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These stories, let me tell you …

I dropped my car off at the mechanic this evening, but let me back up. A weekend or two ago, on a day when it was actually, you know, warm in April like Mother Nature was paying attention to the calendar, the A/C in my car was not … what’s the word I want here … conditioning the air. Oh, it’d blow and blow, but it could not cool and cool.

So, freon, I figured. Then the weather turned wimpy again and I promptly forgot about the problem. But this week I remembered! Not because it was warm, I just remembered. So I googled. The place I get my oil changed does air recharging. I drove there Tuesday morning, to inquire about their services. The guy told me, in some detail, that they don’t do that anymore. Which is odd because it is right there, on the website.

I drove to our local mechanic. They’re about two miles away, but the trip takes forever because of the bad drivers and the guy who had clearly never towed a boat before. And also the geese and their goslings that were waddling about. You put a roundabout near a pond and they just think they run the place. And the guy with the boat trailer doesn’t know how to make a gentle curve to his left.

Finally I made it to the mechanic. Having diagnosed the problem myself, professional that I am, I simply asked the guy when we could get the car into their rotation. Let’s make this convenient for everyone, I said. He was more than happy to make that happen, but only after he mentally rebuilt an air conditioning system aloud there at the desk.

We’re gonna drain it. And then fill it. And then we’ll inject it with dye. And then see if there are leaks. It went on like this for some time.

Great. Here’s the thing: when I can I drop it off? I just want to get it in and out as quickly as possible, so as to not inconvenience my wife.

So we resolved to drop it off Wednesday night. And now I have no car until tomorrow, probably.

And I told you that because it was either the car story, or the apple story. My lovely bride is thoughtful enough to pick up apples for me at the grocery store. Last year I decided the Cosmic Crisp was the best offering in the produce section, and now they are always in the fruit crisper.

She gets them every week. Five a week. I have one for each day at the office. Peanut butter sandwich and an apple, that’s me.

Except, this week — and believe me, this is the short version of the story — I didn’t pack a lunch yesterday, so I did not eat an apple. (Sometimes a guy just wants Chipotle.) That means I had an extra apple.

And today I ate two apples.

Neither of these stories are good, I am aware.

Hey! Look! A new banner! Now I just have to go back in time and update a lot of graphics.

Anyway, after we dropped off the car, I went on a bike ride on Zwift. It was just warm enough to go outside, but I’m still on this self-imposed Zwift mission.

Today it was Muir and the Mountain, a 24 mile ride in Watopia. There are … gulp … dinosaurs.

I wonder how programmed or how free formed these things are. I’m sure there are better industry terms. Maybe I should ask one of the game designers at work. All of these background creatures are moving, but does everyone see the same pterodactyl in the same curve? Does that big plant eater always sit right there, or can it choose another tree?

At one point, there’s a tyrannosaurus rex, or something of that sort, striding alongside the road. But what if he veered to the right, leaned over and took a snap at me?

This route has the Epic KOM, no longer the biggest mountain in the game, but plenty stiff. It’s 5.9 miles of climbing, where you gain 1,364 feet. When you get to the top, there’s an ibex. On some routes that feature the Epic KOM, you are immediately gifted an extra climb. They call it a “bonus climb,” but this is a horrible name. I’d been going slowly enough, but after a half hour pointed upward, now I have to go uphill for another three-quarters of a mile? And the gradient pitches up to average 14 percent?

That’s pretty steep, and it’s a horrible little climb.

Strava tells me I’ve gone up the bonus climb four times. I was slow today everywhere, this was my third slowest time.

The 2023 Zwift route tracker 101 routes down, 28 to go.

Back to the Re-Listening project, where we can now catch up … until we are behind again. If you’ve forgotten: I’m listening to all of my old CDs in the car, in the order that I acquired them. These aren’t reviews, but a glance back and a happy glimpse of memory. This is an excuse to fill the page with words and drop in some YouTube embeds. It’s about whimsy, as most music should be.

