Tuesday


29
Sep 26

Yes, I put Rockwell in my slide deck

My car is wonderful. It is almost 20 years old, and aside from being hard on tires for a while, it has been great the entire time. I need to do a little regular maintenance, but every car needs that. This weekend I drove a newer car, and when we go somewhere in my wife’s car, I think about this story, which is on its third iteration, and still not bothering people enough. Your car’s data privacy problems are worse than you think<:

(R)esearchers from Northeastern University, in collaboration with Consumer Reports, published an in-depth examination of connected vehicle privacy behaviors. Utilizing nearly two dozen vehicles from CR’s test fleet, the team sought to answer critical questions: Which cars transmit data? Who receives it? Does it cross international borders? And what personally identifiable information is actually being exposed?

David Choffnes, project lead and former director of Northeastern’s Cybersecurity and Privacy Institute, said the goal was to reveal the sheer scale of modern vehicle data tracking and highlight how little visibility or control owners truly have over it.

“I think the conclusion is that there’s a lot to be worried about,” Choffnes said in an interview.

To get a complete picture, researchers analyzed 21 late-model vehicles from 19 brands currently sold in the US, along with 30 companion mobile apps linked to active vehicles.

Manufacturers, enthralled with selling you off something you bought from them, are happy to sell you out to advertisers, to your insurance company, and probably to anyone that asks. They’re counting on motorists to forget about this because they’ve got to get from A-to-B and, besides, Spotify connects easily.

This is going to be an opportunity for a company to offer some other option. I don’t need a touchscreen, I don’t need moodlighting, and I don’t need you to report my driving to anyone without context. (There’s a lot of crap in the road, and sometimes you just want to dodge it.)

If no one takes that part of the marketplace then we basically find ourselves in a loose-to-strict technological cartel.

I think of that for a lot of reasons. One of them is because, today. My office hours were interrupted because of a fire alarm. I dutifully gathered my things, trying to make a quick assessment of whether anything else in my office needed to go, just in case, and then walked down the six flights of stairs into a cement chamber merrily repeating the sheer trill of the fire alarm. Students stood on the sidewalk outside on three different sidewalks. Ours is a big building. Everything in the frame is the same building.

There is housing, a gym, some sort of offices, and a bunch of academic stuff in there. The alarm could be about anything, anywhere. Even still, I decided to stand on the opposite side of the street, even though there’s no smoke emerging from anywhere. After a few minutes, I walked over to where my class meets, and finished my

we started talking about surveillance in my digital media class. The students had to read a brief chapter about it. This becomes a curious part of the subject matter because they think they know about this. I used a cool slide-shattering transition for this one. No one laughed at the joke I’d prepared for it.

We start talking about databases and data mining and implicit data and, much like that car example, above, people don’t necessarily want to think about this all of the time. The platforms quite obviously count on that. It is within their best interests to be less than transparent and forthcoming, to allow you to think of the good, and not the potential. And so I put up this slide.

People, after all, just want to post their thing or see the thing that others posted. And, yet, they’re going to hear about various parts of this for about four meetings in a row.

We talked, among other things, about the new Meta Muse, and how it’s breaking rules and what that means, and … well, first I had to explain Meta’s Muse. What it presently is is a dangerous mess masquerading as a product that you have to use, because marketing.

It’s worth pointing out:no one needs that product, but the company absolutely needs to convince you otherwise. And we could, perhaps, say that about quite a few of these tools and toys.

After class I walked back over to my building. Happily, it was still standing. The fire trucks were gone, and people were moving about as normal. On the way, though, I walked by the statue, Contact. I wrote about it here. Then, last week, we looked a bit more closely at the couple’s hands.

Today, a quick study of the man’s jacket.

You have to love that texture. It’d be comfortable, and probably quite breathable. I am trying my best not to think that the artist, Seward Johnson, was leaving a code for one of his fans to find his secret, buried treasure.

I can tell you the code doesn’t say anything about looking inside these subjects pockets for the treasure. Realistic feeling as a lot of this feels, you can’t reach in the pockets. Or so I’ve heard.

But in looking at the code that we can’t crack at a glance, you might notice some interesting small details. He really nailed the wear on the jacket vent. I’m pretty sure most of my jackets look like this.

The jacket also has wide lapels, and an oversized pocket. And the man seems to have a bit of stubble on his face, which is almost tucked out of site. I know this isn’t for everyone, but it is easy to marvel at the detail put into this project.

