Tuesday


15
Aug 23

Yes, the world’s best hobo song is included here

Last night I swam a mile. I didn’t know how much I would do, but it started raining on me at about 800 yards and I didn’t want to get wet, so I just stayed in the pool. Before you know it, that’s 1,650 yards and my shoulders felt like it.

The getting wet joke is a lame family joke. We’d gone on a vacation, a dive trip, and my step-father and his kids had just been certified for open water diving. Now, some of us had been diving for a long time, and some of us took to water naturally, and a lot of us had learned from different companies and through evolving teaching methodologies. So I got to be the stick in the mud who demanded the safety meeting the night before our first dives.

Good thing, too, because we learned that my step-sister thought that giving the Heimlich maneuver was delivering CPR. (To be fair, she was young.) Anyway, she wanted to go to the pool, but I wanted to go over hand signals and hypothetical situations. It seemed a good idea. She hated every moment of it. Finally, after a refresher on rescue breathing, and a run through of the basic Caribbean fish signals, we decided we were all at least in the same chapter of the book. So it was time to hit the pool. But it was raining, you see, and so she wasn’t enthused by that. (She was young.) So the rest of us went to the pool. I stayed underwater so I would not get wet.

But last night, I swam that mile and then I floated in the water listening to the raindrops until I got cold. It was delightful in every way.

I swam a mile and I … liked … it?

I do not know what is happening.

Maybe I’ll go for another swim on Thursday.

My laps have been pretty decent, by my standards. My riding has been OK, but light. My running, lousy as ever. Now I just need to put them all in a consistent routine. That’s the part that always gets me.

Today, just more peaches. We tried the new blender. (It blends!) We had peach smoothies. And then we blanched peaches to freeze. Our freezer has a lot of peaches in it now. A new colleague came over and took some off our hands. I brought in three more baskets from the tree. I made myself another smoothie.

We goofed off in the pool until dinner time. It was a fine day. Just peachy.

So let us turn our attention to the Tuesday Tabs feature. This is for all of those extra browser windows I have open. Some of these are worth keeping, somewhere, but perhaps not worth a bookmark at this time. So I’m simply memorializing them here, so I can finally close a few more tabs. (There are so many tabs.)

This is a relatively new one, and I must say, not really, but I have to start somewhere. 10 Alternatives to bi-fold closet doors (you’ll absolutely love):

The most common alternatives to bi-fold closet doors include barn doors, sliding doors, pocket doors, French doors, and curtains. If you want a more unique option, consider swinging doors, a room divider, mirrors, bookcase doors, and industrial doors …

If you’re tired of the same old bi-fold doors, choosing an alternative comes down to the overall look you want. Ready to try something new? Give these different looks a chance when you’re ready to close the door to your closet.

My home office has a bifolding door set. Not a fan.

Here are some nice places to explore here. Maybe I’ll get to one or two this fall. 8 Adorable small towns in Delaware

“The First State” is an amazing state along the Atlantic Ocean, Delaware Bay and Delaware River. This peninsula location means it is full of beautiful sandy beaches, riverfront views and gorgeous parks. The state also has a rich history dating back to it being the first of the original 13 states to ratify the constitution in 1787 (hence its ‘first’ nickname). Among the big cities and prominent attractions are a number of adorable small towns full of charm, history, and opportunity. From the Dutch colony of Lewes to maritime villages or the scenic beaches of Bethany Beach, Delaware is a beautiful and friendly state worth exploring.

I wonder how long we’ll see stories like this, before they all feel inevitable, I mean. AI comes for YouTube’s thumbnail industry:

This March, when U.S.-based AI researcher Anand Ahuja launched CTRHero, “an AI to replace Thumbnail Artists,” he called it “his life’s work.” Trained on millions of successful thumbnails from various social media platforms, CTRHero could create thumbnails within minutes, reproducing faces with 99% accuracy, according to Ahuja. The tool outraged designers who felt their livelihoods were suddenly at stake: some threatened Ahuja with physical violence. Soon after its launch, Ahuja sold off the core technology for CTRHero.

For YouTubers, thumbnails are serious business, as they can make or break a videos’ reach. Top creators such as MrBeast test up to 20 different thumbnail variations on a single video, paying designers a reported $10,000 for a single video. This has spawned a microeconomy of freelance YouTube thumbnails artists around the world, who hone their design skills to attract clicks.

Stop me when it feels like everything is Ready Player One. How AI will turbocharge misinformation — and what we can do about it:

By some estimates, AI-generated content could soon account for 99% or more of all information on the internet, further straining already overwhelmed content moderation systems.

Dozens of “news sites” filled with machine generated content of dubious quality have already cropped up, with far more likely to follow — and some media sites are helping blur the lines.

Without sufficient care, generative AI systems can also recycle conspiracy theories and other misinformation found on the open web.

University of Washington professor Kate Starbird, an expert in the field, told Axios that generative AI will deepen the misinformation problem in three key ways.

Starbird is a brilliant scholar and one of the leading researchers in this field. Check out her work.

