Tuesday « Kenny Smith | A remarkable thing happens …

Tuesday

adventures / Indiana / photo / Tuesday — Comments Off
27
Jun 23

On the road, finally, happily

Moving is a terrible thing. Packing is a tedious, physical chore. And if that’s not physical enough, there’s the move part. This is why people don’t do it frequently, if they can help it. But thank goodness, thank the universe and thank Providence for movers. At 8:30 this morning, precisely when they said, the movers arrived.

The owner of the company is the former student of one of our colleagues. And that professor has hired this company twice for moves, and is about to hire him a third time. A good endorsement.

Four guys come in. Two of them former D-1 football players. All of them strong and young and confident. All of them, “Sir” and “Ma’am” and “May I put my water in your refrigerator?” and “May I use your restroom?” These guys were great.

They were taking our things out of our hands because, as they said over and over, this was their job. And that’s true, but you’d feel like a total heel if you didn’t help.

One of the guys loaded his pickup with the last bit of junk and trash for the nearby dumpster run and followed me there to help us get it out of the way. These guys were great, and they worked hard.

And so have we! I told you about the packing. Things hurt on me, and part of that is a direct result of this. Moving is a terrible thing.

But the worst, perhaps, was the last little bit. Truck is full. Movers are thanked individually and collectively and sincerely. Ibuprofen was offered. Tips were delivered. And then they left with our stuff to … wherever. The plan is we’ll see it again on Thursday.

Now, we have to finish cleaning, and then load the cars. And then take a shower. And then, somehow, keep loading the last of the things into the cars. Where do these things keep coming from? Will there be room in the car for me? Can I take another shower now, because this is ridiculous?

And so we got on the road, a bit later than we wanted, but just fine in the scheme of things. And we pointed east.

We’re going to New Jersey, which is a good thing. More on that later. You might think, as I did at first, that moving to New Jersey would mean I wouldn’t see views like this …

Or important farm equipment like this …

That’s a stereotype, and stereotypes aren’t always accurate. We’re going to South Jersey. We’re going to be in a beautiful, bucolic, pastoral, verdant region. We will be surrounded by farmland, with the Delaware River a short distance away, the beach a bit farther away, and plenty of wonderful new places to explore and learn about. It’s quiet and small and really quite something.

But I’m getting well ahead of myself. Tonight we are in Ohio, just north of Cincinnati. It seemed a good idea, I dunno, a few weeks ago before we realized just how much work we’d put in ourselves over the last five days, to break this trip up. So it’s a hotel tonight, and on the road again in the morning. Driving in packed cars that, in any other context, you might think of as troubling, with limited visibility that is possibly flirting with the legal limits in some of the jurisdictions we’re driving through.

The thing I learned this evening — while loading up my car, full of a “You want it to go, I’ll get it in here” bravado that was mostly sincere — is that there’s something sad about some of those last few things that you put into the car when you’re moving your entire life.

Oh, some things you need. And I stupidly put my suitcase in the middle of the back seat, so everything is on top of it. Some things are important or are sentimental, and they go in their places. Some things are practical. We needed the vacuum and cleaning supplies for the last run through of the house for the buyers (a nice young family of four, first time home owners). And then there’s whatever else you keep running across in your last half dozen walk throughs of every room. And some of that stuff, dear reader, is just pitiful.

But now, underway, in a hotel, with pizza topped with plans and dreams and contingencies, we are past the hardest, most hectic part of the move. We packed it all. It all got loaded. Everything is in motion. It is almost difficult to believe it all came together, considering where we were on Friday. The few hours of driving this evening was a welcome break. A full day’s worth of driving tomorrow … seems like a long day. After that, there’s just the new house, being reunited with our things, and getting settled.

Easy!

(He said, perhaps naively.)

adventures / family / memories / photo / Tuesday — Comments Off
20
Jun 23

An anniversary post

I took this photo of my lovely bride 14 years ago, yesterday, the night before we were married. Today, on our anniversary, and every day, I think of the many smiles and laughs and quiet times we have shared. It’s an ever-growing list of wonderful history and adventures both grand and regular. We have a lot for which we are grateful in our relationship, but that the regular is such a delight is one of the most important parts of all.

It’s a special thing, to know and love someone for a great length of time, a great gift to still find new things to learn from one another. It’s a comfort to do all of that in the company of someone invested in you.
Fourteen years, all a blessing.

