You go through your young life in Illinois and enlist the Army right out of high school at 17. By the time you are 20 you have fought in Guadalcanal, been wounded and learned both your parents died while you were away. You go AWOL three times before, finally, your bouts of drinking and fighting become too much to overcome, you get discharged. And then you write classics like “From Here to Eternity” and “The Thin Red Line.” That was Jim Jones. Later still, he was also a journalist covering Vietnam. And I bring him up to you because he was a friend of Willie Morris, that Mississippi scoundrel who was editing Harper’s Magazine by the time he was 33. They become such good friends that Jones asked Morris to finish his last book for him after he died. And he did, “Whistle” became the last of Jones’ war trilogy, and Morris wrote the last three chapters in 1977-78.
Two decades later Willie died. He’d been teaching at Ole Miss after he moved back from New York and had compiled and released a book of his essays that I’d find in a bookstore. I wish I could remember which one. It doesn’t matter, but it probably does. Either way, Terrains of the Heart he wrote at Oxford and I bought it in Alabama, quite literally because of the cover.
And this was a great choice. Willie, like all gregarious storytellers, was pleased to hold court in the warm embrace of a room of people that loved his stories. Willie, like the best storytellers, could make a place come alive and — no, that’s not quite accurate. Willie Morris, who was concerned about entropy and stillness and mortality and life could make the South hum. He could bring the sweet smell of the South to your mind, through your nose, and the dew in the fields to your heart through your toes. And Willie taught me the second thing I learned about writing. The first was that if you can figure out how to bring a smell into the story you’ve done some serious writing. And the second was I wanted to teach myself how to write like Willie Morris.
I tell you this because on this day, every four years, I think of a conversation Willie Morris recounts of his friendship with James Jones:

Who knows what all we’ll think four years from now, or at any time in between, but that’s an important observation to keep in mind.