As you read this, I am eight CDs behind in the Re-Listening project. That’s the one where I’m listening to all of my CDs in the car, in the order in which I acquired them. I am writing about them here because, it’s a good excuse to post videos of good music. Also, sometimes there are memories attached to these things, but mostly it’s padded content. And all of it’s fun. Except when you run across that bad CD, sorta like the bad grape you weren’t expecting. There’s one in every bunch, and it all comes down to taste.

Someone else bought Sister Hazel’s third studio album so I didn’t have to. I’m not sure who gave it to me, because I did not write it on the CD and it has been at least 23 years and two months since it happened. My memory is good, but there’s a lot of stuff in my memory, ya dig?

“Fortress” featured three singles, “Change Your Mind” peaked at number five on the US Adult 40. “Champagne High,” one of the album’s better songs, reached number 22. “Beautiful Thing” did not chart, which, in retrospect, was probably a signal that the moment of success brought on by Sister Hazel formula had somehow passed them by. It’s a mystery to me, really, because it’s the same as what we were all used to from the boys from Florida.

They are rhyming the word “thing” with the word “thing,” though. Maybe people noticed.

But, look, the formula works. If you want a fun sweaty party band, Sister Hazel can take the stage and keep you happy.

As an album, “Fortress” was a minor hit, settling at 63 on the Billboard 200. The record you remember, “Somewhere More Familiar” made it to 47 in 1997. Nine years and four albums later they cracked the top 50 again. Maybe tastes change around them, but the syrupy, twangy Southern rock guitar and the upbeat harmonies stayed with the band. And you can hear it still, Sister Hazel is touring all over the eastern US for the rest of the year.

Next up is one of those albums you regret. It was released in 1997 and I got it in 2000 and I can only blame myself. The world wide web was out there, and I had three solid years to find out “Deconstructed,” a remix album, is just a bad project. Even if you like electronic music, you didn’t want this. There are no new tracks, and no real reason to listen to this. I have probably played it four or five times, total, and two of those were for the Re-Listening project. Anyway, Bush worked with DJs from the electronic genre of music to remix some of the band’s previously released songs. The first one is probably the best track … but … still … electronic, British or of any other nationality, just wasn’t for me.

Hey, it was a fusion idea that went gold, and settled at number 36 on the Billboard 200 in 1997. I didn’t like it in 2000. I don’t like it today. I never understood it on my few tries in between. Maybe it’s just me. (It can’t be just me.)

Let’s wrap up this post with a better one. Up next in the Re-Listening project was a 2002 purchase, something I no doubt got at a discount bin. Something Sony licensed for a few suckers just like me. But that’s not a problem, because “The Sound Of Country was a 2 CD sampler set full of important tracks. It grabs you right away, with some classic Roy Acuff.

That’s the more famous Acuff version, of course, but his 1946 original is something to behold. It’s not o this CD, but I have included it for you here.

One of the greatest songs ever recorded in the English language is also included here.

It’s a fundamentally perfect song. Chet Atkins is in there. The background vocals are none other than the Jordanaires. That song topped the country chart for eight weeks in 1958 and climbed to number seven on the predecessor of the Billboard Hot 100. At least three covers of that song have charted over the years.

I am pretty sure I bought this double CD, which was, no doubt, very cheap, for this one song. It was the correct choice.

I was going through a Roger Miller phase. I’d find reasons to play that song. I wasn’t the only one who fell in love with that. It won five Grammys in 1966. It should have become a Broadway show and a network miniseries. If it had come out a few decades later it would have been embossed on mudflaps. The legendary Buddy Killen played guitar on that song. His people knew my people. Maybe that’s it.

You get into some important later hits, too. This topped the charts in 1984, presaging what would become of country music a generation later.

Also atop the charts in 1984, was The Kendalls last number one.

The father-daughter act released 16 albums, seeing 22 singles making the top 40, and 11 climbing into the top 10, including three at the top of the chart. Royce died in 1998 (this CD was published in 2002), but Jeannie Kendall, who started performing at 15, is still strong more than a half-century radio.

The whole double CD:

Blue Eyes Crying in The Rain – Roy Acuff
Walking After Midnight – Patsy Cline
Oh, Lonesome Me – Don Gibson
Mama Tried – Merle Haggard
King Of The Road – Roger Miller
Big Midnight Special – Wilma Lee & Stoney Cooper
When I Stop Dreaming – Leona Williams
No Help Wanted – Bill Carlisle
Sweet Memories – Frank Ifield
It’s Only Make Believe – Conway Twitty
I Love You Because – Bob Luman
All My Ex’s Live In Texas – Whitey Shafer
Louisiana Man – Rusty & Doug Kershaw
Does Fort Worth Ever Cross Your Mind – Whitey Shafer
Okie From Muskogee – Merle Haggard
I Got Mexico – Eddy Raven
The First Few Days Of Love – Lorrie Morgan
Sweet Dreams – Don Gibson
Tennessee Waltz – Redd Stewart
Honky Tonk Merry Go Round – Patsy Cline
Night Train To Memphis – Roy Acuff
Tortrue – Kris Jensen
Thank God For The Radio – The Kendalls
God Bless The U.S.A. – Lee Greenwood

And with that, we’re only four CDs behind. The next installment of the Re-Listening project will feature an act that shows us what turn-of-the-century country and bluegrass music should have done.


