Indigo Girls


15
Sep 25

‘Four years (prostrate) to the higher mind’ is doubly ironic

This is quick, because I am doing class prep. We’re reading two stories in Criticism tomorrow. In Org Comm we’ll be talking about the very important and incredibly interesting definitions of communication. It’ll probably be the slowest week in that class for the semester. You need baselines for everyone, though, because there are students from multiple majors and it’s important to make this approachable. Next week will be more fun, this week is definitions.

That’s what I’ll tell them tomorrow.

And there’s also my online class, which is new. Three new classes to wrangle, every week, between now and December. It seems like a lot to me, but I’m gamely going to try.

And that’s why this is quick.

For some reason, even on a mild day, the irrigation systems out in the fields look refreshing. This was part of an easy 20 mile ride on Saturday afternoon. It was one of those days where I set out to go this way, got halfway there, and then went that way instead. It was a good day for that.

Sure, it was right out of the neighborhood and then a mile and a quarter down to the stop sign. There, instead of going straight, I turned left. We go this way sometimes, but I don’t do it often when I’m on my own. It’s an up and down thing, and then you cross a busy intersection — if you can catch the light — and go by the warehouses that they’ll never finish building or fill with inventory. Down to the river, and back up through some farm land and you can keep going down that road, where you’ll eventually run into a town, and the big river, and have to change directions, or you can turn early. This is what I did today. There are two or three roads that you can turn onto that will lead you back to another road that can point you home. But we rarely cut those short, and so it’s a guess: Is this a road that crosses over to the highway, or is this a road that dead ends in a corn field?

And so I’m going down this side road, hoping it is an in-between road, trying to remember if I remember it or not. The features don’t really help. It feels right, but not distinctively so.

Then, the road bends to the left, and forks to the right. This is where a white Cadillac decided to pass me in a slow and unsafe way. (Thanks for that, young person driving your grandparent’s Caddy … ) She went left. I went right, and I was rewarded with distinctive features. I was on the road I wanted, a double tree-lined affair that was quite and pleasant and demanded you sit up and go slow — which wasn’t a problem for me.

Eventually, I ran into this sign.

If you turn right, you’d go this way, and wind up down at the river, or someplace.

If you turn left, you wind your way to another tributary, but the highway which will take me back toward home.

I stood there and felt the sun and listened to the wind for a few pleasant, long minutes. It was the perfect time of day in a lovely little place and I had it all to myself, all of it. And maybe that’s the reason we should ride bikes.

OK, here’s the last clip from last week’s show. Four, from me, is a pretty decent amount of restraint. Anyway, because they’ve been at it for four decades now, the Indigo Girls obviously have to play the hits. And they’ve long established their most mainstream number as a regular big finish. It got a lot of people in the door, and those people won’t let you leave without it.

(I wonder how long a show would be if they played all of everyone’s favorites. We already wound up taking a late train out of town, and they didn’t play all of my favorites this time. They can’t play them all. They should play them all.)

Anyway, the regulars are counting songs and they know it’s about to come and OK, everybody sing along. And also here’s three-time Grammy Award winner, and holder of Four CMA awards, Jennifer Nettles, to help us out too.

  

I hope we get to see them again next year.


12
Sep 25

Fire from the years

I wrote this out in outline form, went away and did some other stuff, and then came back to it. The first two notes were

Meetings.

Chairs.

I had meetings all morning. One of the meetings, no kidding, was about another meeting in a few weeks. At the end of meeting we discussed future dates for other meetings. It was run efficiently, and with good cheer. I took the notes. We ended right on time, having completed the full agenda which was, again, mostly about another meeting.

That other meeting will be a brief appearance. A few people from this meeting will attend that meeting and discuss what we do at these meetings.

There will be slides.

The next point on my list was “Chairs.” I have no idea what I meant to say there.

On today’s bike ride I tried out some new sunglasses. I needed to update my drip.

The frame better matches my helmet and the lenses are blue, though it doesn’t seem obvious there. The lenses are also bigger than any glasses I’ve worn before, but that’s the style, and aren’t we slaves to style?

The problem is right at the top, just above the bridge of the nose. It rubs right into the interior part of the helmet. It seems like there should be some space or flexible bend there or something, but alas.

The little Giro logo rubbed off the front of my helmet, I think from one day when I was working on a flat tire and leaning on the saddle. I’ll scrape it off eventually, but for now, it amuses me. It looks like bad video game faux text.

This was the sunset at the end of the ride.

We timed that up pretty well, but only because we were going fast. I had a few massive splits — well within the “fast” category. I can only do that for four or five miles at a time, though, and humility comes to me quickly, usually in the form of a headwind. Sometimes a small hill.

