Gregory Sporleder, their high school employee, who’s name I did not catch, and two cats almost as big as any of the humans in the store.
They had one of the three things we went in for. We’ll get the other two online, I’m sure.
This afternoon I took a nap, dozing off while reading a Belgian poet’s journal. My second nap in two weeks, this summer is going great, thanks for asking!
And then we went for a run. Mine was twice as long, but not as good as my Tuesday run, which was my first run in seven months … maybe because I didn’t have take off seven months. I should really look into that. The Yankee had a nice run, though.
It was 84 and felt like 90 degrees and, well, it felt like it. Good timing on our part for that run.
The sunset, off the front porch, was lovely as well.
And now, at the time of night when Saturday seems long enough to mean everything seems possible, I say to you, happy weekend!
Today I tightened the bannisters, which were too wobbly. Now they are less wobbly. Also, they are cleaner. It’s the little things, really, finding the little things you’re actually capable of doing, and to do them sorta well. Also, I vacuumed. It wasn’t until late into the evening that I moved anything. Progress! In doing so I discovered more things I hadn’t realized were missing. Missing, in this case, meaning sitting under things in the garage. The two extra hacksaw blades will come in handy. And a box of wood stain was out of place, explaining why one of the shelves was so bare. Fixed that problem straightaway.
I still can’t find the main kitchen knife, though. Somehow it didn’t get packed with the rest of the knives. Also, the kitchen scissors are missing and this is all going to be hilarious when they turn up in October.
I set three Strava PRs this morning as we repeated the same route we rode on Saturday. Overall it was a bit faster, and less painful. The last quarter of the route is a slow and gradual uphill — nothing to write home about, but definitely something to include in your blog — and that was a slow grind. After a few more rides everything will start to feel much better. I’m willing it so.
But the views! Doesn’t this water look nice?
The Yankee was good enough to take a photo of me in a moment where my form wasn’t entirely terrible, but I wish she’d gotten one of those moments where I was leaned over the hoods, all intense.
The cranberry bogs are out there somewhere. No floating cranberries at the moment, though.
Here’s a very brief video of a few nice parts of the ride.
This evening, I’m going to try to get used to this.
Artistically, I made a hole in the waterfall. Surely there’s some rule about thermodynamics at play here. Or, perhaps, another rule about thermodynamics being violated. A hole! In a waterfall!
How cool is that?
On the subject of singalongs, as we drift back to The Ryman in June, sometimes you don’t need to pretend or preamble. Sometimes you just play the first chord and let the crowd do the rest. Sometimes it seems like everyone would be happy that way.
The self-titled, second album from the Indigo Girls was released in early 1989, went gold late that summer, platinum in 1992 and was certified double-platinum in 1997. Hothouse Flowers and REM famously appeared on the record, which won a Grammy for Best Contemporary Folk Recording and was also nominated in the Best New Artist Grammy category. It came in at 22 on the Billboard Hot 200 that year, and there are easily a half-dozen songs or more that are deep cut classics.
But none more than “Closer to Fine.”
Amy Ray gave an interview in 2021 talking about age and longevity, and the people they look up to, and what it’s like to still be touring at (now) 60.
“When people go to concerts, it’s sentimental and fun, and reminds them of the old days,” she said. “I don’t want to be a purely sentimental act. And that’s hard. Because when you enjoy what you are doing, you don’t want to stop.
“Emily and I are like: ‘We want to keep doing this while we enjoy ourselves.’ And I’m like: ‘What if we still enjoy ourselves and we look like fools?’ And, sometimes, who cares? It won’t be the way it was 30 years ago, so what does that mean? Does it matter?”
But they’re still finding ways to share their happiness on stage, and their fans love it. (That pop song is almost 35 years old.) And it’s a multi-generational thing now. Fans bring kids. Musicians bring kids. I believe that’s Carol Isaacs’ daughter singing the last lyric.
You always wonder: what becomes of rock ‘n’ roll, the sound of noise and youth and angst and rebellion, when the performers get quieter, older and more settled? We’re now watching the third generation of rock ‘n’ roll stars hit those points. The answer is, it just gets more fun.
Did you catch the news about us moving? Did you read, with a sigh, the bit about loading and overloading cars and then driving them for 11 hours across some 20 percent of this great nation? Do you know what I did during this time? I listened to a lot of CDs as part of the Re-Listening project. And I am now well behind in writing about them here.
Remember, these aren’t reviews — because no one cares — but just a bit of reminiscence about some (occasionally) good music. Also, it’s an excuse to pad the blog and embed some videos. And the best news of all is, in six or eight more discs we’ll (finally) be out of 1999, because the joke here is that I’m listening to all of these in the order in which I acquired them. And, apparently, I picked up a lot of music in 1999. Today we’ll breeze through two records, both from California bands. This first one was released in February 1999. The second was released in September. No idea when I got them. And, in the case of this first one, why.
Wikipedia tells me Oleander is considered a post-grunge band. And on the page for this record there’s a list of some of their greatest touring achievements. None of it makes sense for me. I don’t like any of the acts they were playing with. And the writing is basic and, honestly, this sounds like a buzzy version of a Parks and Rec song.
But that could be because we’re watching Parks and Rec again. Speaking of TV, the first single was featured on Dawson’s Creek and a few movies. And, look, before we entirely fetishize the 1990s, not everything makes sense.
Somewhere around Columbus, Indiana this song came on, and I remembered this from too much radio play. But I couldn’t name the band until I fished out the disc to write about it here.
Not everything can be committed to memory.
There’s a “Boys Don’t Cry” cover that was released in the UK, and it makes you wonder how record labels make those decisions. Was it a test case for an American followup? Would this have worked on radio over here?
The record went gold, and topped the Heatseekers chart. Those two singles each did quite well on the Mainstream Rock Tracks and the Modern Rock Tracks charts. They put out another album after this, took a long break and then reunited. Oleander’s most recent album was released in 2013, but there’s not much online to suggest they’re presently performing, and that’s OK too.
That’s OK because the next 1999 act is a band still playing limited dates these days. They’re just a radio band to me, and I got this on the strength of the single, but “Nasty Little Thoughts” has good hooks all over the place, and some clever, and funny, lyrics.
This sounds much more like 1999 to me.
Both records, do, but from any distance you get to choose things.
This song got a lot of airplay on alt and modern rock stations at that time when they were the same thing.
But this is the track that I played over and over. Someone rightly pointed out that it was worth hearing, and decades later, that person is still correct. It still works.
Over the years Stroke 9 has released seven records. And this is cool, here’s a little livestream show they did in May of 2020. It’s neat to see bands when the artifice is stripped away, they’re playing on the back deck in hoodies, just being people, not trying to be the things that the industry wanted them to be.
That show, if you watch the whole thing, is basically this record. If you watch it for more than a few seconds you might notice the video is, for some reason, mirrored. It turns out that some of the songs they’re playing on this record were written right there in that house. It’s an interesting bit of personal continuity for the band, but it’s a real thing, and something authentic for fans.
I wonder how secure the handrails are in that house.