It is guilty pleasure time. Even at the time it seemed like a guilty pleasure. And it does now, too. But I still like it. Today we’re discussing Train’s debut album. (They’d released it independently in 1996, but that doesn’t count here.) We’re in 1998 here, I bought this in the late spring, probably. I saw them at a small venue that summer. They were still something of a California act at the time, so most of the people at that particular show didn’t know them yet, but that changed soon enough. They produced this record for pennies, but it went platinum on the strength of the three singles that you’re currently trying to banish from your head.

This is was always one of my favorite songs on the disc.

I saw them in concert several other times. And I caught a recorded show on TV early during the stay-at-home part of Covid. They never grew out of the live party band vibe. Never needed to. They were always fun in the nineties and in the oughts. I wonder if they’ll ever change that up as they, and their devoted fans, age.

Speaking of devoted fans. I don’t remember who all the people were, but I was in a car with a college buddy and we were driving two girls he knew from here to there and Widespread Panic came on the radio and she scoffed at that. Widespread — she pronounced with the air of haughtiness that can only be mustered by someone who clearly knows what they’re talking about — had sold out. They were not, she said, like Train.

I thought my buddy, a proper musical snob, was going to crash the car. I was driving the car.

For a debut album, this always struck me as well produced, and rich with deep cuts.

And here’s their end-of-the-night ballad.

One of the best things about listening to the old CDs are the hidden tracks. Do I remember which discs have them? (Usually.) Do I remember how many? (Mostly.) Do I remember what the songs will be? (Almost always.) What will I do to fill the time before they begin playing? I usually fast forward. And I wonder what brought about this little element of music. I wonder how long they pondered over the circumstances and the timing. And I wonder if anyone, back then, actually overlooked the hidden tracks. Surely someone did.

Egg on their face, no?

There are two hidden tracks on this CD. I don’t know why this didn’t get put right up front.

A few years after this CD came out I ran into these guys in a pancake shop one morning. They were playing a set of weekend gigs in town and they were … almost running on their own power that morning. For some reason I have forever associated how they looked that day with how they might have recorded this second hidden track.

Train has become one of those bands with a rotating set of players. Pat Monahan, the lead singer, remains the only constant. But, the band has 11 studio albums (I do not have them all — should I?) and three Grammy awards. And they’re touring right now, they have 50 more dates in the United States this year.

Next in the Re-Listening project, we’ll go from a California pop-rock band to a Georgia singer-songwriter.

It all makes sense if you were listening to the radio in 1998

IU / journalism / photo / Tuesday — Comments Off
25
Apr 23

One final night with the news team

Tonight we had the last newscasts of the year, which means we’re really sneaking up on the last IUSTV programs of the year, and we’re saying goodbye to a few more talented seniors.

That’s Anna Black, on the right. She’s been doing more job interviews than I can count. She’s interned at CNN and at WRDB in Louisville. On campus, she’s produced shows, directed, reported and, at IUSTV, has hosted What’s Up Weekly for the last two years.

She’s a member of two or three different honors programs on campus. I wasn’t previously aware you could find that much time in a day, or that anyone could even be eligible for more than one. She has the most kind and generous disposition, and makes friends quickly and everywhere. Whatever station ultimately is lucky enough to hire her will be getting a great asset.

Which leads me to Ella Rhoades. Ella has been passionate about the news and broadcasting from the beginning. She’s been at IUSTV for four years and she was news director for her junior and senior year. She helped produced some impressive collaborative journalism with the other student media outlets here, streaming an all-night election results newscast. She also held down an incredible day of breaking news on campus, reporting live with some of her reporters in the warm sun when we were on lockdown.

Whenever she’s doing these things, no matter what role she is playing, her eagerness to to do great work is palpable. She leans into the news with a great gusto.