We’re going to study the faces next week. But, for now, I have to do a bit of studying on what I’ll be discussing in class tomorrow. So, until then, keep your hands at 10 and 2, just in case your car is telling on you.


22
Sep 26

I will not talk about aura, I will not talk about aura, I will not —

This is week four. I am a professional. I should have my Tuesday morning routine down by now. I do not. Almost made us late. There was just a curious moment where I had time to do the things required of the gargantuan task “finish getting ready.” And, then, suddenly, there was not time. So I drove to campus a bit faster than normal. I’ve slowed down a lot in the car in recent years. There usually aren’t that many things to rush to, but when your carpooler needs to get to work, and when you’re carpooling with your spouse, and you’re the one on the verge of making everyone late, you re-discover the accelerator.

And that is what I did. Fortunately, I am from a place where people think the road signs are the speed limits, a place with no police on the highways, and everyone operating under the mistaken impression that their morning commute was a tryout for the nearby speedway. It has been said that you have to a certain kind of mean to drive in my hometown, and that’s probably true, and I learned the lesson well.

We got there on time. I let her out at the door, so she could run to class. I went to park.

That story ends there. Nothing remarkable happened in the parking deck. I walked into the building and held my office hours. No one stopped by, which meant that I had the opportunity to do a bit of grading and study my notes for class.

Today we talked about a Bernie Hogan paper, which dives into the sociologist Erving Goffman and his dramaturgy, and also the fantastic paper, The Work of Art in the Age of Mechanical Reproduction by the German philosopher and media critic Walter Benjamin. This is the eighth section of this class I’ve taught, and so I’ve read this paper a few times. And every time there’s something new to discover. This time, this weekend, might be the first time when I didn’t find a new thing to wonder at. And so I was excited to take this paper into class and talk about it today. We had fun.

Back to the statue, Contact. I’ve been walking by this this semester, and every time I see it I think that these are actual people. I’ve been wondering, since the second time I was fooled, when I wouldn’t be fooled. And since then I’ve been taking photos of it. If you click that link you can see a post I made specifically about it, with details on the artist, and a wide shot from all four angles. Over the next several weeks we’re going to zoom in a bit. First, the hands.

It was this hand that I saw first, because I was walking toward it, but it seemed absurdly misshapen. It still does. The fingers are too long, too big, the knuckles somehow disproportionate.

Perhaps it is the finger placement. Her other hand, a bit of wear aside, seems to work much better for the size of the figure. There are three things to notice here. The watch tells us a time. I saw that after I noticed the details in the back of the hand. It’s a dye-coating over a bronze statue, but in that you can see the bone structure, and maybe even the work of the veins in her hand. Also, she’s wearing a wedding band.

Let’s look at the man’s hands. First, he’s also wearing a watch. Can’t see the time. Can’t move the sleeve. (I tried. I tried because there’s magic in art, and I believe you have to find out all of the places where the magic exists, and make sure you aren’t overlooking any of it besides.) You would assume his time piece should show the same time as hers. If it doesn’t the commentary is entirely different. Looking at both watches carefully, there should be hands of his watch visible, based on what time she is showing. There are not. Is his watch slow? Are they from different times? Out of time?

He is also wearing a wedding band.

Are they married to one another? Will we ever find out? We’ll continue exploring, but we will not.

Next week, we’ll take a closer look at these two characters’ faces. As you might expect, there’s a lot to consider there.


15
Sep 26

Yeah, but look at that jacket

It’ll be fine, but this is one of those weeks that feels like it is self-contained for good reason. It feels like one of those weeks where the design of the rollercoaster tricks your conscious mind that there is peril ahead. It feels like the sort of week that will feature that scene in every dramatic naval movie: we had to close this section off, and sacrifice some true blue sailors and friends, to save the rest of the vessel and, now, until the end of this scene at least, we will anguish over it for award season.

Yeah, I have no idea what that means. What it means is that if I can keep this week on the rails, keep it moving forward, and keep the events of the week within this week, then it won’t spill over into other weeks and we will, thus, see this week as a success.

There’s absolutely nothing going on as dramatic as all of that, but it just feels like one of those weeks. Next week won’t. The week after that definitely will.

I had a meeting with a student today to discuss social media. The student wound up doing two brief interviews with two of my colleagues. One faculty member discussed the nonverbal communication class she is teaching. She deftly shooed me out of the room with the coolest nonverbal signal ever. I stepped out an interview was had. I retreated to my office and tried to remember everything I learned in my own nonverbal class way back when. Another professor stopped by to talk about his research, and that was the subject of our second brief interview. It was great. This professor is a get-him-started-watch-him-go sort. He does it with such enthusiasm that it is hard not to want to lean into the conversation. Then the three of us sat around for a moment and talked about our favorite ways to end interviews.