8
Aug 23

Mostly music

We had some big winds and a great lightning show last night. Other parts of the region got hit quite hard, but we did OK. There were two branches in the road when we went out to pick up some dinner. (We tried a local pizza place, ordering things that weren’t pizza. The manager’s son, who looked all of 9 years old rang us up. No idea if he got the price right, but his dad was right there, cracking wise for us, so I’m sure he didn’t undercharge.

The lasagna was OK. But plentiful. I got two dinners out of it, last night and tonight, and I’m happy with that.

Anyway, this morning we found that the hydrangeas got waked by the storm. Mostly the rain, I think. One is in the back, on the eastern side of the house, but close enough to the structure that it’s hard to imagine those gusts got in there. The other is on the northeast corner. But hydrangeas will lean from the weight of water alone, and these guys were big and proud and tall.

So we went to a hardware store for some stakes and twin. Poured out a pint of blood to pay for it all, visited the grocery store to stock up on a few supplies. (How long does that take, we’re still re-stocking things. It seems a slow process. That’s fine. No one is going hungry, it’s just the idea of it, Shouldn’t there be more things in the refrigerator? There will be in time. What’s the next great meal that provides an abundance and leftovers? Thanksgiving? Will I be wonder about this in November?

Anyway, I tried my hand at staking up the hydrangea bushes. I spent a long time pondering strategies. I spent an almost equal amount of time wondering if I was up to the task. Am I kidding myself? It’s a weird question to ask yourself over such a small matter. First, they’re flowering bushes. Second, and you can look this up, it’s a common problem, and everyone has an easy peasy attitude about the solution. On the other hand, having driven most of the stakes into the ground and tied up a lot of branches, they don’t look quite as nice as they did yesterday.

Which was when I stopped, and decided to check on the peach tree. It was fine in the storm, but gravity put some more fruit on the ground, so I brought them inside. I ate six or eight peaches today. I may have a few more in a minute. The kitchen is stocked in fresh fruit.

I guess we’ll start cutting those up tomorrow.

Tonight, I’m apparently working on someone else’s project. Instead of reading about that, though, read about this.

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We are still trying to catch up to the Re-Listening project, and this post is helping us make a lot of progress. Remember, the Re-Listening project is the one where I listen to my old CDs in the car, and in the order in which I acquired them. I think I am seven CDs in arrears right now. These aren’t reviews, just an excuse to post some music, recall the occasional fond memory and pad the site with some extra content. It’s fun! And musical! And there’s a lot of it, so let’s get to it.

Tracy Bonham’s first album was certified gold, earned her two Grammy nominations and in 1996 saw a single top the Billboard Alternative Airplay chart. (She was the last woman to top that chart for 17 years, if you want a bit of trivia.) “Down Here” was the delayed follow-up record, released in April 2000. I got it off the giveaway shelf at a radio station. It was a signed copy. It wasn’t commercially successful, but Bonham shows her talent throughout. Here’s the single.

Wikipedia cites a ridiculous review about how it sounds like an album recorded in 1997 rather than 2000. Hey! There’s someone who reads the industry trades!

I’d go with a line like this. It feels like a song on the soundtrack of a movie about movie soundtracks.

The important thing to appreciate about Bonham is that she’s a classically trained violinist, playing at making pop records.

Bonham put out four more records after this one, the most recent in 2017. She still plays a few live shows, and has continued her varied and impressive musical career. She’s now a curriculum developer for kids’ music education. She also produced a kids album, 2021’s “Young Maestros Vol. 1,” that is aimed at teaching music theory and confidence building.

That’s a cool followup to a pop music career.

In May of 2000, Matchbox Twenty’s “Mad Season” hit the shelves. Their second album, it entered the Billboard 200 at number three and was four-times platinum in the next 18 months. Because the music industry is, well, the music industry, this success was a quantifiable disappointment. Their debut, after all, sold three-times as many units.

There are two memorable tracks to me. One I forget about every time, until that soaring riff that sets the tone. Kyle Cook can.

And this track, which has a way of haunting you, and is best not heard on the highway at night.

They’re on tour right now, supporting “Where the Light Goes,” an album they released in May. (Also, they are apparently climbing the charts again, apparently thanks to the Barbie movie.) The new record was a surprise, I guess, because they said they were going to become primarily a touring band prior to Covid. I haven’t heard any of it yet, but it gets four-out-of-five stars on AllMusic.

And I love this promo photo. There’s Cook, a rock star, but looking like he wants to play it like he’s not. Especially so since he’s standing next to Rob Thomas, who is showing his ultra rock star confidence. On the end is Paul Doucette, looking like he’d really appreciate it if you could think of him as a rock star, too. Behind them all is Brian Yale, who is just wondering if you’re done with that drill he loaned you last week.

