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7
Jun 23

Only the second half is fictional

They’re doing some work in the parking lot directly across the street. Parking being an important element of a college campus, one hopes this will be completed over the summer, but each day more equipment and fencing arrives. And, this morning, they started digging in the road.

Started, and then they stopped. No one was around, like they’d all walked off the job, they found a more valuable project to work on, or the end of the world arrived just as they began.

Maybe that’s procedure, a plan to cut a whole in the asphalt and put the business end in the ground. Maybe it minimizes hijinks and accidents.

I know, I know, that’s what the cones are for.

After we checked the air conditions — they could be better! — we went for a bike ride this evening. Today is the day I pronounce The Yankee as having recovered her legs and is now getting her form back. She dropped me at one of the turnaround points. It took me eight miles — eight! — to catch her wheel again. Or, in video form …

I set two small Strava PRs on segments in the last bit of the ride. Finally, in the last five miles, my legs woke up. I blame the air.

We return to the Re-Listening project, where I am listening to all of my old CDs in the order in which I acquired them. I’m listening to them there, enjoying the whole thing, and, to fill some space, writing about them here. These aren’t reviews, but fun excuses to play some music, and a bit of memory and whimsy, which is an important part of music.

And about that whimsy, (or, this is one of those oddly embarrassing ones) I’ll just begin our return to 1999 with a phrase from Wikipedia, “quickly faded into obscurity.”

Probably for the best really. Remember Chris Gaines, the TV character concept portrayed by Garth Brooks that went to number two on the charts and is certified double-platinum but was, somehow, considered not well received? (The Wikipedia link will give you a good primer.) Or ask this guy.

This was supposed to be a movie character, and this record was supposed to be a soundtrack. A pre-soundtrack. (We’ve been enduring silly marketing ploys for decades.) But that does look like the most popular entertainer of our time, who is from … Oklahoma. And he’s having an episode? All of this, apparently, confused audiences. Maybe the entertainment industry is right about the general audience after all.

This is one of the things about this entire experiment that was weird. Chris Gaines was supposed to be an Australian pop singer. A top-of-the-world guy. The first problem is, some of these songs are pretty great. And this one went to number 5 on the Bilboard 100 and hit 62 on the U.S. Country chart, which is probably part of the oddness. Crossover in 1999 … Garth Brooks could have done it earlier, but refused. Chris Gaines did it for him later.

Also, at the nadir of the music video era, there’s Garth Brooks, who we’re used to seeing as one kind of goofy, playing a different kind of goofy. So you can maybe see where a little of the confusion comes from.

Another issue here is that a lot of his songs sounded like they should be Garth Brooks songs. This one, a really good tune, hit 24 on the U.S. Country chart.

Interesting thing: when that song started this time through on the Re-Listening project, I was on the same place I was the last time I heard that song. Weird, right? Took a photo to document the occasion.

Another thing about this record, excuse me, the pre-soundtrack, this was supposed to be this character’s greatest hits. What’s going to be on the soundtrack if the pre-soundtrack had the hits? And how was this one of Chris Gaines’ greatest hits?

The problem, for our purposes, is that no one has uploaded a lot of this record to YouTube. There are more covers, a full tribute album to the fictional character, and a lot of play-alongs, but not the original songs. But we can watch this talented person play along to the Beatles homage.

But if you didn’t get your fill here, fear not. Garth Brooks wants to bring the character back.

“The Gaines project was a lot of time put in — because it’s not natural, you’re acting on a record — but I want to do it simply for people who love the Gaines project,” Brooks said of re-adopting the alter-ego. “And selfishly, I love the Chris Gaines record, so I want to do it for me. It challenged me as a vocalist. So I don’t know when we’re going to get to it, but it’s on the list.”

I bought this out of the discount bin, where the labels buried it in a hurry. But, given all of his accolades, and his being one of the world’s best-selling music artists, the industry owes him here. I say let’s see what Garth & Chris can do next. It’s all digital now, anyway. Except for you and me, in the Re-Listening project. In our next installment we’ll hear from what might be the last CD I bought in 1999.

