Lovely warm day. I should have started my run a bit earlier. We are in a weather system that means the temperature drops 15 degrees as soon as three tree limbs conspire to block the sun. Before that, though, it was bright and surprising. Short-sleeve weather if you’ve ever needed it in December — and who doesn’t?

But I did my little neighborhood run late in the afternoon and into the early evening. It turned to a chill just as I wrapped up, but I had views like this:

And there is nothing wrong with views like that.

So another three miles down, after three miles yesterday and before a bunch more this week. I’m trying to make my run fast.

“Fast.”

There’s a word that mean a lot without any context. Let’s give it some: I look like a shuffler, I want to look like a runner. That, to me, would be fast at this point. In truth, I haven’t been fast in decades, and even then I was only faster than a person running slowly. I grew up around plenty of fast people.

I wonder if any of them had the chance to go for a run today, or got to see a sunset like that, wherever they are.

Things to read … because this stuff is good no matter where you are.

A nice example of dogged persistence, Meet the reporter who broke Philadelphia’s civil forfeiture story—two years ago:

Two years ago, an investigative reporter named Isaiah Thompson exposed the massive and troubling scale of “civil asset forfeiture” in Philadelphia—that is, how law enforcement exploited its authority to seize cash and personal property suspected to be connected to a crime. The idea is to take ill-gotten gains from drug dealers or other criminals, but Thompson showed that Philly authorities routinely claimed property in cases where the owners were not convicted—and in some instances, not even charged.

[…]

“It shows there’s no substitute for true reporting,” said Scott Bullock, a senior attorney with IJ. “He’s not just reading the law and talking to a couple people. He went to the courtroom over and over and over, and really explored what happened.”

There’s an accidental insight here, I think: A Journalist-Agitator Facing Prison Over a Link:

Barrett Brown makes for a pretty complicated victim. A Dallas-based journalist obsessed with the government’s ties to private security firms, Mr. Brown has been in jail for a year, facing charges that carry a combined penalty of more than 100 years in prison.

Professionally, his career embodies many of the conflicts and contradictions of journalism in the digital era. He has written for The Guardian, Vanity Fair and The Huffington Post, but as with so many of his peers, the line between his journalism and his activism is nonexistent.

That’s not the problem it used to be, unfortunately, even for the Times. I think I liked it better when that would have been the cause for some consternation.

We’re starting to see this sentiment in more and more think pieces, Defining quality in news has to value the user experience:

You could frame the big challenge for the next few years of digital news this way: How can we create a news user experience that’s as easy and friction-free as Facebook — but as good as the best a dedicated news power user could assemble?

[…]

“Quality” isn’t just about how many foreign bureaus you have or how long your big features can run. It’s about every step of the process that moves from a reporter’s idea to a reader’s eyes. Too many news outlets make too many of those steps frustrating — and frustrated readers are all too happy to go back to playing Candy Crush.

That conversation is a good and needed one. It signals a maturation of the medium. And what the author, Joshua Benton, is saying ultimately leads to an effort to create a variety of interfaces for a spectrum of users. Not every story must be print, or video, no. And not every example in this enterprise need to be the TV attempt at multimedia: the broadcast package over the text of the story. There comes a time where we ask consumers to choose what they want, and we shunt them into not only the stories they want and the format they want (and the advertising they’re looking for) but also give them control of those capsules. We build it, they select how they want these stories and where. We get it there. They move back and forth through the media.

They’re doing that already, just not under one shingle.

And here’s another way the audience is doing it, How Wearable Technology Will Impact Web Design:

A lot of naysayers are quick to write off wearable technology as a fad, but a recent report from Pew Research Center Internet Project indicates that 83% of industry experts believe that wearable technology will see huge growth within the next 10 years. By 2025, we’ll be fully immersed in the Internet of Things (IoT). This means that users will be accessing websites from various platforms, not just desktops and mobile devices.

As technology expands and more users embrace wearables, more of your clients will want to their sites to be accessible. If you’re unprepared for such requests, clients will search elsewhere to fit their needs.

Although wearable technology is in its infancy now, it’s rapidly growing. Expect it to develop like a kid in puberty– overnight.

Slowly, and then all at once.

My friend Ike Pigott wrote this fine piece, The Mammals of Journalism:

A weekly newspaper, serving three cities with a combined population of less than 40,000 people… has a TV studio.

The ubiquity of ways in which live pictures can become zeros and ones and become unscattered again on a device of your choosing
The great disruption has happened. It didn’t smack the Earth with a blinding blast; rather, it carried its impact more slowly over decades. The internet, and mobile technology, and codecs, and smaller gear that people can afford, and the ubiquity of ways in which live pictures can become zeros and ones and become unscattered again on a device of your choosing… blame them all.

A weekly newspaper has a website, and now it has a TV studio.

The Tribune’s publisher, Scott Buttram, likes to say that the very technologies that have disrupted network television and movie studios and large daily newspapers have also empowered his end of the food chain. The small can feast on the big, because the rules of our media world favor the nimble and the swift.

Flexibility, low inertia, is a terrific attribute these days.

A great show, A&E’s highest rated show, was canceled. But along came Netflix: ‘Longmire’ Season 4 News: Why Cancellation Might Have Actually Helped The Series. These are truly strange times in the entertainment business.

Tomorrow, we run errands! And probably some more fun stuff, too.