He’s got a project to get to and he needs his tools back.

Someone gave me a copy of the next entry into the Re-Listening project. Tracy Chapman’s “Telling Stories” came out in February of 2000 and I got it that May, when it was on its way to becoming a gold record. The title track is song one. It was also the first single of the record, and it’s laying the groundwork.

Rolling Stone has a concise 16-word summation of her fifth record, calling it a “strong and steady — clear-eyed, poetic folk/funk of the kind that first got Chapman noticed.” That’s correct, and is always the case with Tracy Chapman, it’s never enough. She’s such a unique performer to me, historically, that every song is enough, but every song leaves me wanting more.

This one was a leftover from “New Beginning,” and this is, in part, why Rolling Stone called this album strong and steady, because you could put this anywhere in her catalog.

For my money, this might be the best song on the record. The woman is a poet who happens to be holding a guitar. Oh yeah, the Songbird sneaks into the chorus, too.

I’ve never produced an album, so I don’t know how this works, but is the last song supposed to be so awesome? Because this is track 12 and it feels like a third-song sort of tune.

The summer of 2000, when I got this, was an unusual one. College was over, real life was beginning, sort of. It took a few months for things to get going — not an unusual story, not everything begins on schedule. But there was Tracy Chapman, getting a lot of plays. I was grateful for that. No idea why I didn’t buy this one myself, though.

Before that happened, there was this. I was working for a company that, at that time, had three stations in their cluster. One of those stations, the best one, I thought, was a mid-century big band/jazz music format AM station that the station owner tolerated because the old music, the sports, and the absolute legend that did the morning show paid the cluster’s bills. It was a great place to learn because you could make all sorts of mistakes and everyone left you alone. It was a difficult place to learn because everyone left you alone. But it was fun. And one night, in a bin of discard CDs, I ran across this record.

Contemporary jazz just didn’t fit the format, so they were happy to give it away. The only memory I have of this CD is putting it in a player in one of the production studios, and making a tape for a pen pal in Arkansas. She did cute things like send me a postcard made from a cereal box, and blowing up a beach ball, writing a letter on it, and shipping it my way. Then or now, I couldn’t keep up with that level of creativity.

But I did have access to studios, so I set about to see if I could talk over an entire record. And I did. I talked about everything, and about nothing, really, for the entire CD. The run time on that CD is 55 minutes.

My poor pen pal. She lives in Texas now, and she has a beautiful family. They have two daughters who are in musical theater. I follow them on Instagram. Pen pals are just one of the ways that I’m sure social media does us a disservice.

I’m going to write her a letter, using some unconventional format – not a cassette or an mp3, though. Can’t play that lame card twice, even with 23 years in between. There has to be a local good or product around here that would be a sufficiently silly novelty.

Anyway, I think I am just three CDs behind on the Re-Listening project now. We may even catch up before the week is out!


1
Aug 23

Happy August! (August? Somehow? Already?)

There’s this superstition very real phenomenon where, if I pick a restaurant, something will go wrong and the dining experience will turn into a big dramatic nightmare. I first noticed this anti-superpower when I said, on a hot summer’s day many years ago, “Let’s go to Dairy Queen,” and so me and a college buddy went … and they were out of ice cream.

I suggested they lock up and go home, because what’s the point? And on the basis of that very true story, and a lot of other incidents that are far more consistent than random chance — one time, for instance, we went to a suburban Outback and they were out of steak! — I carefully avoid most restaurant-making decisions. To the chagrin, it must be said, of anyone that I’m dining with. The burden of the decision is on the other person or people, but we all have a much better chance of getting a reasonable meal.

Since we hardly go out to restaurants in a Covid world, this has become less of a problem.

Today …

Today I wondered, for a few moments, if that whole restaurant thing (which is very real, I assure you) would carry over to bike routes because, today, I picked the road we rode.

It was a simple out and back. Leave the neighborhood, head north until the road ends because, on the other side of that hill, there’s the river. Turn around and head back. There were two stop signs and one tiny little community along that road. And there were also several cars parked on the road along the way for one unhurried reason or another. But the route turned out fine. It was an easy little spin, and it was pleasant and I’m ready for a lot of rides like this.

I did get a close pass by a guy in his work van. This is an odd thing to do because, I know who that guy works for. There’s a particular local HVAC company that will get a little email about it.

Everything else on the ride was just fine. I may repeat part of the route tomorrow, just for fun.

Elsewhere today, we marked a significant moment in the house move. The last three boxes of our things, part of an advanced shipment, were finally brought into the house. Cleaning supplies and the like. The things, basically, that the moving company didn’t want on their truck. My god-sister-in-law (just go with it) has been holding onto these things. My lovely bride retrieved them today. Two boxes went into the basement. The other was quickly unpacked.

But that’s not the significant moment, no. I noticed, the day we moved in, that the stairwell to the basement had a light burned out. Owing to the way things have been organized, today was the first opportunity I had to carry the big aluminum ladder downstairs, extend it to almost its full height, and bring light to what was once darkness.