I have three key questions I asked at the end of most interviews. You’ll have to pay me tuition to learn what they are.

I walked over to the other building, where my class is held in the fourth floor sauna. I prepared accordingly today, even though the heat outside has loosened its grip, the room is still a little overly warm. So I went with a seersucker jacket.

I bought that as a gag last year. I’ve worn it twice. Last night I thought, Why not? All day, no one said anything about it. I could take this to mean I did that right, or I could infer that no one was willing to confront me about the choices I’d made. What do you think?

The pocket square makes it all work. That was a last second add this morning. Brought the whole thing to life, I’d say.

Maybe the students are all too dazzled by today’s conversation and repartee to discuss my sartorial choices. We talked about Tarleton Gillespie’s 2010 paper on platforms. The first question someone asked was “Why 15 pages on what the word means?” That’s a fair question, and precisely why we read this paper. I have read Gillespie, I guess, half dozen times in the last two years. It holds up, it sets the tone, and the only problem is that it doesn’t think about how AI or LLMs figure into this at all. I’m sure he’s working on that at Cornell right now. (If you somehow find this and aren’t working on that, I tap danced around an answer for a few minutes and we should collaborate.)

When I teach this class online all of the students have to pose a question about the readings. And since I require to ask a question it seems only fitting to try to answer them. This is great fun, and some of the questions are thoughtful and challenging. Another way I challenge myself is trying to find new ways to answer the same questions. Also, I try to edit myself into something that looks like concision. (You might notice I wrote exactly 1,200 words here for goodness sake.)

Do they pay me by the word? No. Can I renegotiate that part of my contract? Also, no.

Since I’m teaching the class in person this time I am having them ask those questions and I am trying to answer as many of them in a class as possible, or at least what I think are the best ones. Today I got about a third of those in on the Gillespie paper. Also, I tried to play it cool about the reading they’ll do for next Tuesday. It is my favorite one of the semester. And I just have to dazzle them with something else on Thursday.

On the way back to the office I snapped the last photo of the public art installation. We’ve now capture it from all four sides. Here, from this angle, it looks like something bad has happened. Its her eyes. I’m not sure if that’s the intention, my interpretation, or perhaps something about the medium. She looks like she’s in a far away place, though. And only the way her feet work suggest a different story.

On Thursday I’ll make a separate post showing all four of them.

Next week I’ll start taking closer photos. I think there’s a lot to be learned from a closer look.

I wrote that cartoonishly overly dramatic bit at the top of the post, and this is what I’m doing about it. I returned to my office after class and did up some lecture prep for tomorrow and Thursday. I’ll finish each just before the classes. Then I went to the library. So pressing are events I spent time at the library.

Which is to say, not pressing at all.

I got a call on Saturday from the local public library that a book I’d requested via ILL (which is one of the best innovations that we have in a polite and civil society) had arrived, and would I please come and check it out, because the clock is already ticking on its due date.

So I picked that up. Our local library is opened like six hours a day, and it is entirely volunteer-driven; you have to time things right. Tonight I received a casual little invitation to take part and volunteer. A little over-the-shoulder “come work with us” sort of thing.

Maybe it was the jacket.

Anyway, the drive home.

The last few times I’ve been out at sunset I’ve seen that sun scrape happening where the orange light and dark of night meet. I think, I think, it is coming from the same area, but I don’t know what over there could be causing this. It’s a flat region, not a lot of big buildings, and surely that’s not a tree-line thing. One day I’ll get over there to figure it out. Just as soon as I find that pot of gold at the end of the next rainbow, which I’ll pursue just as soon as I finish this book I checked out (because the return clock is already ticking) which I’ll start just as soon as this week is fully under control.


8
Sep 26

Only part of this is about a robot

I was enjoying a nice sit-and-read moment in the library when the vacuum robot decided to do its thing. I’m not sure if it is running on a schedule. If it is, I haven’t ascertained the routine. I could have gotten up and moved some chairs around, if I knew the routine, but I was also having a nice kitty cuddle and didn’t want to cause a panic. Plus the book was good.

So the vacuum rolled around in its random way, picking up things, whirring and spinning. It penned itself between a chair and one of the book cases. It pinned itself within the chair. It disappeared into another room. It came back. It found the cat tunnel, somehow got under it, and pushed it around.