Ella is a team player and all of those positive personal attributes are right there on her sleeve, for everyone to see. This year, in addition to her quality news work, she’s done a masterful job working with younger students, helping us get the freshmen started on the right foot, and pushed the sophomores and juniors to up their respective games. Their individual and collective successes show in the finished product, and how they’re talking about next year.

My friend Ella is taking her energy — and her enthusiasm to learn, to share and to report the news — to WFTX FOX 4 in Fort Myers, Florida. That Scripps shop is getting a great, talented, young reporter. She’s going to grow and grow and do some great things in Florida. I’m incredibly excited — almost as excited as she is! — to see what she does next.

The other woman, in both of those photos, is a rising senior. Carly Rasmussen has served as assistant news director, and she will take over a growing news division next year. She’ll run a young unit, there are a lot of rising sophomores who have been developing some great experience this year, and they’ll have great momentum. In a year, there will be a huge applause essay for her, I’ve no doubt.

After we left the studio, when I made it back to my office, this was the view.

Seemed fitting. Three more productions to go for the year.

cycling / Monday / photo — Comments Off
24
Apr 23

Just get to the cat pics

I’ve bored the — smart, beautiful, talented — readers of this space aplenty with my hypothesis about how spring in Bloomington doesn’t actually begin until the bike races take place. The women raced Friday in the rain. The men raced Saturday in a drizzle and under overcast skies. This photo, I figured, would be the punchline: this was as blue as it got this weekend.

But later, late on Sunday afternoon, the skies actually improved.

That was as spring-like as it got this weekend, the first weekend of IU’s spring.

But enough about that, because we must quickly pivot to the site’s most popular weekly feature. And, dear friends? Dear — smart, beautiful, talented — friends, today I get to share with you the most absolutely adorable photo ever captured in any context.

Phoebe was sleeping on her paws. She doesn’t normally do this, but it was so cute I had to resist the urge to wake her up with a bunch of big pets.

Do you ever wonder what animals are thinking? I wonder that all of the time.

And then they do something that perfectly encapsulates our understanding of what it means to be insert animal here and I realize I might be over-anthropomorphizing. Anyway, Poseidon remains happily curious about everything, and in-trouble with everything. It’s a good thing, we tell him, that he’s charming. We only wonder why he doesn’t choose to behave that way more often.

The cats are doing just fine.

Three or four or five times a year I have to re-learn the same lesson about taking too many days off my bike. I have now learned it twice this year so far: the first ride back after a too-long break is a little stiff. And so it was, today, when I put my feet on the pedals for the first time in five days. But, I got in the London Pretzel on Zwift, and 35 miles before dinner.

I like how the Union Jack is rippling on that lamp post. This route spends a lot of time in the game’s version of London, but sends you into the Surrey Hills twice. They aren’t the biggest or the hardest climbs in the game, but sometimes they feel like it. The part in the city was pretty fast, but I gave all that speed back on the hills. But once I (finally) got to the top of one of those hills, I got a nice view of the moon. The moon is always full on Zwift, never mind the issues of physical oceanography that would present.

But! I finished sixth in one sprint. I am not a sprinter. And I clocked in a time that was 16th in one of the two climbs. I am also, most definitely, not a climber.

The 2023 Zwift route tracker: 100 routes down, 29 to go.

IU / memories / music / photo / Re-Listening / Tuesday / video — Comments Off
18
Apr 23

Three days until spring

We’re counting down, because it seems a fun thing to do this week really, and I noticed an unusual thing today.

Everything went green. Bright, wavy green in a big, big way all of a sudden. This is a blurry view of the trees from my campus office. Blurry because, I don’t know why, but I like it.

And this is the same tree, just a few moments later, in focus, and from beneath it’s now bountiful limbs.

But that’s different. This is the same tree, roughly from the same angle as the blurry one, though the linear distance is different.