You don’t count how many lightbulbs you’ve changed in life — probably for the best, after a certain level of achievement the notation would make you go mad — but despite the great many light bulbs I’ve changed, this one gave me a certain feeling of satisfaction. Can’t quite put my finger on why.

It isn’t the first one in this house. It might not even be the last one I change this week, so flush with the feeling of momentum am I.

Also in the day’s list of boundless achievement I have watered many plants, studied the baseboards and vainly attempted to tighten an electrical outlet cover. Oh, and we determined which outlet in my lovely bride’s home office is a switched outlet. We have at least three of those in the house. One in each office and one in the living room. While that last one is fairly convenient, I have an unexplainable disdain to the entire concept of switched outlets. That I spent two or three minutes plugging in a table lamp and flipping switches today is the least of it.

I also watched a video on DIY drywall, so if you’re ever interested in a productive day or two, and appreciative friends … I have a project.

The most productive thing of the day, aside from that light bulb, was when we lazed about in the water this evening. That was a fine end to an easy summer’s day.

Did you know that, when we drove 11 hours across some 20 percent of this great nation on the move that I listened to CDs? I listened to a lot of CDs. What that means for us, now, is that I am still playing catchup in the Re-Listening project. That’s the one where I’m listening to all of my old CDs, in their order of acquisition, and padding out blog posts for my own amusement. I am very far behind, so let’s get to it. Remember, these aren’t reviews, but an excuse to post some videos, and maybe dig up a memory or two along the way. It’s good fun, come rock out with me now.

I load these into the CD player blind, which is to say I often don’t know what is coming next. Sometimes I remember the order — since this album just ended, then thaaat one is next, and so on. More likely, and more fun, is when I don’t recall. There’s that little pause as the CD changer pulls one CD away from the laser eye and slides the next one into place. It’s like watching a movie fanfare on TV and wondering what you’re about to see. And when the first plucked strings of this CD sprang to life I said, and I quote, “YESSSSS!”

Angie Aparo, out of Atlanta, is indirectly, come to think of it, probably my first experience with radio payola. The owner of the station I worked for when this record was released in March of 2000 “encouraged” all of his employees to attend a performance Aparo was putting on at a small venue in town. Record label people wanted to see a big turnout and somehow, this was our concern. I went to the show, pressured as I was, and only later did I make the connection.

What’s important is the show was good. This record is stinking amazing. This was the single, all futuristic and almost from a different planet.

I knew that song before the station gave me the full CD, because it was programmed a lot, but what is pleasantly surprising is how deep this record is. You most likely know this song from Faith Hill’s cover. (Her cover isn’t as good as his original.)

And maybe you know this one from a cover that Faith Hill’s husband did.

The thinnest pop tune on the whole disc will stick with you for hours. So here’s that.

They aren’t all radio pop songs, but they’re all great in the car, great to singalong with, and, if you are in the car, good for a good hand dance.

Angie Aparo put out six more albums, then had some life-and-death health problems. After he recovered, he’s put out one more album, in 2018, and is still playing around the southeast. I’ve only seen his show that one time, in early 2000.

Somehow, around that same time, I picked up Bobby Bradford’s “No Saints Walkin’.” It’s perfectly acceptable blue-eyed blues, if you’re looking for that. I never played it a lot, owing to all of the good music surrounding it in my CD books, I’m sure. And nothing really stood out this time through it, that I recall. Here’s the title track.

I think his label released that album three different times across seven years. I’m not sure why. Perhaps it found a lot of success abroad.

Speaking of success, this is where I get to tell the radio success story. My campus radio station was one of a small handful across the country that reported their song counts to some influential charts and labels. The easiest way to explain this is to say that important music executives sometimes used that data to determine who they should push. “If it is a hit on low-powered stations with college kids, we should mainstream it!” And, friends, someone (not me, in fact, this was just barely before my time) at my station liked one guy a little too much. That person wrote down the performer’s name in the playlist affidavits a little too often. And, I fear, my college radio station is responsible for making Kid Rock a thing.

I don’t own any Kid Rock albums, mind you. I always changed the station if I heard him on the radio. I was doing that long before he started experimenting with three-sample lifts and chorus quotes in the hopes of being noticed by legacy performers. If someone at my station was an early trend setter, I was an early avoider. But then I stumbled on Robert Bradley’s Blackwater Surprise. This band is amazing, even if Kid Rock is all over the first track.

It’s an odd thing to say, but he adds something invaluable to the song.

Now, before we go any farther, a little backstory is required. Robert Bradley came up out of Alabama. He sang at the Alabama School for the Blind. He was a busker in Detroit. And, there, four white guys decided to work with him, forming Robert Bradley’s Blackwater Surprise. This record, their second, was a refined step up from their debut. RBBS’s fans noticed the difference, sometimes critically. And if you feel the same way about Kid Rock, here’s a version with out that guy.