Tomorrow, it’ll be just a bit better; the day after, a little better still …

Happy anniversary, love.

adventures / memories / music / Re-Listening / Tuesday / video — Comments Off
6
Jun 23

Raise your hands high

Guess who we’ll be spontaneously seeing soon? I’ll give you a hint.

That’s from the last Indigo Girls show I saw, in Indianapolis in 2017. This will be my seventh show. Reportedly, they’re on the road with a full band right now. I’ve never seen them play with a full band. This is quite exciting. And it moves us, quite neatly, into …

The latest installment of the Re-Listening project, the thing where I’m listening to all of my old CDs in the car, in the order in which they acquired. And this installment is the Indigo Girls’ “Come On Now Social,” their seventh studio album, released in 1999. I guess this was my third Indigo Girls album, after “1200 Curfews” and “Shaming of the Sun.” I caught up on the rest of the back catalog later, and this album’s consistency was what made me commit. You wear out a double live album and then find two studio albums in a row that you lean into, hard? Caught the live act two or three times by then, too? You found yourself a band.

This is one of those things I wish I could go back in time and put this on again, turn up the sound and hear it for the first time. I’d love to have this first impression again.

I won’t do this through the whole post, but since we’ll see them in concert again soon, here’s a live version.

I want to hear that again for the first time, almost every time, because even now, decades later, I’m still finding new things to be awed by in that track.

Also, I suppose that’s the second protest song (of my generation) I ever picked up on as being a protest song (non-Buffy Sainte-Marie division.) Anyway, I’m trying, right now to read the Meridel Le Sueur essay that’s spoken into that song. But Amy Ray just buries herself and she’s beautifully, wonderfully distracting.

Always with the Re-Listening project I am trying to find some memory that matches a track, a mood that meets the album. Sometimes these things stand out. But, always, when Emily Saliers is painting a picture, it’s just an attitude. It’s a credit to her storytelling ability. Her imagery crowds out my memories. But to think of whatever this inspires in you isn’t such a bad thing, even if it is an imagination rather than a memory.

The difficulty here will be in not playing the entire album. But it’s my site, and I’ll play a half dozen tracks from it if I want to. Anyway, if you’ll overlook the VHS and NTSC analog quality that YouTube compressed here, this is a gem. For fun, I always sing the chorus as “There ain’t no way I’m gonna let this heart win,” and it changes the song substantially. That’s neither here nor there.

When the banjo and the mandolin come out … God bless the Indigo Girls.

Speaking of imagery. The other day, when this next track came on, I was at a red light. It was a bright morning. Lots of sun. But the mood here is anything but. I was initially drawn into the band for the harmonies, but then found the … let’s call it the visceral, emotional core of truth … but the thing that’s not at all subtle, not at all to be disregarded, is the quality of storytelling Ray and Saliers can put around all of that.

But then they have to pep it up a little. Here’s a little drum fill, a few horns, and an under-appreciated song from Saliers. This is the one song that charted off the album, small HAC hit that marked the end of the Indigo Girls’ crossover success. (Because the music industry is powered by corporations and so often has no real relation to what we hear, what we like or what artists play. But I repeat myself.)

Feels like a cookout song to me. Who needs a cookout?

This song references a real person, it was quite high profile in the late 1990s. Do you remember?

The hidden tracks are in that YouTube video, if you are interested. Just scrub to about the seven minute mark.

And, when we see the Indigo Girls next weekend, we’ll be having a blast.

family / history / memories / photo / Tuesday — Comments Off
30
May 23

A photo in tin

I didn’t know this photo existed, but when we stopped by to see my grandfather, who is always full of surprises, he fished this image out of a stack. There were a handful of photos of him as a little boy, posing in a studio with his beautiful mother, and even some of his grandmother, who I knew.

Think of it. I have real memories of a great-great-grandmother who died, at 92, when I was in high school. I also had a great-grandmother who died when I was in college, and another great-grandmother who lived until I was 28. But this isn’t about those remarkable people. This is about this new-to-me photograph.

These people are my mother’s mother’s parents, my maternal-maternal great-grandparents. She died when I was three, but I don’t have any memory of her. He died when I was five, and I have a few glimpses of him in my mind’s eye.

