adventures


19
Sep 25

Our hydrangeas do not fluoresce at night, but …

Fridays are meeting days this term, it seems. I sit on a lot of committees and they all demand a bit of time. Friday is the most common day of the week that everyone has available on their calendar, and so there we all are. In Zoom, in person, you name it. Last week it was an experiential learning committee. This week a student relations committee, and so on.

Also, I need to call together a committee I chair. Note to self …

One day, when I am not pulled in four other directions, I will consider making a photo study of the hydrangeas. Their flowers are lovely throughout the season, whether upright, or bent over by the weight of rains.

There’s a unique trait to some hydrangea plants. Did you know that? The color of many hydrangea blooms acts as a natural pH indicator for it soil. Blooms that are blue are living in acidic soil. Those shrubs with red or pink sepals are growing in more alkaline soils. White varieties, such as ours, grow white in either soil. But you can manipulate the color of some of the flowering shrubs in this way. This is thought to be a singular trait of the hydrangea.

Our yard is full of plants and trees that aren’t from around here. The landscapers that put all of this in, long before we bought the place, were going for a united floral nations theme. And the hydrangeas are no different. Their taxonomy was first discussed in Virginia, there are more varieties of this sort of plant in east Asia. We have two. One by the northern gate and one by the backdoor. They both sit in the shade of the house. One gets a perfect dose of morning and midday sun. The other lives in a bit more shade. They’re both huge.

I just can’t get them to survive, upright, a late summer heavy rain. The water comes down, sits on those leaves and pulls the whole thing over. But they do flower lovely, and even at this later stage of their season, they are satisfying to look at. (But I’d prefer them upright.)

We did a 20 mile bike ride this evening. It was a late start for reasons of work and ennui. So we did most of the time trial route. It was almost curtailed by the new neighbor’s angry dog. He was out in the yard and aggressive. Took nips at both of us. No skin was broken. One sock was punctured.

Usually, when you’re riding, you can see a dog coming. Being field-trained in trigonometry, they’ll often take a good angle. But they don’t understand gearing, and you can usually mitigate the interaction. And then there’s a good old fashioned yell. In my experience, every dog speaks the parlance of my people, “GITOHNOUTTAHEA!!!” works surprisingly well. And no dog is expecting a spray from a water bottle.

But all of that works when you’re up to speed. Since this dog lives directly across the street, all of the dynamics were absurdly different, and I was reduced to using bike frame and tires as a shield when he came back for a second try and we were, stupidly, still standing there.

The neighbors never came outside to observe the ruckus.

Which is good, I suppose. That’s not how I want to meet the new people. We weren’t here when they moved in and we have so far just been waving at one another, all pleasant like, but “Hey, could you watch out for your dog?” might set a tone.

But also bad. My concern is for the young families that walk their kids through this strip of road, the other cyclists that come by, and the people down near the end that drive way too fast on a closed residential street. And, you know, we’re on this road too.

Anyway, it was a pleasant ride, and now we’re going to bring in the weekend with a local outdoor pizza. what a pleasant way to start a lovely few days.

Have a lovely few days yourself. We’ll catch up on Monday.


18
Sep 25

The goal is the goal

It was a busy day on campus. In my Criticism class we watched a documentary about the 1968 Olympic Games in Mexico City. It’s titled “Fists of Freedom.” You can find it in a few places online, including on the HBO app, but here’s a little tease from the night the doc won a Peabody.

Watching it took the full class. Tuesday we’ll talk about it, both the story they told, but also the craft of documentaries. We’ll watch a lot of documentaries in this class, and for these first two we’ll talk a tiny bit about the filmmaking as a format of criticism, too. I have worked diligently to create a wildly varied menu of documentaries. This one is historical and about track and field. (Good as it is, Bob Beamon’s world record long jump is my favorite part of that film.) The next one is contemporary and about tennis. We’ll look at an unconventional documentary centering on a diver after that.

In org comm today we discussed the overarching concept of the uniqueness of sport communication. Anyone that comes back next week will get to laugh at a lot of commercials as we talk about branding.