I don’t recall which song I heard that prompted me to pick this up. But there’s a great deal here. This, after all, was an instant modern blues classic. Maybe the first in a generation.

(Also, that song sounds better live. This feels like the most real thing in the world, somehow.)

This one, this might be the song that got me.

Also, this record … it’s autobiographical.

RBBS produced four more studio albums after this one, and a double live CD, which I may have to pick up one of these days. Bradley ran a vending machine business for a while, returned to busking, and then put out another album on his own in 2018. I’m not sure what’s become of him since then. I hope he’s still out there around Detroit’s Eastern Market, singing and writing.

So now we’re three CDs closer to being caught up. I think I’m only nine behind, now. And, in the next round of the Re-Listening project, we’ll go back in time to April of 2000 to listen to a record that was released in 1994.

It’ll make sense when we get to it.

Happy August!


25
Jul 23

Shocking! I felt shocked! (Because I shocked myself … )

The people that sold us the new house had a giant corner wardrobe in their bedroom. They didn’t take it with them. Left it right where it was. The day we moved in, we moved it to the basement. I had to take it apart, disassembling it around the hard-working movers. They had to carry it, in four pieces, into the basement. Down the stairs, out the front door, around the side, into the garage and downstairs. They strained. They struggled. They did it with good cheer. We felt bad. We tipped them pretty well. We were going to do that anyway, but after that we huddled and agreed to tip them a bit better still. They earned it.

Only, they didn’t reassemble that wardrobe in the basement, where we will use it as off-season clothes storage. So, late last night and early this morning, I did that work. (Sorta?) It had been three-plus weeks (time flies) since I took it apart. I was in a rush to tear it down back then and I didn’t document where in the MDF all of the little metal parts went. Also, IKEA doesn’t have it listed anymore, and I’ve no idea what they sold it as, so I can’t easily find the manual online.

Today, though, the giant four-part wardrobe is reassembled as three individual pieces. Maybe I’ll make it a two-section wardrobe later this year, when I swap out the clothes. But at 2 this morning, I felt like I’d done enough with it.

Today I raked up the grass clippings from the lawnmower, and stuffed them and a bunch of weeds, mostly pokeweed, in a lawn bag. I also discovered we have an electric fence. Every day there’s something new to discover, and that’s fun. Still don’t know what the extra light switch in the hallway does, but I digress. I was out at the shed and found a small solar panel, pointed west, with a little red cable running to a white cable that runs around the shed, right about at big toe height. It is energized, and it’ll give you a nice, moderate, shock. Not as many volts as you’d get grabbing a hot wire in the house, but a little more than static electricity. No pests in the tool shed, then.

I called the company that makes the solar panel. A nice woman there said this little unit could power a fence that covers three-quarters of a mile. Electric fences don’t take a lot of power, of course, but that’s just remarkable.

Soon after, someone came by to take all of these bad boys off our hands.

It only took three tries to give them away. A guy who came out last week to do some work on the house carried some off to use in his flowerbeds. I advertised them on a Facebook group. Move! Store things in them! Build forts! Put them in your flowerbeds!

A woman agreed to swing by, but she disappeared. From the chat. She disappeared from the chat. I’m sure she’s fine.

So I found another woman who needed boxes. She took them in two trips today. In between, the sky looked like this.

And then, almost magically, those clouds moved on, burned off, disappeared. It was all but instantaneous. The sun came out, bright as ever. And then it rained through the sunshine. I stood in the window and watched it. And, after the shower had passed, I glanced in the large room where cars are normally parked. The boxes were gone. We no longer have a squished warehouse. We now have a garage. About the same time, my lovely bride finished setting up the gym. (Can’t wait to renovate that one of these days.)

We’re making progress every day. So much so that we feel confident in having a bike ride tomorrow. It has been so long since I’ve been on my bike I’m mildly curious if it is, in fact, just like riding a bike.

I need to make some progress on this front as well, closing tabs in my browser, that is. Good for me, then, that it is Tabs Tuesday. These are a few links that I’ve kept open for too long. They might not rise to the level of making a bookmark — which comes at considerable cost, if you read this sentence wrong — but they could be worth memorializing. So I put them here. Let’s see what I’ve been holding onto.

Sometime back I learned about the Artisans Cooperative, which emerged as something of a maker’s revolt from goings on at Etsy. Or, at least that’s what I seem to remember about it.

Artisans Cooperative is crafting a “better” online handmade marketplace, run as a values-aligned, member-owned cooperative.

OUR VALUES
1. Member-owned co-op …

2. Free and fair marketplace …

3. Inclusion …

4. Authentically handmade …

We are in the final stretches of development and getting ready to launch to the public in October 2023.

Good for them. And some of the merchants, the ones I’ve clicked through so far, anyway, do some amazing work. Like, East Ruin.

East Ruin is an archaeology-inspired art & design business for eco- and socially-conscious consumers who value alternatives to extractive production methods.

For a different sort of thing, there’s Maple Creek Vermont.

