It is so hot, it must be July. Later this week, I’m shopping for ice vests. Summer just feels different, the older I get, and it is, of course, getting hotter, too. Maybe I should invest in ice vests.
We sat in the water to read. Shade, body-temperature water and good books. There was little relief in the activity. But it was a lovely activity.
I finished reading a biography on Gino Bartoli, Road to Valor. It’s one of about 250 books you can get on Ginettacio, any number of which are quality reads. It’s one of the handful that focuses a bit more on the Gino the Pious aspect of the man. Champion cyclist, hero of Italy, Resistenza italiana, who had his best years on the bike taken away by the war, a man who nevertheless used his bike to save an uncounted number of people’s lives during that time.
Among his highlights, Bartali won the Giro d’Italia in 1936 and 1937 and the Tour de France in 1938. Then the war, and when it was time to race again, he was already viewed, in his early 30s, as an old man. And so the anziano won the Giro again in 1946, and the Tour in 1948. It was, and remains, the longest between Tour wins and the second longest such streak in the Giro, which brings us to his rival, the great Fausto Coppi.
Coppi was the vanguard of the next generation of great Italian bike racers, another top talent, and he didn’t want to sit in line behind the old man, hence the rivalry. The book oversells it a little. There are stories, not included here, of how the two got along and worked together, even at the peak of their rivalry. But that duality doesn’t lend itself to drama, one supposes.
(Coppi would later set the mark for the longest interval between wins in the Giro.)
Everything about Bartali’s life — short of his riding a bike at the absolute peak of his powers — strikes you as a hard life. But it isn’t a hard read. The authors, Aili McConnon and Andres McConnon, took great pains with their source material and interviewed many people who knew Bartali. He was the subject of some of the myth-making, lyrical style of mid-century Italian journalism, but none of that was used here. Instead, this easy breezy read comes off a tiny bit elementary. It’s a backhanded compliment: I enjoyed the story they were telling. I wanted more of it.
There are other stories about his time during the war that deserve more attention. He put some of his Jewish friends in an apartment he owned, hid people in his cellar. The biography discusses his ferrying messages and forged documents through the Italian underground, hiding them in the frame of his bike and risk his life, trading on his celebrity, to move this information from one place to another. There are varying accounts of how this played out with the fascists and the Nazis, but that gets glossed over somewhat. There was no mention of his leading refugees toward the Swiss Alps in 1943. Some of the gloss is understandable. It wasn’t something he talked about, and a lot of it are now vague and, contemporaneously dangerous diary entries others kept, or decades old recollections. Bartali himself told his son, “One does these things and then that’s that.”
It was an act of his faith, and then, like many people, he simply tried to return to his life, tried to build a new and better one. And chapters and chapters could have been written about that, for most of us are fortunate enough to not know the experience. Just after the war, for example, when Italians started racing bikes again, they did not race for money. No one had any. They raced for chickens. Or for supplies. Or, in one instance, there was a race for pipes, that the winner gave his community so they could continue rebuilding their infrastructure.
There are always a lot more to these stories, is all.
I had a 2,500 yard swim today. The water was about 92 degrees. It felt a bit warm for a swim.
Swimmers say they swim faster in colder water. I swim slow enough, under any conditions, for this to be a negligible, to say nothing of perceiving it. But I did notice how warm the water is. Can a pool feel sticky?
Just as I finished my laps, I saw a plane turning north overhead. I waited until this moment to take a picture, because I thought I might need to make up a navel-gazing essay about two planes occupying the same plane and what it means for time and conspiracy theories and the efficacy of windshield wipers at speed.
But then I rememebered, it is Tuesday, and I’m not pressed for content.
Still, airlines aside, do you think a pilot ever gets up in the air and aims for a contrail? Just to break it up?
And while you think about that, please enjoy one of our stands of brown-eyed susan flowers (Rudbeckia triloba).
If anyone needs some for an art project, a bouquet or flower pressing, let me know. We have plenty.
And, finally, we return once more to the Re-Listening project. Longtime readers now this is an intermittent feature. In my car, I am playing all of my CDs, in the order of their acquisition. Here, I am writing about some of what I hear. It is one part reminiscence, one part excuse to put some good music in this space and entirely an excuse to pad the site.
I’ve been behind on the Re-Listening project for … I dunno … roughly a year. (See? Very intermittent.) It looks, though, as I’ll be caught up next week. That’s a weird feeling. But I digress.
So we’ll return to 2005, when I was listening to the 2004 Harry Connick Jr. release, “Only You.” it was his 21st studio album. It earned a Grammy nomination debuted at number five on the Billboard 200 in the U.S. and hit the top 10 in the UK and Australia. All of the tracks are Baby Boomer standards. I think I picked this up used.
I played this whenever The Yankee was around so I would appear cultured.
My favorite songs were full of understated little moments. The Temptations and Stevie Wonder and a big handful of other recording artists made it famous, but Connick had to do it too. He puts some nice coloratura to it. And that little vocal nod at 1:24 somehow makes the whole song.
I was, and remain, a fan of this one.
And since we’re listening to standards, the next CD up in the Re-Listening project is a Frank Sinatra greatest hits, another 2005 library find. I prefer Deano, but this is pretty good. “Nice ‘n’ Easy” spent nine weeks atop the Billboard chart in 1960, and was nominated for the Grammy in the Album of the Year, Best Male Vocal Performance and Best Arrangement categories. It went gold. Old blue eyes could do no wrong, right? He was doing some things right here, to be sure.
It’s one of those records that is useful to have, but I never really played all of that much.
This is Sinatra’s take of a Hoagy Carmichael-Ned Washington classic. It’s beautiful.
There are 16 tracks, almost all of them are performed as ballads. The notable exception is the first song, the title track.
George and Ira Gershwin wrote this one for an operetta that was never realized. Ginger Rogers and Fred Aistaire brought it to life, Billie Holiday immortalized it. And then came Sinatra. There’s a story out there about how he had to really understand a song, really feel a song, to be able to sing it, and this song is on a slow enough roll that you can think about that for a bit, and then, sure enough, you hear it.
Most of the tracks here will be at least passingly familiar to casual listeners, but you have to have an affinity for 1947 music to know this song. Those times when I play this CD I marvel at how I’ve never heard this before. In 1947 Art Lund, Dick Haymes, Sinatra, Dennis Day, The Pied Pipers and Frankie Laine all had a hit with it. (Lund’s version topped the charts. Sinatra’s peaked at number six.) The Four Freshmen, Andy Williams and Dean Martin all made renditions later as well. But the first time I heard it, it sounded like this.
Those crying violins put you in that cafe, but the voice really puts you in the seat at the table.
And that’ll do it, for now. The next time we return to the Re-Listening project we’ll try some 2000 Americana pop from Minneapolis. And then I’ll be caught up. Unless I get behind again by then.