My godniece-in-law (just go with it) is a high school senior and playing some of her last field hockey games. So we went to see one of them this evening. Her little sister, my other godniece-in-law (again, go with it) played in a JV game, so we got to see both.

Now, I’d hoped to take a few photos of the senior, thinking maybe I could get one or two of her to share with her. The problem is I know nothing about field hockey. I’ve been to, I think, three or four games, and it’s still largely inscrutable to me. Fortunately, one of my students is a field hockey star. She gave me some tips today.

So we went to the games, I followed the suggestions of my field hockey folk hero. The game is played on the school’s football field, which serves quadruple duty as football field, soccer pitch, field hockey pitch and some of their field events for track. The field has a play turf surface, which feels like it’d be fun to run on.

I can say that because I set up shot behind the cage, which sits under the mobile soccer goal, which rests under the football field goal. The game is getting underway, I sneak back there. Sneak by walking at a normal pace. And as I’m fiddling with the settings on my camera, my godniece-in-law scores a goal. Missed it.

At the start of the second half the two teams swapped sides, so I walked over to stand behind the other goal. And back there, was this, which covers the high jump pad. For some reason, they’re really quite serious about staying away from this cover, which is just all kinds of dangerous.

Soon after, a gentleman walked over and told me to leave. So I walked back over to the stands, properly chagrined. It was the first time I’ve gotten in not-trouble at a high school in decades. Such a rule breaker am I.

Leaning against the post of the soccer goal felt comfortable. I haven’t done that since I was 20 or so. And, from back there, watching the game come toward me, I understood what was going on much better than the side-view you get from the bleachers. I have been assured by the people I’ve asked — including a chat tonight with my godniece-in-law’s grandfather, who is my godfather-in-law (just go with it) — that there many rules about what you can and can’t do in field hockey. They mysterious and inscrutable rules to us mere fans, but grounded in safety. He was a field hockey coach for 20 years. He’d know the rules, right? He did not tell me all of the rules. I’ve come to conclude they’re meant to be secret.

Most importantly, the home team won both games.


15
Sep 25

‘Four years (prostrate) to the higher mind’ is doubly ironic

This is quick, because I am doing class prep. We’re reading two stories in Criticism tomorrow. In Org Comm we’ll be talking about the very important and incredibly interesting definitions of communication. It’ll probably be the slowest week in that class for the semester. You need baselines for everyone, though, because there are students from multiple majors and it’s important to make this approachable. Next week will be more fun, this week is definitions.

That’s what I’ll tell them tomorrow.

And there’s also my online class, which is new. Three new classes to wrangle, every week, between now and December. It seems like a lot to me, but I’m gamely going to try.

And that’s why this is quick.

For some reason, even on a mild day, the irrigation systems out in the fields look refreshing. This was part of an easy 20 mile ride on Saturday afternoon. It was one of those days where I set out to go this way, got halfway there, and then went that way instead. It was a good day for that.

Sure, it was right out of the neighborhood and then a mile and a quarter down to the stop sign. There, instead of going straight, I turned left. We go this way sometimes, but I don’t do it often when I’m on my own. It’s an up and down thing, and then you cross a busy intersection — if you can catch the light — and go by the warehouses that they’ll never finish building or fill with inventory. Down to the river, and back up through some farm land and you can keep going down that road, where you’ll eventually run into a town, and the big river, and have to change directions, or you can turn early. This is what I did today. There are two or three roads that you can turn onto that will lead you back to another road that can point you home. But we rarely cut those short, and so it’s a guess: Is this a road that crosses over to the highway, or is this a road that dead ends in a corn field?

And so I’m going down this side road, hoping it is an in-between road, trying to remember if I remember it or not. The features don’t really help. It feels right, but not distinctively so.

Then, the road bends to the left, and forks to the right. This is where a white Cadillac decided to pass me in a slow and unsafe way. (Thanks for that, young person driving your grandparent’s Caddy … ) She went left. I went right, and I was rewarded with distinctive features. I was on the road I wanted, a double tree-lined affair that was quite and pleasant and demanded you sit up and go slow — which wasn’t a problem for me.