I started Maple Creek Vermont in the fall of 2020 as an outlet for my creative energy. For as long as I can remember I have had a passion for creating, building, crafting and making. As the son of a carpenter I have been around wood working my entire life and I worked to spend as much time as I could in the wood shop during all levels of my education. From the closet turned wood shop in my kindergarten classroom to the well appointed wood shop on my college campus, I have always felt at home making sawdust.

And check out StellaNCWorks. I’ll definitely be shopping here.

Pottery was the souvenir my parents brought back from every place we went, each piece chosen to represent that place, with the potter’s mark on the bottom. Embracing my home in NC is reflected in my own pottery. It seems appropriate, forming a chunk of the very land itself, through an intimate, engaged process, into a practical object that reflects the plants and animals that share the land. I am inspired by these plant and animal neighbors, by the idea that memories and heirlooms connect us to our loved ones, by things that are made by someone’s hands, and by shared humanity. I explore these ideas to create themes that celebrate the personal connection with nature and with other humans, and often use artifacts of these things—plant leaves, animal footprints, heirloom lace—to shape my work.

When I first started making my own pottery, it was driven by the need for a perfect vessel for a particular food: a plate for sardines with a line of mustard, bowls for pho, a big tea mug. Making clumsy pottery taught me lessons about making things better: about handle shape appropriate for leverage on a big mug, flat bottoms that don’t retain dishwater when drying upside down, shapes and edges that are comfortable for hands and lips. I make pottery for people who love the art in the practical, who love useful things made by someone’s hands.

(It also happens to be beautiful work.)

I discovered a bramble vine in the yard the other day. So now I’m reading up. Brambles: Pesky garden weed or delicious summer treat.

Brambles are bush-like, thorny plants with arching canes that are all in the Rubus family of plants. This includes the common blackberry, raspberry (including red, black and yellow) and the less common dewberry and thimbleberry. Many of these species are grown or bred for their wonderful fruit, and there are many wild-growing brambles as well. Wild bramble fruits are generally smaller than their cultivated, on-farm cousins, but are more packed with flavor! It’s almost “brambleberry” foraging and harvesting time now; if you see anything in the woods that looks like store-bought raspberry or blackberry, it’s safe to eat! There are no poisonous look-alikes to worry about.

There is good news and bad news about plants in the bramble family. The plants root easily, they spread out, and they give off fruit every year. If you are trying to establish them in your garden, you’ll likely be successful; they are quite vigorous. Another plus is that they are an incredibly rich (and common) source of pollen for pollinators of all types. Expect new plants to bear fruit in their second year.

And there’s always something new to learn about peaches, too. There’s so much to learn about peaches. They aren’t at all intimidating.

Less intimidating: the 54 tabs still open on my browser.

Just two more clips from last week’s Barenaked Ladies show. I didn’t include the encore. These days BNL brings out their supporting acts (Del Amitri and Five For Fighting on this leg of the tour) and they do a cover. They’re doing Steve Miller Band’s “Jet Airliner.” (It’s fine, I guess. Last year, though, they did “Handle Me With Care.” It was much better. Here’s the version they did in Cincinnati. And this is the version they did in Indianapolis.)

There was a freestyle rap, an Ed Robertson staple. And they mixed it into a medley with a Taylor Swift song. I am counting this as having attended a Taylor Swift show.

Tyler Stewart came out from behind the drums for the big finish. And it’s a pretty robust singalong. Think of it another way: this is a 40-year-old song, a staple of another band’s catalog, and everyone, or at least the guys, are all singing along.

When Joe Elliot screamed it in 1983 “Rock of Ages reached 16 on the Billboard Hot 100 chart and number one on the Top Tracks Rock chart. No one forgets Def Leppard — who are playing seven dates across the U.S. next month.

But enough about music. There’s a lot more of that to come. Tomorrow we’ll dive back into the Re-Listening project, because I am very behind, and that’s making me itchy.


18
Jul 23

A full day’s worth

This morning we took The Yankee’s car to a mechanic. It was a planned event. She needed an oil change and, I suspected, a radiator flush. She searched around, found a place that got great reviews, and made an appointment so, literally, a planned event.

I followed her over, we met the guy, sitting three rooms deep into his shop. Large fellow, sleeveless shirt, bandana on his head. Hunting paraphernalia on his desk. There were fishing rods in the corner, a Dale Earnhardt flag hanging on the wall. I felt like I understood him right away.

We left the car, which he said would be ready this afternoon. We headed back, stopping off at the grocery store for a few lunch supplies. The afternoon passed easily enough. I believe I was finishing up a bit of reading and writing on LinkedIn when she said the mechanic called and her car was ready. So we went back over, the first half of the short trip entirely by memory. And the car was ready! Windows rolled down. Key in the ignition. Inside, she paid the fellow. Cash. He made change, from his pocket. He said the radiator flush was the right call. Said he tested it. So we established I knew what I was talking about, that he’d work on both of our cars, his prices are fair and, possibly, he doesn’t hold up progress by slow-walking maintenance work.

If that’d been it, that would have been a day’s worth, right there.

