16
Feb 23

Time is mutable

This I don’t understand. It was 67 yesterday. We’ll have the chance of snow tomorrow. This is my only comment on the day, the only one that needs to be recorded for posterity about the mysteriousness of February 16, 2023.

But also this, time is a mutable construct. Tuesday, I unsubscribed from two series of emails. I have read them, perused them, skimmed them, clicked the interesting links within them faithfully. But, lately, they just seemed a chore. I have been on the fence for a while. A developer I know made some comment about each of these services that finally pushed me to the unsubscribe side. So, then, yesterday was the first day that I didn’t receive those daily emails — it could be two, it could be 12 a day, and you never knew what your inbox would receive. And yesterday, I noted at 3:31, had already been 32 hours long.

A friend told me I should re-subscribe, because friends are enablers, but I’m curious to see how this plays out. Today, for instance, was only 17 hours long. Time is mutable.

Let’s quickly get caught back up — before falling behind once again — on the Re-Listening project. I am forever impressed by how fast a CD goes by in the car. It’s a nine-mile round trip from the house to the office, but that’s somehow 40-50 minutes, whether I want it to be or not, and that’s in the window of a standard CD run time. But I digress.

As you know, I’m playing, and putting these here, in the order of acquisition. So we’re somewhere in 1996, but this was one of those tape-to-CD format upgrades, so we have to step way back in time, to 1994. And according to the arbitrary rules I have arbitrarily made, I can gloss over the upgrades.

I saw DMB on tour on the next few records, just before they got prohibitively expensive.

Back in the day my roommate, Chuck, and I had a sophisticated musical code. Certain records meant certain things. This CD, for a time, was one of those signals.

Yes, fair or not, I blame DMB for starting the concert inflation trend. But I caught them twice, right place, affordable times, I suppose.

Back then, virtuoso guitarist Tim Reynolds and fiddler Boyd Tinsley seemed like the band to me. I don’t think I’ve heard anything new since LeRoi Moore died in 2008 — so I’m four albums behind. There’s been some turnover in the band, but Reynolds is still there (he’s the secret weapon) and the rhythm section is intact. I’m sure it’s fine, but I don’t know if it is a time and place thing. Something else we’ll have to get around to discovering one of these days.

But not right now. When we next visit the Re-Listening project, we’ll be hitting peak emo pop 1996.

I asked my lovely bride to bring me some Advil this evening. She was nearer the bottle, and I didn’t want to get up to fetch it. It is one of those countless easy things one person does for another person from time to time.

“What’s hurting?”

Me.

See, I came in and wanted to get in a little bike ride, but I am also trying to be conscientious of not riding all night, because there’s dinner and getting ready for the next day and so on. At the same time, I am now getting into Zwift routes that are a little longer, so they’ll take a few more minutes, but there’s also a weird in-betweenness to them. I did two routes tonight. The first one was 10 miles and change, that’s nothing. But I thought I could get the next one, too. Only, it was about the time of the evening that I wanted to get it done. So I pressed a little bit.

There’s one two-mile climb on that route, and I hate that particular climb.

But I closed my eyes, gritted my teeth, and got over the thing. I set a new PR and somehow got the polka dots jersey marking the fastest climber on the course at the time. I also got a second polka dot jersey for a second, smaller climb, as you can see on the right hand side of the graphic. (I am not a climber.) I also got a green jersey for the best sprint segment on the course. (I am not a sprinter.) All of this says more about who was riding around me, rather than me.

But I probably should have used better gearing on those climbs. Anyway, that was 75 minutes on the bike, tonight including two Strava PRs. And now my legs are tired.

The 2023 Zwift route tracker 68 routes down, 56 to go.


15
Feb 23

Did you have “Appalachian murder ballad” on your Bingo card?

I took three photographs today, each one less useful than the last. First, two big wheel cars came down Indiana Avenue. I have seen them both before. You see a lot of cars over and over in your daily routine, of course. Most sensible mid-sized sedans and the ubiquitous SUVs don’t stand out, but when you see the classic land yacht on oversized rims, it stands out. When one of them is purple and gold and celebrates the Los Angeles Lakers, you make a mental note. I saw that car today. He was in front of this guy.