So that’s three photos of the same tree. Forgive me. It’s all so bright and new still, here in the third week of April, and it will take a few more days for the foliage to feel familiar. It’s like the shock of the seasons. There is that indistinct time where you stand at the door and mentally prepare yourself for one condition outside — hot, mild or cold — but then get something different. It is, in fact, the shock of the season.

Three days until the local, officially recognized beginning of spring. Since 2017 it has always arrived the weekend of the Little 500, the two big bike races.

Ha! I just looked at the weather. Friday, the day of the women’s race, the forecast calls for rain, with a high of 58 and a low of 44. The men’s race on Saturday will be under partly cloudy skies. The high is projected at 54, with a low of 34 degrees. Tomorrow, which has no bearing on this whole spring-arrives-with-the-bike-race phenomenon, the high is 82. Weird year.

Anyway, here’s another photo. A different tree. It just looked cool.

Cool, I say.

I was in the studio this evening with the news team, the penultimate news show of the year. It’s a wonderful feeling when a semester winds down, more so when it’s the end of an academic year, but bittersweetly so. For the news crew in particular, we’ll see a few key people graduate, but there’s a whole platoon of freshmen who have this year gained incredible experience for next year. The news side, I am happy to see, will continue to make good strides, having built a nice pipeline, evenly balanced between older and younger students. Now, they’re always growing and growing, helping each other grow, and I pitch in on the little things.

Tomorrow will be another night in the studio, with the sports gang, and that may be their last taping of the year. Bittersweetly so.

It seems we’re always playing catchup on the Re-Listening project, and that’s what we’re doing today. We’re doing that with Alanis Morissette’s “Supposed Former Infatuation Junkie.” The album was released in November of 1998, but I picked it up in early 1999. It was another freebie, and, through the Re-Listening project I have discerned a pattern. I didn’t always fall in love with the freebies I picked up way back when.

From this remove, my time with Alanis Morissette feels like a stream of consciousness ple goes like this: Jagged Little Pill has been everywhere for two years, no need to buy that. Also my roommate has a copy, so … Dave Coulier!? The next one, I’ll get the next one. Oh, there it is on the giveaway table (probably) so put that in the pile.

The album debuted at number one on the US Billboard 200 and set a record for the highest first-week sales by a female artist, a record she held for two years. It stayed on the Billboard 200 for a solid six months, and has moved millions of units … but, because it is the music industry, being triple platinum after “Jagged Little Pill” was 16-times platinum in the US, this was underwhelming. (The music industry is weird.) And I’m going to gloss over all of it.

I’ve listened to it. I tried to dive into it. I paid attention to every track this time through. There are 17 tracks here, the runtime is almost 72 minutes. It’s a long record, one which has never resonated with me. I find that odd, since we all watched her grow up. Grew up at the same time, whatever. The woman has lived her entire life in front of the public eye, all of the stages and phases a person goes through, we’ve seen them. For 1998, this was fine, but watching an artist’s march through life leaves a different sort of longitudinal vulnerability. Some of this feels dated now, though, that I finally figured out what always troubled me here. It’s the background tracks. There’s just too much nasally, head voice harmony on here.

Anyway, the stream of consciousness takes us far beyond this 1998 record, end with the best song, the best performance, I’ve ever heard Morissette do. This was July of 2020, just the right mood during that first Covid summer. Sadly, NBC has taken the original video down. Here’s a taste of it.

It was a perfect performance: a poignant song, a new record, eight years since the last and a full family in her orbit. This is the Alanis Morissette my stream of consciousness is most interested in now, not the 24-year-old from “Supposed Former Infatuation Junkie” but the confident, multitasking woman at a new kind of peak of her powers. That’s the one worth re-listening to.

adventures / cycling / Monday / music / photo / Re-Listening / video — Comments Off
17
Apr 23

Four days until spring

The cats demanded to be at the top of the post. The cats know, I’m sure, that they’re the most popular thing going on here. And so Phoebe was happy to pose with a little playful sass.