At the house, she said, there was something she wanted to show me. Turns out, we’ve got a peach tree.

Five varieties of peaches grow here. Now we have to become peach experts.

There are also some tomato plants out back. Do you know who is a tomato expert?

And there’s a corner of Lactuca sativa. Funny, you just don’t think of growing your own lettuce.

This is something called clammy goosefoot, an herb from Australia. I don’t know what you’d use it for, and I have yet to find a site that screams “You simply MUST put this on your pasta.” So probably I won’t.

But we also found some chives …

Nearby was the oregano.

And, of course, the sage.

We’re going to have to determine the schedules for all of these plants now. And, if that had been it, that would have been a day’s worth. But no.

For, you see, we went to join this running club. But, for the second week in a row, they no showed. They are, in fact, running away from us.

Which is fine, because I need someone to chase I wasn’t going to run this evening anyway. It usually works like this. I think Rest day? Schmest day! And then, the next day, I realize the error in that thought, and the wisdom in a rest day. So today, I did not run, or anything else, because I had eight days of workouts (be they ever so humble) in a row, and 11 days in the last 12.

Tomorrow I’ll … exercise … or something.

Instead of running, we got milkshakes. Dinner. We got dinner. And also milkshakes. We carried that back to the house and watched today’s stage of the Tour de France. And here’s the thing about the Tour … it’s 21 days of racing and this is the 110th edition and that means there’s a lot of history and trivia and wonderful anecdotes and a lot of it, until recently, wasn’t kept with baseball statistic precision. We did know, coming into this stage, that this was the third-narrowest time differential (10 seconds) between first and second place riders after 15 completed stages. We knew that because the TV producers made a fine graphic telling us about it.

Also, you know, it’s a bike race. Real roads, differing technologies and external circumstances and terrain and routes and all of that. It’s hard to compare the apples and pears of the time differential in this year’s race with the leading comparable statistic, which was four seconds between Jos Hoevenaers and Federico Bahamontes in 1959.

Bahamontes wound up winning, Hoevenaers finshed eighth, down 11-plus minutes. But everything about the style of the race was different then.

It also seems difficult to compare the tight affairs of this year’s Tour with the legendary 1989 race, which was a 50-second race on the last day, ultimately won by Greg Lemond by eight seconds. Someone put together the Lemond and Laurent Fignon time trial side-by-side.

Evolving cycling technology is coming into play here. Lemond, on the left, has aero bars and a new teardrop-shaped aerodynamic helmet. He only used the disc wheel on the back. Fignon ran two disc wheels, which leaves you more susceptible to crosswinds. Also, Fignon road a conventional style. It got so silly after the fact that people also speculated that, had he cut his hair, Fignon would have avoided eight seconds of air drag.

I’ve heard Lemond say, more than once now, that he was told Laurent Fignon was haunted by that race for the rest of his life. That he walked around counting eight seconds. Fignon, in his autobiography, wrote “You never stop grieving over an event like that.”

Anyway, that was the closest finish in history, but after 15 stages, the difference between them in first and second was 40 seconds.

It’d be a bit easier to compare the technology of today to the second closest, the 2008 edition, where Frank Schleck, of Luxembourg, was leading Australian Cadel Evans by eight whole seconds after 15 stages. (Also, bikeraceinfo.com reminds me that Austrian Bernhard Kohl was in between them, down only seven seconds to Schleck. Kohl later confessed to doping, so he disappears from the official records.) Eight seconds! Neither of those guys won the Tour.

At least that looks familiar. Modern. It’s only 15 years ago, and those riders have all retired, but the names are familiar. Indeed, I remember that particular tour. The technology and nutrition have jumped significantly ahead in the generations hence. Even the way they race, in terms of strategy and tactics, has been evolving since then. It’s the same, but different, remember.

But this year’s tour will be difficult to forget. Today …

Time trials aren’t usually very interesting to me, but I’d love to know how this ranks historically. The guy in second place, two-time Tour winner Tadej Pogacar, started the day down 10 seconds, and he had an incredible ride. The only problem was the guy behind him, his rival, the defending champion and current leader, Jonas Vingegaard, had an incredibler ride. A gobsmacking ride. Watching the time gaps grow at the checks was something that strained credulity. You could tell he was riding hard, working for it, riding well. It was in the body language right away. But that stage was a deconstruction. This is a place I actually want more statistics. Has a time trial ever done such a thing to an evenly matched opponent? SBS offered a slightly more technical comparative look of the two rivals.

What started the day as a tense, 10-second race finished a mind-boggling one minute and 48 second race between the two best road racers in the world. This will be hard to forget. And there are more mountains to come.

If that’d been it, that would have been a day’s worth, but no.

Because I also updated and upgraded a deadbolt. I only messed up two parts, and it only took several more minutes than the directions promised. But, it is installed. It is square. It matches the door knob. And, importantly, it is functional.

Each entry and exit through that door will now be reported to the ninja barracks out back, via a military grade wifi network, so that they can monitor and approve of all of the comings and goings.

When they aren’t worrying over that oregano.