They generate a lot of interest and, it turns out, they have annoyingly interesting horns. I only looked out of the window because it sounded like an animal was dying, over and over. And, thus, the from-the-hip photo.

The next picture was of a daisy someone brought into the building. It seems there was someone outside handing out flowers. If you’ve seen one thoughtless composition of an oversized flower, you’ve seen them all.

Also, this little guy. I’ll let you figure out what it does. I know, but do you? Here’s your hint, we have four of them in the studio.

And, if you cheat and look up those letters, you’ll quickly learn what it is. But it is more fun if you guess.

We have some catching up to do on the Re-Listening project, and so we should dive in while I can still remember the order of things. So two quick ones today, both of which I picked up from a radio station I worked at, probably in early 1997, or the very very end of 1996. I know that because this first one had a stamp in the liner notes. Not for promotional use.

It was The Lemonheads, their last record on the Atlantic Records label. Band members were coming and going around lead singer Evan Dando, including a lot of talented session musicians, and for whatever reason — promotion interest, most likely — it was not as successful as the previous alt rock records from the Massachusetts group. But it has developed a cult following, and that’s the least we can do. This is a great record.

The first track is one of my favorites.

But then there’s the next song, which was the one that got a fair amount of air play.

But you see pretty quickly, I think, how The Lemonheads’ style was being outpaced by what was being offered on radio and MTV. The mid-third of the record gets a bit eclectically moody.

Then, and I still don’t understand why, though I’ve certainly burned brain cells on it, there’s an Appalachian murder ballad in the eighth spot. I knew this song right away.

Let’s take a little detour. This is worth it. This is why I knew that song.

The Louvin Brothers’ version was published in 1956. And in the Tennessee Valley, in the Highland Rim, I heard that around a kitchen table or in a garage, or both. Charlie Louvin, who was born on the other side of the mountains, in the Sequatchie Valley, in the Cumberland Plateau, did a haunting version of it again, 51 years later.

It’s deep in the marrow, is what we’re left with. Knoxville Girl dates to the 1920s, but it’s all borrowed, a version of “The Wexford Girl,” a 19th-century Irish ballad, which owes its origin to a 17th century English ballad, “The Bloody Miller or Hanged I Shall Be.” (Samuel Pepys wrote that one down for all of history.) It may go back even further. I wonder if the three dozen or so bands that have recorded the song in the last several decades knew all of that.

For some reason, and maybe this is why this record has a cult following now, there’s an ode to the movie Se7en. Then another ballad and, finally, more glorious noise rock.

I wish I could give you a count of the number of country roads I sped down listening to that song, or, indeed, the whole record. It would be a substantial amount.

I could not say about this next record, which was another radio station freebie. It had a little airplay. It was not for me, the guy who is referring you to the history of an Appalachian murder ballad, but a girl I liked at the time loved ska, so I picked up Goldfinger’s eponymous, debut, record.

I remember one sunny day, one curve in a particular road, where I caught the punchline in one of these songs. Which, hey, if anyone remembers a joke I’ve done 20-some years on, I’d be pleased, but other than that …

On this listen, this is the only one that I find interesting at all.

I know what is coming up in the next few CDs, I’m going to like those much better. Maybe there will be some stories to tell. Maybe you’ll like them too. The stories, or the music, either one.


14
Feb 23

A Valentine’s Day serenade

For Valentine’s Day one of the TV shows brought in an a capella group for a quick three-song set. Here’s Another Round‘s big finish.

They told me they have about 30 songs in their current catalog, and that they add about nine songs a semester. Given that they are all students and guys come and go every year, it seems a big task.

The guy singing the lead there is a music education major, but not all of them are in music. Not all of them started singing in church, either, though if you know what you’re listening for you can hear it in some of them.

I think it is because they joined us for a live studio performance tonight, but their touring is starting to take off again now, presumably post-Covid. They’re headed north for a show or two next week, he said.

Turns out there are four a capella groups on campus. (I’ve heard two in that studio.)

Clearly, we need a doo-wop off.