Here’s another shot from Radio City Music Hall’s iconic neon. We had a nice visit there on Wednesday to see Melissa Etheridge and the Indigo Girls. It was my third time seeing Etheridge and … I dunno … the 10th or 12th time I’ve seen Amy and Emily, but it was my first concert at Radio City.

And so here’s “Kid Fears,” with Etheridge singing Michael Stipe’s part. That song is now 36 years young, but all of the people that have come through to sing along keep it fresh. Listening to the crowd enjoy it is still a great deal of fun.

  

I think I’ll put one more clip up on Monday. They had another special guest at the end of the show, and it’s worth pointing out.

But that’s for Monday, and now it’s time for the weekend, which I will spend doing some work for next week’s classes. The life of glamor that I can tell you about …


10
Sep 25

Let the wind blow back your hair

Worked in the home office this morning and early afternoon. Then we drove to the train station, where I saw this sign.

The people putting that sign together, and installing that art on the train platform, must have done all of that during off hours. What doesn’t feel right to me is the woman who watched videos on her phone at full volume for the better part of an hour.

Fortunately her stop was before ours, and we had blissful silence for 17 seconds. At the same stop, a woman got on the train, mid-phone conversation, speakerphone, full blast. It’s a common complaint of modern life: the loss of social graces, and headphones. I’ve nothing new to offer the conversation, and this isn’t playing through a loud speaker, so no one could hear it anyway.

We had dinner at The Alderman, the pre-theater dinner special, a four-course meal and you pick the two in the middle. I had a brightly tart, almost citrus salad with a lot of arugula. And then this half chicken which was drenched in grilled lemon juice.

It was all quite tasty. And now I want it again.

Then we went to the nearby Radio City Music Hall.

This was my first trip there. And it occurs to me that they should probably offer tours. Probably a half-hour walkthrough would be a decent draw. I’d think you could see and learn a few interesting things.

It turns out that they offer daily 60-minute tours! I hope it includes the chance to sing a little song or dance a jig on the stage.

Here’s the iconic sign, as you walk across the intersection. Yes, I will stop traffic in New York City for a photograph of neon. Fortunately, the people there are all very nice and understanding and accommodating.

Playing there tonight, Melissa Etheridge and the Indigo Girls. We saw them late last summer, and they were close enough, so we caught them again. Etheridge opened the show. She’s 64 and less dramatic (her word) but she still commands a stage, still has all of her power and can command absolute control of a venue. I had the first six or seven records on a variety of cassettes and CDs, but moved on somewhere along the way.

When we saw her last year, she did a dynamite cover of Joan Armatrading on the piano. And maybe, she had not been successful, Etheridge would have been the best cover singer you’ve never heard of. She does a killer Billy Joel cover and here, she’s mixing one of her own songs with a bit of her idol, Bruce Springsteen for a “The Letting Go – Thunder Road” medley.

And it hit.

  

Really fun show, wonderful venue. Took the subway to the train and the train to the car and then the drive home. Late night, long day tomorrow. And I’ll put up something from the Indigo Girls then.


30
Aug 24

To the weekend!

I have a new setup in the home office. This is, if you ask me, getting a bit excessive. Also, it probably won’t stay like this for long.

Not pictured is all of my audio gear, which I need to work into this new workflow somehow, and also just use more. It’s sitting to the right, and just out of frame.

The biggest problem is going to be struggling with the new keyboard. My computer is one size, my work computer is another size, and when I go between them I’m always about a key, a key and a half, off as I type. It’s all a work in progress, of course, everything always is. The rest just comes down to how you feel about that.

That “Facing History” feature on the monitor, above? That’s on the Rowan site. Some of the archeologists there discovered, just a few years ago, some Hessian soldiers buried not too far away. It’s a Revolutionary War mystery they’re still trying to unravel. Fascinating stuff.

Today I had my first swim in three weeks. Three weeks of summer swimming I had to give up! Stupid ear.

Anyway, I got back in the water today. I was too nervous to do it yesterday, because my stupid ear has not given me a pleasant experience and I’m in no hurry to repeat that. But, healed up, fed up, and finally just dove in today. I wore ear plugs.

They did not work.

As soon as I popped the plug out of my left ear I felt all of the water that the plug was actually holding in.

It’s OK, though, because my lovely bride got me two other kinds of ear plugs to try, as well.

But I got in a good solid 1,650 yards. The first 300 and change were dreadful, because that’s what its like when you’re forever having to stop something, and then begin again. After a while, though, my arms warmed up and my brain got into that magically meditative state where it doesn’t really think about much of anything and the laps just started clicking by.

Three weeks!

Now I just have to wait a day or two to see if the swimmer’s ear returns, I guess. I poured some of the ear drying miracle of chemistry into it. Maybe I’ll be OK.

(Update: Looks like I got by without any problems. Maybe I just have to be particularly careful about this in the future.)