(And if you think that’s cute, just wait until you see her next photo here. I took it tonight. It’s the most adorable thing in kitty world.)

Poseidon, meantime, is practicing his impersonation of a statue … while we bounce his bouncy ball all around the house.

I’m about half convinced he only plays to make us play, so he can stare at us. Anyway, the cats are doing just great, thanks for asking, and they’re happy with the extra sun and warmer temperatures they’re experiencing lately.

I had a nice 30-mile ride this weekend. It was hard, in that it didn’t feel easy. But it was the sort of hard that made the overall time a bit faster. The sort that made the legs hurt, that made me a little bit delirious, apparently. This was the best picture.

The Yankee said I must be riding well, because I dropped her twice, and she said she was riding hard. Then again, she caught me, twice, while I fought through the teensiest headwind. So she is riding well, which spells trouble for me in keeping up with her the rest of the year.

Anyway, that was a part of the weekend’s exercise, and not at all the part that makes for sore muscles today. Something in that area between the bicep and the forearm — what’s that called, the elbow? — is protesting mightily today. I am in that phase of a new ache and/or pain where I am still learning the motions that hurt, so if you see me moving slowly to starboard, that’s why.

One of the trees outside the building has reached full bloom, the full I’ll-miss-this-when-they’re-gone stage. The blooms are funny things. You can spend all winter looking at sticks pointing this way and that, waiting. One day you see those little bulbs, those hopeful signals of the future. And then you see the blooms — or the buds if you’re really slow and careful — a few at first, and then the entire symphony.

Just in time for you get used to the inevitability, the persistence of those beautiful colors, it all turns green. Then there’s that day or two required to get used to seeing all of that bright, bright green again.

It’d be nice to have trees that bloomed at different times, is all. And if I had a field carefully arranged with all of them on display in a way that always shows color. I wonder what that would look like. I imagine a gentle incline and spiraling trees, and mounds and mounds of upkeep. That’d really aggravate the arm.

Meanwhile, back over in the Re-Listening project, where I’m enjoying all of my old CDs in the order of acquisition, we are now in January (or February) of 1999. I remember being excited about this, I remember looking forward to playing this for friends, and having some of these songs appear on the radio. It was my second live double-album, which just wasn’t something that came out a lot by then.

It was Dave Matthews fourth album, but this wasn’t the Dave Matthews Band, it was Dave Matthews and Tim Reynolds, in the first of their third album, and before Reynolds formally joined DMB. (Everybody caught up in all of that?)

Anyway, Live at Luther College at number two debuted on the Billboard Hot 200 in February, Silkk the Shocker kept it out of the top spot, with Brittney Spears climbing fast. Despite all of that, it stayed on the chart for 51 weeks.

This was recorded in 1996, so by the time fans had this disc in their hands in 1999 six or seven of the new songs were comfortable, familiar, hits. But there was still some new stuff to explore.

I liked this one right away, it’s a jam band experiment of acoustic guitar jazz masquerading as a pop tune deep cut.

And the other song that blew our minds, the one I played for everyone, was this one.

That’s what a virtuoso sounds like. I don’t know anything about anything about playing a guitar, but I put this on a lot, and for a long time, wondering what it must have looked like. Clearly, there’s a loop machine in there, but there’s still a lot of mastery to observe.

Fortunately, decades later, Tim Reynolds is still playing with the form, and people started recording it on their phones.

I saw Dave Matthews Band later that summer, the last time I caught them live — just before all of the tickets got outrageous. They have 5 North American dates coming up this summer, and I’m sure they’ll be great shows full of the truly devoted. Reynolds will be at those shows according to his website. Matthews and Reynolds, meanwhile, released two more live double discs, in 2007 and 2010. I had no idea about that until just now, but there should be one or two more DMB CDs coming up in the Re-Listening project. But we have to get through a few more fillers this week.