Here, he’s holding my great-aunt. We estimate she’s about three years old in that photo, putting him at about 24 and his wife at about 21. She’s holding a great-uncle I never knew. But look how young!

My great-grandmother here looks like my grandmother. And from a few photos of this young woman I can see traits of most every woman in my family.

Earlier this month my mom texted me a photo of when she was a child, some four decades after the picture here. It looks like a vacation photo. She’s in oversized glasses, with her parents and her grandparents, the ones pictures here. Behind my mother is her grandmother, a mid-century grandma out of central casting. Her daughter, my grandmother, looks impossibly young in that way that never makes sense when you’re only accustomed to seeing someone in a different stage of their life. My grandfather is there, short sleeve button down, shiny watch, comical shorts (though I never knew him, I never think of him wearing shorts) and shin high dark socks. Now, except for those socks, it all works, because he has the mod haircut of the time and he’s wearing the best sunglasses 1960s technology had to offer.

Behind them all is my great-grandfather, my mother’s grandpa. That guy above. Long pants, long-sleeved shirt with a large windowpane print, with a neat little banded fedora on top of his head. He’s holding a cup with a straw in his left hand. They all look like they’re posing for a serious rock band photo, or as if something important has happened in front of them just as the photo was taken. They weren’t ready for a modern posed photograph, except for my great-grandfather, who is smiling just a bit.

He’s probably, let’s say, mid-early-60s in the image I just described. I remember him as an even older man, of course. Here he is, with two of his great-grandchildren. (He’d have 15 or so great-grandkids, but he wouldn’t get to meet the all. The best one is standing to his left, anyway.) He’s sitting in a creaky old lawn chair in his daughter’s lawn. I remember those chairs, and I spent a lot of time in that grass, beneath the kitchen window, around the little well building, and in front of the giant shop building.

He’s been posed in front a big building for both of those photos. It’s rather poetically symmetric in a way.

Trying to find a way to wrap up this post, I looked up some of that young woman’s lineage. With a few clicks, I was able to trace my great-great grandmother’s ancestors back five more generations, to when her great-great-great grandfather immigrated to South Carolina from Ireland aboard a vessel called the Lord Dunluce in 1772. He was 17-ish, came over alone, and had 100 acres coming to him, somehow. He got married, at 19, in 1774. He died in 1808, and is buried in South Carolina. Another part of her family, the Internet tells me, came from North Carolina after crossing the Atlantic at some point in the middle of the 18th century. That branch can be traced back, with no effort on my part, to the 16th and 17th century and places like Aarau and Zurich, Switzerland. Still others came over to Massachusetts, seemingly from England, in the early part of the 17th century.

But I’m going to wrap it up this way. My great-grandmother, in that first photo above, was picking cotton one morning. She was full-term, and, the story goes, delivered one of her children around midday. In the afternoon, she was back out in the field picking cotton again.

IU / links / memories / music / photo / Re-Listening / SCUBA / tabs / Tuesday / video — Comments Off
23
May 23

We play the song “Crazy Life” at the end of this post

I took this photo the other day, and I keep forgetting to publish it. That’s too bad, because it’s a great nod to the apparent lack of thoughtfulness of others. This is outside our building on campus, and these are handicapped parking spots, as you can see from the blue lines and the sign.

All of which makes this installment of Hoosier Hospitality amazing.

You can’t really move scooters unless you rent them, of course. The wheels are effectively seized to prevent free rides. So you have to muscle them around, which is what I had to do. But, on the off chance that anyone needed the space, at least someone was thinking about you.

I can say this about Hoosier Hospitality: it’s alliterative.

We haven’t run the tab feature in a few weeks, and my browser is groaning under the pressure. This is the place where I am memorializing pages that I might want to refer to again, but might not earn a bookmark.

The 25 best documentaries of all time, ranked:

The documentary genre is a more varied one than many people give it credit for. As a type of film, documentaries do usually aim to inform or educate about some kind of non-fiction story or topic, but that’s not their sole purpose. Some aim to evoke certain feelings or experiences more than anything else, others aim to present an argument or point of view in a persuasive manner, and others are mostly concerned with simply entertaining audiences the way a work of fiction might.

Furthermore, some documentaries aim to do a combination of the above, or maybe even none of the above, instead opting to do something else entirely. Exploring the world of documentary filmmaking can be a truly eye-opening thing to do, and reveal worlds or unique perspectives that aren’t as easy to explore through other genres.