Eventually, I ran into this sign.

If you turn right, you’d go this way, and wind up down at the river, or someplace.

If you turn left, you wind your way to another tributary, but the highway which will take me back toward home.

I stood there and felt the sun and listened to the wind for a few pleasant, long minutes. It was the perfect time of day in a lovely little place and I had it all to myself, all of it. And maybe that’s the reason we should ride bikes.

OK, here’s the last clip from last week’s show. Four, from me, is a pretty decent amount of restraint. Anyway, because they’ve been at it for four decades now, the Indigo Girls obviously have to play the hits. And they’ve long established their most mainstream number as a regular big finish. It got a lot of people in the door, and those people won’t let you leave without it.

(I wonder how long a show would be if they played all of everyone’s favorites. We already wound up taking a late train out of town, and they didn’t play all of my favorites this time. They can’t play them all. They should play them all.)

Anyway, the regulars are counting songs and they know it’s about to come and OK, everybody sing along. And also here’s three-time Grammy Award winner, and holder of Four CMA awards, Jennifer Nettles, to help us out too.

  

I hope we get to see them again next year.


12
Sep 25

Fire from the years

I wrote this out in outline form, went away and did some other stuff, and then came back to it. The first two notes were

Meetings.

Chairs.

I had meetings all morning. One of the meetings, no kidding, was about another meeting in a few weeks. At the end of meeting we discussed future dates for other meetings. It was run efficiently, and with good cheer. I took the notes. We ended right on time, having completed the full agenda which was, again, mostly about another meeting.

That other meeting will be a brief appearance. A few people from this meeting will attend that meeting and discuss what we do at these meetings.

There will be slides.

The next point on my list was “Chairs.” I have no idea what I meant to say there.

On today’s bike ride I tried out some new sunglasses. I needed to update my drip.

The frame better matches my helmet and the lenses are blue, though it doesn’t seem obvious there. The lenses are also bigger than any glasses I’ve worn before, but that’s the style, and aren’t we slaves to style?

The problem is right at the top, just above the bridge of the nose. It rubs right into the interior part of the helmet. It seems like there should be some space or flexible bend there or something, but alas.

The little Giro logo rubbed off the front of my helmet, I think from one day when I was working on a flat tire and leaning on the saddle. I’ll scrape it off eventually, but for now, it amuses me. It looks like bad video game faux text.

This was the sunset at the end of the ride.

We timed that up pretty well, but only because we were going fast. I had a few massive splits — well within the “fast” category. I can only do that for four or five miles at a time, though, and humility comes to me quickly, usually in the form of a headwind. Sometimes a small hill.

Here’s another shot from Radio City Music Hall’s iconic neon. We had a nice visit there on Wednesday to see Melissa Etheridge and the Indigo Girls. It was my third time seeing Etheridge and … I dunno … the 10th or 12th time I’ve seen Amy and Emily, but it was my first concert at Radio City.

And so here’s “Kid Fears,” with Etheridge singing Michael Stipe’s part. That song is now 36 years young, but all of the people that have come through to sing along keep it fresh. Listening to the crowd enjoy it is still a great deal of fun.

  

I think I’ll put one more clip up on Monday. They had another special guest at the end of the show, and it’s worth pointing out.

But that’s for Monday, and now it’s time for the weekend, which I will spend doing some work for next week’s classes. The life of glamor that I can tell you about …


11
Sep 25

Today was draft day

Well this was a beautiful, warm September day. I managed to do everything mostly on time and, in the day’s best victory, I did not stain a suit coat or pair of slacks, as I did on Tuesday. A bit on the left sleeve at the wrist. A bit on the lower side of the left lapel. A big nasty splotch on the leg of the trousers. It was the sort of food-based accident that kept revealing more and more staining, the more I looked.

So I stopped looking.

Note to self, find a miracle-working dry cleaner.

