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28
Oct 19

This week we show color

I looked outside Saturday and saw many colors. I like the many colors. We do not go into the wilderness and write essays about it. Not like before. Now, we put on our shoes and, this time of year, check the thermostat to see the external temperature so that we can dress accordingly and then grab our phone and go take photographs. So I did:

It wasn’t cold. But that’s coming, and that right quick. Right now, in fact, the color of the Midwest is upon us: grey. That’ll be the default and unassuming look until, oh, April if we’re lucky. Sure, there will be a few blue-sky days, but you can no longer take those for granted. Sunday was a beautiful goodbye. The season of drear, with a dash of Cimmerian, is upon us. But not yesterday. Egads, yesterday was beautiful.

Just look at that sky over the same tree:

We took a bike ride and wound our way down to the lake, to see about the leaves down there. We took a few pictures. And this is now the wallpaper on my phone, because we make photobomb wallpapers around here:

Even the ground had a moment yesterday. I just shot this as I walked by a tree. How many colors are in there?

On the way back to the house, I sought out a road I discovered because of some random overwriting I was doing here on the site last month. Geese were flying overhead and I looked at their basic route and found the nearest pond and saw this road on Google Maps and thought, I should ride that one day.

And maybe I picked the most perfect day of the season to make this come true, I don’t know. I rode down it, a mile of shade and leaves and alternating beams of light and twists and turns and fun. At the end, where pavement turned into what I presume is a long gravel driveway I turned around and thought, I should record this. So I rode back up it, one handed, up the hill, and had a great time. Just here, when the light changed and I happened to be watching the road through the screen, and it lit up in a golden hue while the phone’s sensors tried to catch up to the circumstance. That was the moment, and the ride was worth it and I knew in that explosive refrain that it was, in fact, the day for this road. That moment was this moment:

You can see the whole road, slightly accelerated, here:

And here’s our view of the lake from down by the water’s edge:

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Maybe you'd like a scenic view of the lake …

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So a nice weekend, then.

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25
Oct 19

Just add color

I took these first few pictures yesterday morning. Open the sun roof and catch the morning sun on one of the brilliant trees on campus.

The Jordan Hall Greenhouse — which treats visitors to “a thriving greenhouse of unusual, exotic plants from every corner of the world, which this year treated us to the truly once-in-a-lifetime blooming Agave americana — photobombed my tree picture. Since it is a greenhouse, and since the pictures have already been taken and the building is right next to the tree we’re highlighting, we will allow it.

A different tree, leaving the building today …

And some color in the house:

We are working on a really great photobombing gimmick here. Like all artistic things, this is a process, and the process is truly the best part of the undertaking.

What are you undertaking this weekend?


24
Oct 19

Just add music

Tonight was the annual Halloween concert at IU Auditorium. We watched the legendary Dennis James play a score to the 1925 classic The Lost World, an adaptation of Sir Arthur Conan Doyle’s story.

The organ at the auditorium dates to 1889 and is a legend itself: 4,543 pipes, 109 stops and has been playing on campus since 1948. It was built for the Chicago fair, at a cost of $65,000. The Internet tells me that would be almost $2 million today. It came to IU after a restoration in Boston in 1944. The largest pipe is 32 feet, it takes two people to move the organ on station, and has more than 100 miles of electric wiring. Also, it sounds darned impressive.

James, meanwhile, is a graduate of IU. He started this particular gig when he was a college student, as a joke and an excuse to get to play the organ. Now he’s a world-renowned performer. He’s played everywhere and touched anything with keys worth operating. He comes back each fall, for 51 years now, to play a Halloween show. And the spirits are looking in.

He told us how music worked in cinema before they put sound to film. It’s a fascinating process, one we’ve all forgotten to think or ask about. Turns out most movies just sent a basic system of sound cues and the resident organist would fill in the spaces based on their interpretation and their own personal libraries. James reeled off a bunch of the music we’d hear in his performance, but I was too lost in trying to imagine how any movie would have as many personalities as it would performers to jot many of the titles down.

The Bat Signal!

The movie was state of the art stop-motion animation. You can find the full film, and various different edits, on YouTube, but it’s just not the same as being there feeling the music coming from everywhere around you.

By the way, this was the first movie to be shown as an in-flight movie. (Which was dangerous in a lot of ways in 1925.) And it was lost for about 80 years, James said, because an order came down from the movie company to destroy the prints, and so most of them were burned. The copy you can enjoy today was held by a private collector and “discovered” in 2003. I’m sure there’s a good story, there. Anyway, the movie!

So no one in England, Jolly Old, believes this one professor who says he’s found dinosaurs living in contemporary Brazil. It’s always the jungle, you see. And so he creates a team to go bring back proof, and find the missing member of his original team. So we follow the adventures of this intrepid bunch — including a famous big game hunter, a young journalist, the daughter of the missing man and a few others — into the Amazon. They find the dinosaurs and a whole lot more. And the dinosaurs are some pretty impressive work, giving the state of the film-making art of the time.