James Brown’s historic concert, staged 24 hours after Martin Luther King’s assassination, is now restored and free to watch online. This show helped calm down Boston somewhat. It’s a legendary performance.

6 do’s and don’ts when buying used scuba gear:

Ok, so you’ve decided to buy your own scuba diving equipment. Whether you are newly certified or a seasoned diver, used scuba gear may seem like a great opportunity to save some money. Buying secondhand diving equipment can either be the greatest deal of your life or the biggest mistake, the difference is knowing what to look for.

We like to look out for you guys, so here are 6 tips to buy used scuba gear:

How solar farms took over the California desert: ‘An oasis has become a dead sea’:

Deep in the Mojave desert, about halfway between Los Angeles and Phoenix, a sparkling blue sea shimmers on the horizon. Visible from the I-10 highway, amid the parched plains and sun-baked mountains, it is an improbable sight: a deep blue slick stretching for miles across the Chuckwalla Valley, forming an endless glistening mirror.

But something’s not quite right. Closer up, the water’s edge appears blocky and pixelated, with the look of a low-res computer rendering, while its surface is sculpted in orderly geometric ridges, like frozen waves.

“We had a guy pull in the other day towing a big boat,” says Don Sneddon, a local resident. “He asked us how to get to the launch ramp to the lake. I don’t think he realised he was looking at a lake of solar panels.”

We return to 1998 in the Re-Listening project. For the blissfully uninitiated, I am going through all of my CDs in the order in which I acquired them. It’s a stroll down a musical memory lane. It’s fun. And I’m writing and sharing some of it here. These are not reviews, because the web definitely doesn’t need another quarter-century-too-late alt band review. But they are a good excuse to post videos, pad out some content and have a little fun, which is kinda the point of most music.

This record is from 1997, but from what surrounds it in my old CD books I know I picked this up the next year. I imagine I got it from one of the two independent music stores that were in town at the time, but I don’t remember that part, here. This is one of the alt bands that personified the 1990s, and you can hear that immediately in the first track.

Toad the Wet Sprocket saw this record, their last for more than a dozen years, climb to number 16 on the Billboard 200, both on the strength of what had become a dedicated fan base, but also the single “Come Down,” which settled nicely in the top 40 in the U.S. and in the top 10 in Canada.

That song was so ubiquitous I was certain Toad was putting it on every record, and every musical coordinator had it in shows, movies, and commercials, but apparently not. I can only blame myself, and the A&R people at Columbia Records who had this on the air somewhere within ear shot every 17 minutes of my early 20s.

And here’s Glen Phillips doing “Throw It All Away” solo. I can never decide if this, or the full band, is the better version.

The answer, of course, is which ever you hear live.

The whole record is a fine continuation of Toad the Wet Sprocket’s work. The production is great, it’s hard to argue with the instrumentation. Glenn Phillips and Todd Nichols are in full throat. Everything works and there’s a little something for every mood. But I am always listening to Coil to get to track 11.

This is what I wrote when I finally, finally saw Toad the Wet Sprocket live last year.

I don’t know if “Crazy Life” was my first protest song or the first for my slice of my generation, but I’m pretty sure it was the first one I really noticed. The first one I read about. And I read a lot about Peltier. I’ve never really settled on how I felt about it, not really, but this is Wounded Knee.

The Eighth Circuit thought a jury would have acquitted him had information improperly withheld from the defense been available, yet the court denied a new trial. And if you really dive into the story it’s easy to question how the system was used. But I don’t know, not really. None less than Nelson Mandela, Mother Teresa, and the Dalai Lama have campaigned for him, though, and that means something.

The point is, this song made me look it up, and think, and ask questions of things in general and specifically. And I probably shouldn’t like a pop song this much, but anything that scrapes your brain for a quarter of a century is worth noting.

And I love Todd Nichols’ sound.

Toad have released two records in the years since, 2013’s “New Constellation,” which was a crowd-funded album, and the Starting Now (2021). Some of their other work, and re-work, will show up later in the Re-Listening project. And like Chris Spencer says at the end of that 1997 video, you can catch them on tour this year, too. We did, twice, last summer, and I’m a little bummed I won’t get to see them this time out. But you can!