This was the view on the drive in to campus.

Just a lovely day.

In my criticism class I wrapped up the lecture on the purpose and a bit of the how about media criticism. Comparing notes later with my recollection I realized I left out a few things. Some of them I meant to include! But I can work them all back into the conversation later this semester. We’ll start doing some actual critiquing on Tuesday.

One of the elements of the class is that I’ll have the students find some of the material we’ll study. One group found a piece which looks like it should be a lot of fun to unpack next Tuesday. I added one to the list, as well. I figure that, in a week or two, we’ll start bringing a bit more structure into the efforts. If they’ll go along with me, this could be a lot of fun.

I hope they’ll go along with me.

In org comm, we had a fantasy football draft today. The down side to organizational communication is that it isn’t the most fun class for everyone, though it is helpful and useful and the subject matter will be important to people later on. This is a class my lovely bride has been developing for a while now, and so I’m following her lead and turning the lessons and lectures into something that they can fold into and around their fantasy team. So on Tuesday they had to develop their teams, the colors, the mascots, the location, their target demographics. And today they had to pick their teams.

I wanted to take a high angle shot of the room, just like you see on draft day. But I have to tell you, there’s a good solid handful of people in the class that know each other already, and they were having a great time talking smack to one another today. There are six groups, so six student teams in the league, and I think the NFL could do something very interesting by bringing a few franchises into the same space on draft day, just to let us see what the interactions would look like.

I also drafted a team, a team designed to be beat. So most of my players are named Smith, but eventually you run out of Smiths — the one place you can run out of Smiths is the NFL it seems — and so I had to start picking some other people. But then a weird thing happened. This was a 16-round draft, and each team had two minutes to pick, so there was some time to think and, around round nine or so, I thought: I want to actually draft a team that is good.

But, no, the purpose of my team is to give everyone an automatic W when they face me. The purpose of their teams is to let them put into a classroom exercise the things that we talk about. The purpose of the league is to give a group or two the chance to have some bragging rights at the end of the semester. I don’t think that part will be a problem.

Last night at Radio City Music Hall I saw this mural, which is installed near the men’s restroom. It is titled “Men Without Women,” and all of this was oddly placed considering that women were joining the queue for the men’s room.

Anyway, the art was done by Stuart Davis (1892-1964) and we’re just going to have to again wrap our heads around the idea that 19th century people were forming the works that drove much of the 20th century. (People will look at Gen X and Millennials that way one day, too.) This is an oil-on-canvas, painted in 1932, and it is on loan from the Museum of Modern Art.

The little plaque next to it says:

Davis, a prominent 20th Century American artist and a pioneer of the Modern Movement, was commissioned by the architects of Radio City This abstract montage was named by the Rockefeller Center Art Committee after the story by Ernest Hemingway. The mural was planned to be executed in linoleum; however, the NYC Fire Department prohibited the use of this medium. Among the masculine imagery in the piece are smoking paraphernalia, barber poles, playing cards, a sailboat and a roadster convertible. The mural was removed from the lounge in 1975 and given to the Museum of Modern Art. It was returned to the Music Hall as a part of the 1999 restoration.

So it was in this place for 43 years, and it has been back for 26 years.

Davis was one of the first artists to apply for the Federal Art Project during the Great Depression. He loved jazz, and it shows. The same year he painted this, he lost his wife. Wikipedia tells me he liked neither where this work was installed or the name the committee gave it.

It was a bad year. Maybe he had happier ones after that.

If you’re on stage at Radio City Music Hall, this is your view.

It looks empty there because that was about 15 minutes before the show started and people continued to file in for the next three hours, which was the total run of the show. Apparently the thing to do at this place is just wander back and forth.

Anyway, here’s the Indigo Girls playing “Faye Tucker.” Lyris Hung makes even straightforward little violin pieces turn into something that will soar over a room and linger in the air before settling in your lap. It’s not a delicate thing, but that song is an in-your-face confrontation.

  

I won’t put up every song. I may put up two more, for the special appearances, but that’s probably it.