Phoebe was sitting with me, which is a good thing. Poseidon does not need to see the vacuum moving his tunnel around. Poe likes to go into the tunnel and have you slide him around the house. If it is oriented the right way he will sometimes poke his head out of that hole in the top, looking like a little tank commander. Finally, I’m sure he thinks, someone has figured out the purpose of the tunnel, to carry me places.

And if the robot can move him and the tunnel around, that would change the entire paradigm of the house.

Later, the vacuum was just pushing the tunnel around. The vinyl and wire isn’t substantial enough to alert the robot’s sensors to an obstruction, so it just keeps going in that straight line until another wall or piece of furniture is stumbled into.

For a long time I heard the robot in the distance, but it never returned. This was dimly, slowly sinking into my head, in that way that it sometimes makes you wonder why you skipped fast forwarding the commercials, or remember 80 percent of the way through a song that you don’t actually like this song. When the whirring and the spinning and the bumping finally registered, I sought it out. Somehow, it made its way into the laundry room, and shut the door behind itself.

That floor has never been so clean.

Inside the laundry room, the robot vacuum had somehow gotten confused between a throw rug and the washing machine. It would move, bump, spin 90 degrees, move, bump, spin 90 degrees, move, bump. It was horrifying scene, and I study there watching it, wondering how I could work it into a lecture on technology determinism.

I did not work it in. We had other great examples today. Also, there was not enough time to do all of the things I wanted to do in DMP today. Diffusion of innovation will just have to wait until Thursday. But, just now, as I wrote that and tried to think of the next sentence, how it will all go with the upcoming lecture clicked nicely. Let me write that down somewhere.

I had a nice chat with a student leaving class. And then they went one way and I went the other, down to the corner, to the hugging art, and then around the corner to the office. But, first, the street art.

It looks like an intimate moment, right? Is it a reunion, or a departure? He’s got his hat and suitcase. He looks like he’s almost ready to scoop her up, perhaps in defiance of physics, but there’s definitely a sense of motion in this presentation. The moment we are given not only looks different from different angles, but it looks like a specific movement underway.

You can stand there all day, but they can’t complete the move. It’s frustrating. It’s wonderful.

We’ll try another angle next time, perhaps more will be revealed to us.

A mystery of my recent bike rides has revealed itself to me. We went out for a ride on Saturday and I sat in my lovely bride’s wheel and watched her calf muscles go to work. It wasn’t too long after this that I got dropped, and did the rest of the ride on my own.

I won’t tell you how far along in the ride that was, or how much I soloed. It might be embarrassing. (But just for me. She’s riding super well, and I’m not. She keeps getting better and I stay about the same.)

On this evening’s ride, I happened upon a run of turkeys. They weren’t there when I came back by, so this is, unfortunately, as good a shot as I can offer. I think I might have scared them off with my huffing. Unless I was puffing at the time.

It’s possible that The Yankee startled them away. She does a delightfully hilarious turkey call and that might have been enough to send them into the treeline and out of sight. I passed them, first, however, so I don’t know. Which is to say I was out front. I had a decent ride and she was casually letting me dangle varying distances in front of her. But here’s more proof. She took this, when I was ahead and she was chasing.

That lasted about an hour. Then she came alongside me, right near the end. But I won.

Mostly because she didn’t realize we were racing.

When I win, we are racing. When she wins, it is an exhibition.

I finished up Rick Atkinson’s Fate of the Day, on Sunday. This is the second installment in his Revolutionary War trilogy, and I need him to finish the final volume in the next week or two. It’s a wonderful book, as you’d expect from a talented and accomplished writer such as he. I highly recommend it.

Ebenezer Stanton would become a lieutenant in the army. He was a paymaster here. Somehow, he moved to the navy, and so he takes the captain honorific. He was a fourth generation Connecticutonian. His great-great-grandfather founded the little town of Stonington. During the war he married. They would have six children. He took command of a privateer of the Connecticut Navy, but I can’t find anything on that particular vessel at the moment.

He stayed on the sea after the war, sailing from New London, Connecticut to ports on the Mediterranean Sea. He died at 53, in 1811, and would be survived by his widow by 39 years. One of their sons died at sea. His namesake died in Italy just a few months after he did. They also had two daughters, who lived into adulthood and married. One passed away in Connecticut, the other in Cuba. Their oldest child, Nathan, also lived the longest. He died at 57, in Stonington. He had a niece, who he probably knew, who lived until 1893. It all seems so simultaneously close at hand and far away.

