Tuesday


16
May 23

I criticized the font of the eye chart

I had a nice tomato basil soup for dinner this evening. It aged well.

Which is a thing I can say because the little date stamped on the bottom of the can was well behind me. This is from the Covid 2020 stash. Stuff I bought in February of that year. The Yankee was off to watch a marathon, had probably not even heard the word “Covid” yet, and I went to the store to stock up.

This was the first weekend of March of that year. I hit the grocery store, counted out enough things to get through two-plus easy weeks. Then I went to the hardware store next door and me and another guy there tried to figure out which of the few masks they had on hand were the right ones for the circumstance. I knew a tiny bit more than we did, we made our decisions and parted ways friendly, each with half of what they had — which wasn’t much. At the house I found a big plastic storage bin and stowed all of my new food supplies in it, in reverse order, so the most perishable things, the crackers I think it was, would be on top. I had notes, so that every so often, there would be an injection of those things nearing the end of their shelf life into the diet.

Fortunately we never had to rely on that bin, because grocery store workers were essential workers for a time, whether they were paid that way, or supported that way, or not. For a brief time, as I recall, we even ate better than normal. I remember being on a chat with friends and we were comparing dinner notes and someone shared their menu and I thought, “Who knew dystopia would include crab cakes?” But despite the occasional to regular shortages on shelves, we never had many problems. With the exception of peanut butter, and having to change bread brands for a while, we were exceedingly fortunate.

Over time that bin got out of sight, and then out of mind, but recently I dug it up. Now I’m going to work my way through what’s left inside of it.

Meaning lots of soups. But, around here, we say “Hooray soup!”

There’s a School of Optometry at IU. And you can do eye exams there. I’d never gone, but everyone you ask will rave about it. You’re seen by a student studying optometry, and they are supervised by a professor. The only knock is that if you make an appointment you should settle in, because it takes a while.

So I was ready. Appointment booked, calendar cleared. Showed up a few minutes early, even. And then a tall young man came out, called my name, took me upstairs, called me sir a lot and gave me the full two-hour workup. He’d been doing this clinical internship for about two months, he said, but he had the calm, patient and steady demeanor of someone who’d done this for a long, long time. He’s about halfway through the program, he said, and he plans to go home and practice in Winnipeg, where he studied biology in undergrad.

Also, I am a terrible patient. He got to the point of the exam where he had to drip drops in my eyes and my face is not interested in any of that. By the second time of dripping drops — this is a complete exam — my eyelids just refused to open. I had no control of them. The poor guy had to pry my left eye open, like it was a fight.

It’s a water on my face thing, an anything in my face thing, really. I step out of the shower and must immediately dry my face. In the pool, in the ocean, get that water away from my eyes. The dentist’s office? An exercise in zen patience that I can only just muster. Its those hands in my face.

Which brings up that little blue pen light test. It is attached to the exam station, the one where you put your chin in the little cup. The examiner sits on the other side, all the special lens stuff between you, and one of those devices is a long, slender piece of equipment, the blue light which comes right to your eyeball. Right up to it, he says, which was funny because my poor ol’ eyeballs were so recently traumatized by his foreign liquids.

It is some sort of hand cranked device, I think, and he moves it closer. I’m sure it is operating smoothly, but all of this is happening in the most compact focal plane possible, so it felt, to my traumatized eyes, like it was moving in fits and starts. The aversive part of my brain was not having that, either.

I am a terrible patient, but my intern was great. We had to wait for his supervisor to come in for the final sign off, so we talked about all sorts of optometry things. I learned a lot about things they can diagnose before your GP, which was rather fascinating.

And, I had photos taken of the layers of the back of my eyeballs. My guy said they’d had the machine for just a few weeks, and that IU was one of two American universities that had this on campus. My eyes were examined by cutting edge technology.

He also said “Perfect!” a lot in relation to my eyes. After a thorough exam — because my guy is learning — we can say my eyes are, in fact, pretty good. For my age.

No surprise here, but I am very much behind on the Re-Listening project. So let’s get into it so, over the next several days we can get through it. Before long we’ll finally make it into the 21st century. I think we’re in 1999. Remember, I’m playing all of these in the car in the order that I acquired them. These aren’t reviews, of course, but just an excuse to fill some content and play some music.

How far behind are we? We might catch up by the end of the week. At which point I’ll have probably worked through a couple more discs.