You can’t wait, I can tell.


5
Jun 23

The cats, bike rides, video and more

Since we were away visiting last Monday we didn’t have our regular feature — the site’s most popular feature, mind you — of checking in with the kitties. And they have been sure to remind me of that omission continually. So let’s dive in.

Phoebe has thoughts on all of these notions of travel. She is not a fan.

She would much rather I stay here and admire her stretching abilities. And also give her belly rubs.

Poseidon, meanwhile, was a little more chill about it — and that’s a phrase I never thought I could use with him. Here, he’s just snoozing a day away on the top of the sofa.

He was, however, none too pleased with our spending part of Sunday afternoon on the back deck without him.

The cats, in other words, are doing just fine.

We went for a bike ride on Saturday morning. Up and away before it got too warm. We finished and it was about 80 degrees and I was once again amazed at the difference in the last moments of a ride and the first moments after you dismount. Nothing ever seems so hot as those few seconds where I am turning my bike computer off, taking off the bike shoes and trying to get inside to cooler air.

We did about 27 miles. I was ahead of her by just a few seconds when I took that photo, somewhere in mile 11 or so. She would catch up with me in the 14th mile, we stayed together for a few more miles, and then I dropped her. So, nice guy that I am, trying to demonstrate good bike date etiquette, I waited for her. Then, after mile 17 she recovered, just as I predicted, and shot herself out of a cannon.

I did not see her again on Saturday morning until the odometer read 26.59. And, even then, she was but a colorful dot way up the road.

Today, it was just me. I put in 29 more miles, basically the same route, with a slight change at the end. It was harder, I was faster, and now I’m trying to keep my shoulders from cramping up. But there’s video!

Today’s ride made this year my fourth-best in terms of miles. By the end of this week 2023 should be in third place. It’ll take some time to crack the top two, however.

Sunday scenes. This is the big beautiful maple tree in the backyard. It dominates one half of the view from the deck. It’s a good view.

And it has been a long time since I noticed this, but the way the house is oriented, and because of the features around us, we don’t see the best sunsets here. But if you look around at the right time you get a nice sliver of light coming through the front door.

The light is pointing east. So was I, more or less, when I shot that photo of the maple tree. The photo of The Yankee on her bike? I’m facing the west. The two shots of Poe? He’s pointing east-ish. Phoebe? East, then west. What does it all mean? Not the first thing.


1
Jun 23

Happy June

Welcome to June! A month I am starting by playing a dangerous game. The guest bed at my mother’s didn’t treat me very well on that trip. First one shoulder would ache, and then the other. I could feel the tightness in my shoulders, could feel it moving into my trapezius muscles. I thought, for a day or so, that maybe it was stress-related, but what is there to be stressful about?

Turns out it was that bed. And now, today, I can feel that odd, cold sensation moving further up my trapezius, which is scary. If I have not sufficiently gotten the muscles to chill out, it will all go to my head. For my money, there’s not much worse, headache-wise, than a muscle-borne headache.

Migraines and the like notwithstanding.

So I came in from the office today and I took some Ibuprofen and did nothing. I didn’t even want to turn my head too much, for fear of turning my neck too far.

To make up for it to you, dear reader, here are a few more photos from the drive back to Indiana.

We had lovely weather for it.

These four, in fact, are all in Indiana. And, to be fair to the climate here, considering how much I can complain about the winter, the late spring and summer is not without its charms.

This is my favorite part of the weather here. The timestamp says it was almost 7 p.m. Look how high the sun is.

There are still hours of daylight to go. That should make the muscles relax, right?

The alternative is that this lasts for days.


31
May 23

Photos from the drive back

The long weekend was long and fun and now it has come to an end. I know this because we got in the car and drove in the reverse direction we enjoyed last Friday. Through the hills and onto the interstate, meeting a friend for a quick lunch in Nashville, and then back to the big roads to go all the way to Indiana.

Here are some of the views. These are, I believe, from somewhere in western Kentucky.