13
Feb 23

I want a Montezuma University Medical College t-shirt

Sorry for the abrupt Friday post. I was apparently tired. That night I went to bed early, feel asleep reading and slept the whole night through. I woke at an, well a normal time for a Saturday morning, I guess. But that meant 12 full hours of sleep. Felt great on Saturday! So good that I was still awake at 4 a.m.

Ahh, the biorhythms.

Bookies are now taking action on when I’ll wear down this week.

Let’s start off with the reason why you showed up on Monday, the site’s most popular weekly feature, the check in on the kitties.

We’ve had some periodic morning sun, lately. And whatever the number of times is required to make something a habit for a cat has been met.

Now, they are waiting, each day, in this spot. The sun isn’t always poking through the clouds, but they’re here on this carpet, on spec. Roll back the curtains, people, there might be some sunlight.

Being cats, Phoebe and Poseidon will lounge in it indulgently as long as they can.

So the cats are doing well. Their biggest news is that Poe got in a scuffle with his sister and she marked his nose pretty good. It’s healing well, which is good. His pink nose is a big part of his charm.

Though I did not ride on Friday because, ya know, sleep, I’d like to think I made up for it a bit.
I got in 40 miles on Saturday. I had six Strava PRs, including two climbing segments which I will never be able to equal. Mostly because I was chasing my lovely bride.

We took another ride on Sunday, and I ticked 33 more miles into my legs. It was slower, but steady, I guess. Never felt like I could accelerate. Couldn’t drop The Yankee, but I surely did try. Somehow I took 6:09 off my best time up a cat 2 climb. I am not a climber. Even though Zwift gave me the polka dot jersey on Saturday.

And then, the weirdest thing happened this evening. I decided to spin out an easy recovery ride. Then I forgot about the recovery part, I guess. I set three more Strava PRs, and took 1:26 off another climb.

So it is shaping up to be an interesting year on the bike, I suppose. Or a perfectly average year, who even knows.

The 2023 Zwift route tracker: 66 routes down, 58 to go.

(If you’re following that little tidbit, you might have noticed that the math has changed here. Turns out I was using a slightly outdated route list. Four new routes were added since last November, so there’s your mathematical inconsistency. This list is accurate, until Zwift adds the Scotland routes in March. Basically, there’s plenty still to do, hopefully most of it before I take the bike off the trainer and start riding exclusively outside again.)

The hardest part of having a couple hundred books waiting to be read is trying to decide which interesting thing to choose next. I solved that problem yesterday. Instead of grabbing one book, I selected the next three. And I’m starting with the great Willie Morris and his memoir, North Toward Home.

There aren’t many memoirs that appeal to me for a variety of reasons. But Willie Morris, above talking about one of his ancestors, is in a different category. If I could write like anyone the boy from Yazoo City, Mississippi would be on the very short list.

This is a third edition of his memoir, the first run was in 1967. The language can be problematic, particularly in these early stages of the book. The kid that would become a not-quite-singular progressive voice from the South grew up in those small towns and visit those hollers and delta swamp lands and live it before he could wrestle with desegregation and coming of age in a time of deep and lasting change. We’ll get to that later in the book, I’m sure. First, there are rich memoir moments, like the nearly universal nature of the southern church experience. There was much nodding along. Two generations later, and a state to the east, there are many similarities.

And, here, his first time in a Catholic church.

I recall my first visit to a Catholic church, but not as clearly as all of that. The story goes like this.

The town was founded by a coal man, a Methodist and a Democrat, in 1886. Henry DeBardeleben was the ward of one of the state’s first industrialists, and inherited, or otherwise acquired, much of his assets. The quintessential New South industrialist, DeBardeleben decided to create a town near the booming Birmingham to exploit the local iron and steel resources and their dirty, important, industries. One of his sons continued the family trade, becoming a coal magnate in the first half of the 20th century, but he was an Episcopalian and a Republican. So the DeBardeleben name is important in that region, but the second generation German immigrant’s neighbors, the Italian and Irish immigrants, were the ones that built the first local Catholic church.