Anyway, it’s 1998 or 1999, though this CD is from 1994. It’s the band’s first studio album, though their second record was their major label debut. So after “Somewhere More Familiar,” I went back and found Sister Hazel’s eponymous record. (Universal re-released it because the entire music business is just a naked cash grab.) No singles, but it does have an early acoustic version of their breakthrough hit, “All for You.”

That track got a whole new recording for their next record, and that second version peaked at number 11 on the US Billboard Hot 100. Everything on this particular record feels a lot leaner, somewhere between a collection of demos and a polished high-end production. But sometimes that lets the instrumentation and the heart shine through a bit more.

Also, someone’s dog makes a wonderful guest starring role, which makes the bubba riff forgivable.

The real gem of the record, the one that you’ll want to skip other songs to get to, is the last track, a pretty great Sam Cooke cover.

I’m almost a Sam Cooke purist, but that cover does something right.

Anyway, this was a record for Sister Hazel fans, and, to me, generally a cheery background soundtrack. They’ll pop up once or twice more, later in the Re-Listening project. Or, if you don’t want to wait that long, go see them on tour. I caught them a few times back then, and the boys from Gainesville, Florida (they’ll mention that a lot) put on a good show. They have 28 dates scheduled across North America this summer.


9
May 23

Tuesday, May 9th


2
May 23

Weirdest disco ever

“It looks like a discotheque in here.”

I was at the dentist, for the I visited the dentist for the routine visit. I had a new, different, more emphatic dental hygienist this morning. She was plenty nice, and she has figured out not to ask too many questions at the wrong time, but she does not yet know how little I want someone’s hands in my face. That’s the part of the dentist’s office — the constantly remind myself not to clinch my hands too tight — visit that is a conscious effort for me.

In a way, it was a relief. With the original lady, who I guess I’ve visited for five years or so, always talked about TV. For the last month I’ve been more particular about flossing, and trying to recall if I’d been watching anything that might match what I know about her interests. We also talk about travel, the OG hygienist and I. Problem is, I’ve only visited two new places since I saw her last, and we don’t have a new trip planned just now. Shame on me.

Also, the dentist’s office has recently finished an expansion. This morning I was on the new side. Everyone there agreed they liked having the work finally done. Finally, no more loud, chaotic noises. No scraping, drilling or machine whining. I don’t think they found this as funny as I did.

For whatever reason, this little room had LED lights in small sockets in the ceiling. These are unrelated to the fluorescents and the work lights, and you only notice them when the Chair of Mild Discomfiture is in the recline position. The one to my right was a green light. The one to the left was an orang-yellow light. That one was blinking. It was flashing almost in time to the music, a pop channel on Sirius XM that, quite obviously, was a little too aggressive for this sort of work space.

A bit later the dentist stopped by. Nice fellow. Easy smile, always interested in what you’re interested in. Interested in you. Of course I see him for about eight minutes a year, so I wonder what it is like to know him at greater length, but he’s probably perfectly pleasant.

This is the first time, since I’ve been paying attention, that he hasn’t tried to upsell me on something. I guess that office expansion is off the books.

I guess he hasn’t noticed that light is on the fritz.

The rest of the day was pretty normal. Someone turned in a key. I did regular office stuff and talked the regular amount to the usual few people. And then, at 5:06, just as I was ready to leave, came in the emails of things to do later this week.

Sure, I could those emails until tomorrow, but then I’d wonder about them all night. Best to resolve them now. Which was an extra half hour. But, humble as it was, I did my part in those projects, and then to the house, where I sat in my recliner in my lovely bride’s home office and talked with her, and then went into the kitchen to talk with her some more. And then we had dinner, and now this.

The first Tuesday evening I’ve had at home since January. It’s always a jarring, pleasant transition. There will be a few more of those as the semester gets put to bed this week.

We haven’t had a Tuesday of tabs in a while, and wouldn’t you know it, I’ve been stockpiling them. These are things that are interesting, that I don’t need to keep, don’t always need to bookmark, but would like to memorialize. It’s the easiest spring cleaning I can do.

This Judas Priest, Roxette, Van Halen, Winger mash-up is the greatest number one single from the ’80s that never was

Here’s the deal: for his latest fiendishly-accessible creation, McClintock has smashed together Judas Priest’s The Sentinel and Screaming for Vengeance with Roxette’s power-pop hit The Look, and bolted on guitar solos from Winger (Seventeen) and Van Halen (Mean Street) for good measure.

The result? An ultra-hooky slice of ’80s-flavoured pop-rock that sounds like the greatest ’80s number one that never was.