And this one too, out of the passenger window.

Near the Kentucky-Indiana border there’s a weird turn we always miss. We even make mental notes of it, and sometimes say it aloud: don’t miss the weird turn. We missed the weird turn.

So we went eight miles up the road, took the next exit and a scenic detour.

Everything looks great to start the summer.

Seasonal changes happen at their own pace, and our perceptions of them take their own time, too. In a few days we’ll grow accustomed to all of that green again.


30
May 23

A photo in tin

I didn’t know this photo existed, but when we stopped by to see my grandfather, who is always full of surprises, he fished this image out of a stack. There were a handful of photos of him as a little boy, posing in a studio with his beautiful mother, and even some of his grandmother, who I knew.

Think of it. I have real memories of a great-great-grandmother who died, at 92, when I was in high school. I also had a great-grandmother who died when I was in college, and another great-grandmother who lived until I was 28. But this isn’t about those remarkable people. This is about this new-to-me photograph.

These people are my mother’s mother’s parents, my maternal-maternal great-grandparents. She died when I was three, but I don’t have any memory of her. He died when I was five, and I have a few glimpses of him in my mind’s eye.

Here, he’s holding my great-aunt. We estimate she’s about three years old in that photo, putting him at about 24 and his wife at about 21. She’s holding a great-uncle I never knew. But look how young!

My great-grandmother here looks like my grandmother. And from a few photos of this young woman I can see traits of most every woman in my family.

Earlier this month my mom texted me a photo of when she was a child, some four decades after the picture here. It looks like a vacation photo. She’s in oversized glasses, with her parents and her grandparents, the ones pictures here. Behind my mother is her grandmother, a mid-century grandma out of central casting. Her daughter, my grandmother, looks impossibly young in that way that never makes sense when you’re only accustomed to seeing someone in a different stage of their life. My grandfather is there, short sleeve button down, shiny watch, comical shorts (though I never knew him, I never think of him wearing shorts) and shin high dark socks. Now, except for those socks, it all works, because he has the mod haircut of the time and he’s wearing the best sunglasses 1960s technology had to offer.

Behind them all is my great-grandfather, my mother’s grandpa. That guy above. Long pants, long-sleeved shirt with a large windowpane print, with a neat little banded fedora on top of his head. He’s holding a cup with a straw in his left hand. They all look like they’re posing for a serious rock band photo, or as if something important has happened in front of them just as the photo was taken. They weren’t ready for a modern posed photograph, except for my great-grandfather, who is smiling just a bit.

He’s probably, let’s say, mid-early-60s in the image I just described. I remember him as an even older man, of course. Here he is, with two of his great-grandchildren. (He’d have 15 or so great-grandkids, but he wouldn’t get to meet the all. The best one is standing to his left, anyway.) He’s sitting in a creaky old lawn chair in his daughter’s lawn. I remember those chairs, and I spent a lot of time in that grass, beneath the kitchen window, around the little well building, and in front of the giant shop building.

He’s been posed in front a big building for both of those photos. It’s rather poetically symmetric in a way.

Trying to find a way to wrap up this post, I looked up some of that young woman’s lineage. With a few clicks, I was able to trace my great-great grandmother’s ancestors back five more generations, to when her great-great-great grandfather immigrated to South Carolina from Ireland aboard a vessel called the Lord Dunluce in 1772. He was 17-ish, came over alone, and had 100 acres coming to him, somehow. He got married, at 19, in 1774. He died in 1808, and is buried in South Carolina. Another part of her family, the Internet tells me, came from North Carolina after crossing the Atlantic at some point in the middle of the 18th century. That branch can be traced back, with no effort on my part, to the 16th and 17th century and places like Aarau and Zurich, Switzerland. Still others came over to Massachusetts, seemingly from England, in the early part of the 17th century.

But I’m going to wrap it up this way. My great-grandmother, in that first photo above, was picking cotton one morning. She was full-term, and, the story goes, delivered one of her children around midday. In the afternoon, she was back out in the field picking cotton again.