This second book ends with the sacking of Charleston, the British general, Clinton, then sailing back to New York after the 30-page expedition in South Carolina. The Gordon Riots in London, which are the biggest disturbances there until WW2, is in the epilogue, but then so to is the return of Lafayette, from France, promising his guns and ships.

There are 200 pages of notes and citations.

When I finished it, I clapped the book shut, put it on my chest, crossed my arms and smiled for a bit.

Hurry up, Atkinson.

I started reading Adin Dobkin’s Sprinting Through No Man’s Land. This is about the first Tour de France after the conclusion of World War I. When Armistice came race designer, and editor of L’Auto Henri Desgrange announced Le Tour would return the next summer. They had to wait for the shooting to stop to go see the roads, the bombed out villages, and design the course. The route was beyond demanding.

As Dobkin writes, a few stages in, “More than 400 kilometers stood in front of them that day. After that, the cyclists would confront the longest stage the Tour had seen. Then, the alpine climbs would begin.”

I’m five chapters and 101 pages in and there’s something missing. I think it needs more of all of the things I’m interested in. Dobkin gives a real nod to the importance of the still young race, culturally, but you could write a lot more about this.

I somewhat understand how the races work today, and they were certainly different a century ago. This book alone makes that clear, if you didn’t know it already. But it’d be nice to see how all of this came to be, and precisely how this race evolved into such a cultural touchstone for France.

But that’s not Dobkin’s job here. Other people have written that, I’m sure. I’ll get to some of it eventually.

For some reason, and maybe this becomes clearer, there are asides on the war, not just the racer’s experiences. There’s a bit on the American 813th Pioneer regiment which was briefly in France. This, and units like it, deserve more attention than they have received. But how does that figure here? Similarly, there’s a digression into Camp Pontanezen an important American troop depot near Brest. The race went by there, but I don’t know why we did.

A better story would be unpacking Quimperlé. Dobkin tells us they had about 9,000 souls before the Great War, but lost something like four percent of their population. I’d rather learn about the terrible impact there.

Also, Henri Pelissier.

He may or may not be getting outsized coverage here. (I won’t spoil the results of a 112-year-old race.) He’s a real character though. Everyone agreed he was a strong bike racer, but he thought it most of all. And while his peers might have disagreed with his own self-evaluation, they all agreed with each other that he was not the most liked man in the peloton.

He was one of four sons. Three of them became bike racers, one died in the war. His father was a cattleman, but they feuded constantly. And Pelissier also feuded with Desgrange and other race organizers. To be fair, pretty much everyone either loved or loathed Desgrange, and I’m not sure if anyone that participated in his races went into the first group.

In his racing career, Pelissier won 10 stages of the Tour in five different years. He won the overall race in 1923. He was also a national champion, and won most of the large races in France and Italy. It went downhill when he got off the bike in 1927. He wasn’t successful in his later pursuits. His wife killed herself in 1933. He met another woman and they were huile et eau, and violence domestique. He threatened her with a knife. One night, at a dinner party, he lunged at her, and cut her face. She retreated to another room, found the revolver his wife had used — and she shot him several times, killing him.

It seemed a bad match. She got a suspended sentence.

Which is a happy place to wrap this up. It is late, there is work today and tomorrow to plan. We are building football franchises in Org Comm. I’m sure some anecdote will emerge.


1
Sep 26

First day of classes

Oh it was hot today. The shade was a good four or five degrees cooler, and I was grateful for the shade. There’s a reason people move more slowly where I’m from, and this is that reason. In the old days, before forced air, a person would perish in the real heat. And sometimes they’d do that before they burst into flames. It’s true. You don’t read about it in books all that often, because the books would ignite too. Also, they ban some books there now, which is, we can all agree, just about the most offensive and dumbest performative thing you can do to a collection of ideas. Though the act of doing so does seem to create a lot of curiosity about the ideas contained therein. An inquisitive and rebellious human nature has that going for it.

There’s no reason at all I’m on that subject. It’s really hot here today. It was hot tonight. And humid. It was humid like home. And there were insects everywhere. But we’ll get to that.

Well, class. I have one class on Tuesday. This is Digital Media Processes, and its about the structure and concepts behind our social and digital media. And if that sounds fun, it is! But more is watching me stumble my way through trying to find an easy way to discuss what it means to discuss the conceptual nature of things without getting ahead of myself, which is precisely what I did today. Hey, it was my first day, too.

This was my 19th first day. One day, I’m going to be good at it. Maybe on the 20th first day.