There was a 50-room hotel, which first appeared at the New Orleans World’s Fair in 1884. For 10 years after DeBardeleben bought it and had it moved to his new city. He lived there for a time, in the hotel, the former headquarters of Mexico’s delegation to the World’s Fair, on the 10 acre lot. The railroad marked one border, a local creek tributary, today little more than an oversized and running drainage ditch, marked another. For 10 years the Montezuma was a hotel, for three more it was Montezuma University Medical College, then it burned, in 1899. That’s where the first Catholic church in the area held their services. Today there’s a pharmacy, a closed foundry and low income housing in the hotel’s footprint.

Just before the fire, the church got their own land from the city, a choice spot, just in the direction the city would grow and thrive for the next few generations. They built a frame school building, then replaced it in 1912 with a modern brick building, the first of its kind around, and there they thrived for decades.

I went to mass there once with an elementary school friend and his family. My friend was the oldest kid. He had a brother and a sister. Both of his parents were educators. They had the first remote control I ever saw. We were friends until I changed schools in the 5th grade, and eventually grew apart. But he’s still there, working in medicine or some such. I wonder if he still goes to mass. The parish he grew up in was a full, ornate building. I remember the colors being rich and dark low, and growing lighter as you looked toward the ceiling. I am sure the room was smaller than my memory. There were the solemn processions, the costumed finery, the purification and sanctification of the incense, the call and answer, both joyous and monotone. All of it different. All of it interesting. None of it mine.

The church stayed in that spot until it burned in 1989. A century between fires. They still have a convent on that block. There’s a halfway house and a law firm there, too. The local board of education is across the side street. Across the way today there’s the “Opportunity Center,” and the Homeless Education Program.

The church built their new parish four miles away, again, in the direction where the city was still (somewhat, somehow) growing. Last Christmas they celebrated 30 years there. I bet I’m the only person who has found a vague, passing, unintentional, similarity between the Montezuma and their current building.

I’ve been to one or two other Catholic services elsewhere. I saw Catholics before a mass praying for Pope John Paul as he lay dying. I even watched mass at Saint Peter’s Basilica. Those last two I can remember clearly, but I was an adult by then.

I think that’s the problem I’d have writing a memoir, and the pure genius of Willie Morris. Look at all he gives us in a half of a paragraph. Look at the space I filled up in 600 or so words.

Also, there’s the issue of memory.


10
Feb 23

This evening was pre-empted by sleep

Saturday update: There’s the Re-Listening project, but nothing else to report. After work I went to the house and sat down. And then I had dinner. Then I did the dishes. Then I fell asleep and slept for about 12 hours. So this’ll just have to do for Friday.

Sometimes I have been guessing when I picked up a CD. Sometimes I have a specific memory of that, when, how it came to be. I suppose it’ll continue to be like that as we go forward in the Re-Listening project. Paradoxically, there might be more guessing the farther along that we get. (I’ll blame the web for that in due time.) Today, we’re doing a bit of both. There’s something distinctly remembered here … and … yet …

“All For You” was released in January 1997 and I picked up Sister Hazel’s “… Somewhere More Familiar” soon after, when it was released the next month. It’s a happy, jangly pop record. The record went platinum in the U.S., peaking at 47 on the charts. “All for You” is the single you couldn’t avoid that year, and it made it #11 on Billboard’s charts.

I remember driving up U.S. 280 in the early hours of one morning playing and re-playing this track, learning the words to this song.

I remember I stopped at a Chevron for a bathroom break, looked at the newspaper box — remember those? and saw a stunning Birmingham News headline. But, and I’m looking at a quarter-century-old archives to verify this, the rest of that little anecdote is a false memory. The timelines don’t match up. So much for that story.

Anyway, “Happy” was a late-breaking single.

I saw Sister Hazel a few times, small clubs, festivals. Good times. They liked to tell you they were from Gainesville Florida, like their origin story was punctuation.

This always struck me as a sweet song.

Otherwise, after a time, the sound gets a little repetitive. It’s a good time, easy breezy sound, though, and I’m always happy when they came on. I played this CD a lot around my apartment. Upbeat stuff helps with late night work, I guess.

Sister Hazel, another band celebrating the 20th anniversary of a record this year, are still touring. They have nine dates booked this spring. I wonder what members of a band and their crews do with these thoroughly achievable schedules. (There are a few documentaries about touring road crews out there. It seems like a daunting job.)