Put enough hooky songs together, you’ll eventually find something amazing. Having a hard time picturing it? Press the play button.

There’s a lot of useful things to think about here, but, really, you find yourself thinking “Just tell me what to plant.” How to design an ever-blooming perennial garden:

Your goal for an ever-blooming perennial garden is to have a third each of early-blooming plants, mid-season bloomers, and late-season color. Within each of those categories, split the list into categories based on height (tall, medium, short). Finally, group your plants in each list by color.

People that like hummingbirds really like hummingbirds, and if that’s you, this is for you. Keep your yard safe from hummingbird predators:

Long, narrow gardens allow hummingbirds to approach flowers from either side while keeping an eye out for predators. Trellis-trained vertical vines and hanging baskets containing nectar flowers keep feeding hummingbirds away from ground predators. Thorny shrubs near the garden provide a safe space.

Hummingbirds will line their nests with soft plant fibers, such as lamb’s ear, the plumes of ornamental grasses, and fuzzy seed heads from clematis and milkweed. They’ll also use spider silk to bind and anchor their nests. If you notice webs in your yard during breeding season, keep an eye out for any entangled hummingbirds, and gently remove them.

One more set of yard tips for you … Use cheap LED and solar lights for pro-quality landscape lighting:

In daylight, my garden is a beacon of color and texture, but when the sun sets, the yard becomes a black hole. Delivery drivers struggle to see the house numbers or find the footpath, and I hold my phone flashlight awkwardly to avoid tripping as I take out the trash. Sure, lighting would help, but I didn’t have in-ground electricity already wired, and I’m not about to put it in. I was also skeptical of investing in solar lights, since all previous efforts had been cheap but ineffective, but I recently decided to give it another shot—and I was delighted with what I discovered.

I know what I’m not doing this weekend. 1,851km Zwift session rider says he lost 5% of his body weight and damaged his organs:

“Riding up to 1,800km, I was clearly being very damaged, so going on to 2,000km was looking unrealistic,” he says. “With the window by my side I could see my physical profile had been destroyed. My thighs had lost a lot of mass and [were] far narrower than at the beginning. Cupping my buttock, I could feel a huge amount of it had gone – it was no wonder why my saddle comfort had changed.”

That’s something like 1,150 miles in 60 hours. That guy does a lot of endurance efforts, and he’d planned and trained this one for months. Even still, he paid a real physical price. After he lists the impacts, he said he “didn’t do any strenuous exercise for a week after and my walking had a strange gait to it.”

A few hours at a time is plenty, thanks. There will be a bit of that tomorrow, outside even!


25
Apr 23

One final night with the news team

Tonight we had the last newscasts of the year, which means we’re really sneaking up on the last IUSTV programs of the year, and we’re saying goodbye to a few more talented seniors.

That’s Anna Black, on the right. She’s been doing more job interviews than I can count. She’s interned at CNN and at WRDB in Louisville. On campus, she’s produced shows, directed, reported and, at IUSTV, has hosted What’s Up Weekly for the last two years.

She’s a member of two or three different honors programs on campus. I wasn’t previously aware you could find that much time in a day, or that anyone could even be eligible for more than one. She has the most kind and generous disposition, and makes friends quickly and everywhere. Whatever station ultimately is lucky enough to hire her will be getting a great asset.

Which leads me to Ella Rhoades. Ella has been passionate about the news and broadcasting from the beginning. She’s been at IUSTV for four years and she was news director for her junior and senior year. She helped produced some impressive collaborative journalism with the other student media outlets here, streaming an all-night election results newscast. She also held down an incredible day of breaking news on campus, reporting live with some of her reporters in the warm sun when we were on lockdown.

Whenever she’s doing these things, no matter what role she is playing, her eagerness to to do great work is palpable. She leans into the news with a great gusto.

Ella is a team player and all of those positive personal attributes are right there on her sleeve, for everyone to see. This year, in addition to her quality news work, she’s done a masterful job working with younger students, helping us get the freshmen started on the right foot, and pushed the sophomores and juniors to up their respective games. Their individual and collective successes show in the finished product, and how they’re talking about next year.

My friend Ella is taking her energy — and her enthusiasm to learn, to share and to report the news — to WFTX FOX 4 in Fort Myers, Florida. That Scripps shop is getting a great, talented, young reporter. She’s going to grow and grow and do some great things in Florida. I’m incredibly excited — almost as excited as she is! — to see what she does next.

