Let us talk about sports shows. Here are two of them. First, this is your standard issue updates-from-the-desk, reports-from-the-field highlight show, Hoosier Sports Nite.

And this is The Toss Up, your standard issue sports talk show. Four people sitting and talking at great depth, and with some degree of fandom, about the upcoming Major League Baseball playoffs.

Now, The Toss Up dates to 2016, when I got here. It has, more or less, always been shot as a show in-sequence. They do little pitches to another person for a sidebar, or a package, and they will sometimes shoot those out of order, but, generally it just makes sense to shoot it in that straightforward way. It has always felt natural and done in realtime, over the course of the four regular hosts it has had in those six years.

The first show above, Hoosier Sports Nite, is 11 years (or so) old. It has always, at least in my experience, had elements produced out of sequence. This means that if the anchor “pitches” to a reporter in another part of the studio, it’s an editing trick. The reporter part was done earlier, or later, and they just put it together in post-production. There’s nothing wrong with this. It happens in the industry all the time on programs that aren’t live. (Sometimes, for example, the person doing the pitching is live and the person catching the pitch is on tape.) There are different ways and reasons for doing that. They’re all legitimate. From our perspective, it usually has a lot to do with practical reasons like time, or our experience and so on. (We’re all still learning in this shop, of course.)

So imagine my pride when, last night, they produced Toss Up as they normally do — timing segments and getting in and out in a logical way and leaving me only two or three constructive criticism points to make — and then they did Hoosier Sports Nite straight through, a show produced truly live-to-tape. They did two bits over to correct small errors, also not unusual, but it’s all there as one live show.

I stopped by their post-production meeting to tell them so. To thank them and congratulate them for their work. It’s no small thing, doing a live show, and they’ve been building to this for a while.

When they rolled out the first episode of The Toss Up, the talk show, this semester, I noticed they’d changed the last of the original bits of the show. I remember all the components well, as it was the first show* I helped IUSTV bring to life. Every year something would change on this particular show. The logo improved. They added lower thirds or sharper segments. The last thing to go was the music. And that got updated this year. The guy that really brought this show to life, Jacques, he’d be pleased with the program today. He specifically wanted to start this show and give it to the people that came after him and let them run with it. And they have! The music was really his thing. He’d probably like that his music stuck around the longest from the original show. But now, aside from the name of the show and one line at the very end, they’ve organically grown the premise of his project, just as he’d hoped.

When I was watching them shoot Sports Nite last night, and talking about it and congratulating them after that, I was thinking of the through line of that show. Jacques was the first sports director I knew here. He graduated and then came Ben. Ben produced and improved those shows, graduated, and is now a producer at ESPN. When he moved to Bristol there came Auston. He produced and improved those shows, graduated, and went into the local sports writing business. The next year Michael was the sports director. He ran the shows, had his senior year in the studio cut short by Covid closing campus, but they grew a ton nevertheless, and he’s now doing sports at his hometown TV station in Iowa. So Drew and Jackson moved into the sports director roles after Michael. Drew graduated and is doing news in Fort Wayne now. Another Michael came along to help Jackson out and he just graduated and is on the market. Jackson will soon be graduating. Each of those guys have always told me what they liked about what the previous sports director did, and what they wanted to do differently. And as I stood there, beaming with a little pride, I could see all of that distinctly running through the night’s work. Those sports directors, and all the women and men working on those shows, were a part of making that particular episode a special little effort.

The thing is, all of this hard work is foundational. And, sometimes, you necessarily have to wait to see the development. It just keep building, though. From here it’ll grow through a room full of talented young folks learning from today’s upperclassmen, because those sports directors I mentioned have always aspired to raise the bar. It’s all cumulative. If all those now-graduated people had a mysterious little chill, or felt the hairs stand up on the necks, last night, I suspect they’ll get a more profound sensation when we have our next big moment. The thing is, it won’t be long now.

*Since I’ve been their adviser — and helper and cheerleader and all the other things — we have created seven new shows from the very air. Five of them are still running.