This class was supposed to be in the same building where my office is, but it got moved for logistical reasons and so now I must walk some 450 feet feet and around a corner, to another building. There on the corner is a fiberglass statue. It is a statue of a man and woman in a deep hug and perhaps a passionate kiss, depending on where you are standing. And I’m wondering how many times I’ll walk by it before I think something like, “Awwww, that’s nice,” or “Get a room you guys!” Twice as I walked by it today, I had that sort of reaction to the statue. Let us chart, this semester, how long it takes for something to sink into both sides of my brain.

The class is on the fourth floor of this building, which is where they put all the great classes. All of the professors wind up in the hot box eventually, according to the campus tradition I just made up. They don’t, apparently, put air conditioning in that class. I was sitting at the desk in the front of the room sweating, and it wasn’t nerves. My jacket may have been too heavy for this early in the term. Every jacket is.

Anyway, we did Syllabus and Expectation Day. I talked about what the class was. You’re threading a needle there, I think. I need them to come back. I need them to think this is interesting or useful for them. I don’t want to overwhelm them on the first day. I also need to tell the story of the class and introduce myself and get them talking just a little bit, because they’re going to be doing that a lot this term. And I need to show them the course and a slide deck and I have 75 minutes to do all this.

Here’s my bet, I’ll get back in the groove of laying out and delivering a 75 minute class before I figure out that statue is a statue. Time my brain understands — despite how often I am late in arriving at places. I can still talk 60 seconds without a clock and wrap it up on the post, because of my time in broadcasting, and I haven’t been on the air since the Bush administration. Seventy-five minutes I’ll get adjusted to. My other class, which runs two hours and 45 minutes, I’ll get adjusted to. Can I manage both in one semester? Is that a statue, or are those real people, moving slowly? Very. Very. Slowly.

We traveled from our campus to another campus to see my god-niece-in-law (just go with it) play in her first university field hockey game. I’ve known this little girl her whole life and now we’re watching this young woman, on day two of being a college student, start for her field hockey team as a true freshman.

She’s playing as a forward. She’s been working hard and I’m sure she’ll continue to work hard. The game didn’t go their way this evening. There were two lightning delays. And then the bugs descended. Have you ever been to an event at night where that really fine mist plays on you? The sort where you can’t really see it, but you can feel it and it is so obviously there? And then you look up into the lights and you can see all of that rain dancing and reflecting the light? This was like that, only with insects. More insects than you need to see at one place. The team we were there to see were the visitors and the home team needs to invest in some bats. If they did, those bats would live well.

At one point, the insects were just falling on us. Not flying into us. Falling on us. We joked that despite the two lightning delays, and the continued lightning that the officials ignored in the second half, that they would only call the game if two more almost-plague-like events occurred.

The home team, who no one likes very much won the game. The Knights, who we were cheering on, will fight on again another day. Lane played 52 minutes in probably the most humid conditions any of those young women have ever experienced. It felt like home, honestly. We — her parents were there, as where her grandparents and her aunt and some of her cousins — were sweating just sitting, dodging insects, and cheering on the Knights. Field hockey players do a lot of running.

I have seen enough to see how she is progressing at the craft. When she’s had a few more games in hand I’ll be interested to hear her opinion on how this game is different than the high school version. I noticed a bit of that here, in this one example, and this sport is inscrutable to me. (I stood behind the goal of one of her last high school games and, to me, a soccer goalie, I could see the game a lot better and understand it a bit more, but there’s always a lot to learn.)

Started her first game! She is that rare young person that can peer into the long term. I suspect she’s going to soon come to realize that if she keeps working hard, even better things are going to come her way. Sometimes the ball lands at your feet. She’ll be ready to put it in the cage.

Finally, since it is the first day of the month, I did all of the regular first-day-of-the-month things. I cleaned my desktop. I cleaned the downloads. I emptied the computer’s trash bin. I updated my boilerplates. I updated the spreadsheet where I keep site stats. (Doesn’t everyone do that?) Last month had the most visits in the 22-year history of the site. More than a quarter of a million! I don’t know why you’re all here, I’m grateful for every one of you that isn’t a bot. I’m glad you came back. I hope you’ll do it again.

Also, I updated the art on the front page of the site. This is another 10-photo collage from South Africa, at the Cape of Good Hope. Here’s the theme, but then go look. This will be here when you come back.

Those images will stay up for a month. I’ll update them again for October. Let’s all have a great time until then, shall we?

More tomorrow, including the second first day of classes.