The other woman, in both of those photos, is a rising senior. Carly Rasmussen has served as assistant news director, and she will take over a growing news division next year. She’ll run a young unit, there are a lot of rising sophomores who have been developing some great experience this year, and they’ll have great momentum. In a year, there will be a huge applause essay for her, I’ve no doubt.

After we left the studio, when I made it back to my office, this was the view.

Seemed fitting. Three more productions to go for the year.


18
Apr 23

Three days until spring

We’re counting down, because it seems a fun thing to do this week really, and I noticed an unusual thing today.

Everything went green. Bright, wavy green in a big, big way all of a sudden. This is a blurry view of the trees from my campus office. Blurry because, I don’t know why, but I like it.

And this is the same tree, just a few moments later, in focus, and from beneath it’s now bountiful limbs.

But that’s different. This is the same tree, roughly from the same angle as the blurry one, though the linear distance is different.

So that’s three photos of the same tree. Forgive me. It’s all so bright and new still, here in the third week of April, and it will take a few more days for the foliage to feel familiar. It’s like the shock of the seasons. There is that indistinct time where you stand at the door and mentally prepare yourself for one condition outside — hot, mild or cold — but then get something different. It is, in fact, the shock of the season.

Three days until the local, officially recognized beginning of spring. Since 2017 it has always arrived the weekend of the Little 500, the two big bike races.

Ha! I just looked at the weather. Friday, the day of the women’s race, the forecast calls for rain, with a high of 58 and a low of 44. The men’s race on Saturday will be under partly cloudy skies. The high is projected at 54, with a low of 34 degrees. Tomorrow, which has no bearing on this whole spring-arrives-with-the-bike-race phenomenon, the high is 82. Weird year.

Anyway, here’s another photo. A different tree. It just looked cool.

Cool, I say.

I was in the studio this evening with the news team, the penultimate news show of the year. It’s a wonderful feeling when a semester winds down, more so when it’s the end of an academic year, but bittersweetly so. For the news crew in particular, we’ll see a few key people graduate, but there’s a whole platoon of freshmen who have this year gained incredible experience for next year. The news side, I am happy to see, will continue to make good strides, having built a nice pipeline, evenly balanced between older and younger students. Now, they’re always growing and growing, helping each other grow, and I pitch in on the little things.

Tomorrow will be another night in the studio, with the sports gang, and that may be their last taping of the year. Bittersweetly so.

It seems we’re always playing catchup on the Re-Listening project, and that’s what we’re doing today. We’re doing that with Alanis Morissette’s “Supposed Former Infatuation Junkie.” The album was released in November of 1998, but I picked it up in early 1999. It was another freebie, and, through the Re-Listening project I have discerned a pattern. I didn’t always fall in love with the freebies I picked up way back when.

From this remove, my time with Alanis Morissette feels like a stream of consciousness ple goes like this: Jagged Little Pill has been everywhere for two years, no need to buy that. Also my roommate has a copy, so … Dave Coulier!? The next one, I’ll get the next one. Oh, there it is on the giveaway table (probably) so put that in the pile.

The album debuted at number one on the US Billboard 200 and set a record for the highest first-week sales by a female artist, a record she held for two years. It stayed on the Billboard 200 for a solid six months, and has moved millions of units … but, because it is the music industry, being triple platinum after “Jagged Little Pill” was 16-times platinum in the US, this was underwhelming. (The music industry is weird.) And I’m going to gloss over all of it.

I’ve listened to it. I tried to dive into it. I paid attention to every track this time through. There are 17 tracks here, the runtime is almost 72 minutes. It’s a long record, one which has never resonated with me. I find that odd, since we all watched her grow up. Grew up at the same time, whatever. The woman has lived her entire life in front of the public eye, all of the stages and phases a person goes through, we’ve seen them. For 1998, this was fine, but watching an artist’s march through life leaves a different sort of longitudinal vulnerability. Some of this feels dated now, though, that I finally figured out what always troubled me here. It’s the background tracks. There’s just too much nasally, head voice harmony on here.

Anyway, the stream of consciousness takes us far beyond this 1998 record, end with the best song, the best performance, I’ve ever heard Morissette do. This was July of 2020, just the right mood during that first Covid summer. Sadly, NBC has taken the original video down. Here’s a taste of it.

It was a perfect performance: a poignant song, a new record, eight years since the last and a full family in her orbit. This is the Alanis Morissette my stream of consciousness is most interested in now, not the 24-year-old from “Supposed Former Infatuation Junkie” but the confident, multitasking woman at a new kind of peak of her powers. That’s the one worth re-listening to.