Watterson R. Rothacker, whose name you see on the title card, was the owner of one of the early film processing laboratories. The Industrial Motion Picture Company opened in 1909 and Rothacker and his partners made industrial films that were used for advertising companies, and produced newsreel footage. From what I’ve read, he was keenly interested in using film to educate the masses. Our man was running one of the largest laboratories in silent film on a strip of land in North Chicago where Northwestern is today. By 1914 IMP could put seven cameras in the field at once. And then came The Lost World, which was apparently the firm’s biggest popular project. First National Pictures, which brought you this lovely movie, would ultimately fall under Warner Brother’s control.

And it turns out, in addition to our musical accompaniment being a world-class professional, he is a total ham.

The show was great. It’s one part organ concert, which was our purpose for being there — my step-father loves the pipe organ and this was the first opportunity he’s had to enjoy the old Roosevelt machine — and one part classic theater. During the intermission we all agreed that it was easy to forget the one and concentrate on the other. The film was a lovely 1920s romp. I found myself suspending disbelief about the idea of dinosaurs, but not about the geography required to have a volcano on top of a mesa. And how the volcano is only a bit part, meant to showcase some action. There were plot holes, is what I’m saying. But there was good action! It’s a romp for kids, and we all felt like kids again seeing it. No one moreso, perhaps, than James. I shot this from the hip, but isn’t it interesting how the mask is the part that comes into focus …

Tis the season for spooky things.


23
Oct 19

Just add company

The view out of the back yard this morning was pretty nice …

And the view on the drive back to the house this afternoon was pretty fine, too …

Imagine having that tree in your yard. What incantations, what chemicals must you put in the ground to get that brilliant shade of orange? How they must look forward to these few weeks late in each summer. How they must hope the fall last longer than it does with a view like that.

We were going to go for a bike ride after work in the last light of the day. We left the house through the back door and pedaled our bikes to the front of the yard and there was a car in our driveway. A car that was not ours.

It’s weird when there are unexpected cars in your drive or in front of your yard. I thought I was going to get to give a stranger directions, or a suggestion to go anywhere else.

Turns out it was my step-father. He was scheduled to come up tomorrow, but he came a day early. More Rick time! We went to Menards. I started doing math after I was writing yesterday about how much by-hand sanding I still have to go on my current project and thought: there’s ways around that. So I picked up an orbital sander and some extra sandpaper while I was there.

I got a text to get more lightbulbs. One whole quarter of the store, which is huge, features light fixtures and light bulbs. There are entirely too many choices. Dimmable was the request, and that’s it. So I bought six white, dimmable, LEDs. Because I like the white lights. Or at least I think I do. Later I learned that we prefer the softer, yellow lights. So I guess I’m on the fence about light color, after all.

So we didn’t get a bike ride in, but we got more Rick time, and the sander I didn’t think I would have the chance to pick up and I got a delicious burger for dinner. Plus more Rick time!


22
Oct 19

Just add sawdust

That parking deck, I said to a colleague yesterday, is like a sundial. The topic was how you could tell the time of day just by what floor you wind up parking on. I usually get the second level. Yesterday he barely got the fourth level, and almost had to park in the rain, horror of horrors. The bigger issue was he had to trudge up two more flights of stairs because anyone that rides that parking deck’s elevator will only do it the once.

But that parking is also a clock looking from the outside in, as well. There, at the turnaround onto the second deck, you get this view just before you hang a right:

Those trees are telling us a story and, right now, it is the best part of the morning drive.

This evening I got in just over an hour of sanding, which means I got one piece of the current, and perpetual, project halfway done.

At this rate, in three more hours I’ll be two-thirds of the way through the sanding.

No one likes sanding, but it is acceptable to like the process toward the result. If anything it slows the project down, though, just because you have to work up the morale to sit down and sand the wood that will make the darn thing. (Plus there’s the rest of your life to consider … ) For me, to know you’re going to get an hour here and there doesn’t really fit the workflow. People that can steal a few minutes and make progress, on any project, are geniuses. I need big blocks of time, for any kind of project, it seems. This is a problem with sanding, though, because I am doing this project entirely by hand and you can’t sand for hours at a time without having a shoulder fall off. So the problem is the sanding, really. Which no one likes.

The idea, which is well more than a year old, and which begin in December, picked up steam in April and then lulled its way into a soft summer slumber, is going to gain momentum in the next few weeks just because I am going to grit (Get it? That’s a sandpaper joke!) my teeth and push through.

Why, the next time we talk about this, I might be three-quarters of the way through the sanding.

Sanding, I think, is the part of the project where you really get to know the wood. And this particular lumber, which is a Western White Pine, is telling me a lot about itself.

Here are some photos from yesterday’s run. I got in four miles, which is the longest run since my April injury. I guess I’m on the slow road to recovery. Emphasis on slow.

Like my shutter! She’s both almost in, and definitely out of, focus:

Some years back, whenever they were planning that particular neighborhood, some designer drew these on a map. And a purchasing agent filled in some paperwork and then a delivery guy dropped off the order and a few people dug some holes and put these in the ground, just for moments like these:

So what you do today may take a bit of time to reflect its beauty. We may never see it, other projects and parts of life and all of that, maybe you just forget to go back and check. Other priorities, and all of that. Maybe it just never occurs to you. But there it is, out there, doing their thing, because someone got the thing started.

The trees on the path running behind our house:

That first rain of the fall, the first few leaves:

It’s easy to love the moment. But there will be more leaves, and then perhaps more rain. And that’ll turn to who knows what. Those moments are less easy for me to love. But that’s just me.