Here’s the last little clip from last week’s concert. This and “Touch Me Fall,” which I don’t think I’ve seen them play live in a long time, are always going to be the songs that opened my eyes up to what Amy Ray does. I’m going to say that, but if I played their whole catalog, it’s really all of it. And then if I played every CD from her solo catalog, I’d say, “See? See, right there.”

Anyway, this is a tune I think that probably does something different for different parts of your fandom. It literally screams about the being too young, and being too old. I was perfectly middle-aged — but trending, ya know? — before I really figured that out. I find this interesting because they have that now 40-year collection of fans. No matter where you were then, now, or in between, it has a moment for you.

  

Forty years. That hardly seems right, but they started playing in Georgia in 1985, and most of the rest of us started catching up in the next five or 10 years.

It’s funny, we went to a show of theirs some time back and jokingly said, “Wow, look at this crowd. How old!” Jokingly because we were, too. And that was seven years ago. Caught them three more times since, now.

I hope we get to go, go, go see them again soon.


29
Aug 24

The gearing up for fall begins

It was a normal Thursday. I went to work, as one normally does. We stopped by a grocery store for fruit and water. I’d also carried a large bin of cut cantaloupe for the ride over.

Campus is just 15 miles, 25 or so minutes, away. We weren’t stocking up for a journey. So the fruit I cut last night was our in-car breakfast. The fruit tray and water was for our beginning-of-the-year department meeting. It was scheduled to run for five hours, including lunch. The meeting ran five hours, and then just a few extra minutes for the traditional grousing and venting that can occur in any meeting, anywhere in America. It was well plotted and well conducted, then.

The meeting began with a few ice breaker. We were asked to list our favorite movie from when we were younger — which was left deliberately vague in an ad hoc way — and how that impacted us. There were 15 people in the room, but it went pretty smoothly. Here are people who have given this thought, live the sort of examined lives that included this precise question or are pretty good at the ol’ razzle dazzle. Since they stand in front of college students and talk for a living, any of these things, all of these things, are possible.

I said The Princess Bride and Spaceballs, which have each, I suppose, informed an irreverent sense of humor. But, I said, lately I’ve been working on another project, which is to each day incorporate a line from Road House into conversation in a contextually appropriate way. The guy sitting nearest to me, an earnest, high energy, fast talking fellow who gives you the impression that he’s seen it all and came back again, said, “Be nice.”

Later I asked him about the message of his t-shirt. It was a direct reference to a British comedy and, he explained, a direct commentary on …

I’d only just met him, but told him we were going to get along just fine.

Much talking was done. Some writing was done. Advice was shared. People had questions. Sometimes there were answers. Other times, the answers would be forthcoming from other series of meetings. Academia in a nutshell.

And while this was happening all afternoon I received an email from the technology people that my new computer setup was in. I’d previously been told it would take a few weeks to arrive. Now, I’m under a barrage of emails, but it hasn’t been a couple of weeks. So a pleasant surprise. I made an appointment to stop by after the faculty meeting to get the new hardware.

There’s a place setup on campus designed to be evocative of Apple’s Genius Bar and that’s where the hardware distribution is taking place. The people there were perfectly lovely, pre-fall-term enthusiasm is a great vibe. I had a nice conversation with a young man where he came to realize that he could talk to me almost like a person who actually knew what was going on. I am not that person, but I know those people, and I have learned, over the years, the deft art of faking it. I walked out a short time later with two armfuls of things.

I did not sign the first document. I assume that they assume I am me because I knew my password.

And tomorrow I’ll start setting up some of that equipment. It was then, a productive day.

Just one song today, so I can cover the whole week. This is the first track from their 13th studio album which is turning 13 this fall. I mishear the chorus. It might be a deliberate choice because, sometimes I’ve finally learned, those are just better versions for you.

  

(Remember, I was shooting that from a ZIP code away, but the audio is pretty good.)

I take it as share the mood, rather than the moon. You can see why the latter works, but the thing that binds us to other people is the shared moment, of course, and that could be something with or without a celestial satellite. We just need a personal satellite, or to be the one orbiting others, maybe. Probably I’m overthinking this. Probably it’s just always been clunky hearing.

I mean it’s right there in the title of the song. I have the album, of course. I’ve seen Amy and Emily play this song live at least three or four times. Doesn’t matter. What is important is the mixture of what it all brings forward. There’s a certain tiredness, a resignation, in the lyrics, but in that third verse, above, there’s something more fundamentally aspirational at play. And it’s all underpinned by the E, by the mandolin and wrapped up in Lyris Hung’s beautiful violin. Who has not been on that road, going somewhere? Hoping to head to someone?

See? It’s a mood.

But I overthink, which is the prelude to overwriting.

And sometimes the prelude to underwriting, too, if you think about it.

So just a normal Thursday, then.