Monday


27
May 24

This is mostly about books, and I’m good with that

It’s been since roughly early March, but I feel like I’m catching up on things around here. Which means this is the week I will catch up on things. Which mean something important and pressing will come along to distract me. Something will make me realize this is a false feeling, and that I am, in fact, behind on all of the chores and hobbies and other things I’m just behind on. I will find that note on my phone that has the list of things I want to do, and things I should do, and things I need to do, and then I’m instantly behind the eight ball once more. This is the way of things. But, for the next day or two, this is a good feeling.

So, please, no one write anything on the web. If I’m caught up, I don’t need you adding anything to the To Do stack.

Aaaaaaand … there it is, I just realized something I’m behind on. Oh well, I’ll get to it Thursday, maybe.

Besides, these guys demand all of my attention anyway. Demand it.

We’ve created monsters.

I wonder how long we will leave this box on the kitchen island since Phoebe has made it her own.

After an afternoon of box-sitting, she was ready to quietly sit next to us and take a little nap.

What, in the world, is cuter than that?

Not to be outdone, Poseidon would like to show you his sleeping technique.

How is that comfortable? And it’s easy to say “He’s a cat,” as if that explains anything. But that guy is as spoiled as can be. Not, his cat cave is sitting on the ottoman, because the cat cave alone wasn’t good enough.

So the cats are doing just fine, thanks for asking. And, once again, it is self evident why their weekly check-in is the most popular regular feature on the site.

This weekend, I discovered we have berries.

Who knew? Not me.

This, I assure you, is the moon.

The timestamp says I took that at 11:09 p.m. on Friday night.

Also, I had a 35-mile bike ride, but we’re just going to treat that it’s not even a big deal, in an effort to normalize longer bike rides. I’ll just say this, 35 is sort of the mental barrier. Once I get through that, I’m ready to go out on actual longer rides, and that’s the plan. I’ll continue increasing the mileage because the goal, as ever, is to take nice, long, enjoyable, bike rides. Tomorrow’s ride will be longer than Saturday’s, and so on, for a while.

This weekend we also returned to our best summer weekend system: reading in the shade on Sunday afternoon. Yesterday I read the great Willie Morris’ Yazoo. Morris was from Yazoo, Mississippi, but while he was working as the editor of Harper’s Magazine he made several trips back to his hometown to follow along with how his unique small town was handling integration.

(Most small towns think they are unique. Some of them are. Yazoo may be. How they handled integration, at least in those early stages, was different from most.)

Morris, being a liberal Southern Democrat, and more so while he was living in the north, was hopeful about those early days, as you might imagine one would be about a place he loved. He became haunted by what happened in the longer term. None of that is an author’s fault, when you expand on a longform article to turn it into a book, the book becomes a bit of amber, and the stuff frozen inside of it can be right, or wrong. What we get, from our modern vantage point, is a glimpse of a particular moment in time, 1970, and just more of Morris, the tremendous reporter and writer.

As I’m sitting there, a little insect flew onto the left margin of the page, sat there for an eyeblink, and then hopped-zipped into the pages. It was eager to be in the book. Perhaps it was eager to be a part of the book. One with the book. Or maybe it wanted to fly to Mississippi, and then thought better of it, because it quickly zipped away.

It’s a musty old book, in that delightful, yellow-paged pulp way. Probably the insect’s impulse had something to do with the paper’s aging process. And, almost as quickly, it thought better of it, and flew away. It was one of those things in life that seemed important, important enough that you wanted to share it, even as you knew, in real time, you had no way to do it, or the feeling, justice. And so here I am.

Anyway, I started it yesterday, I finished it yesterday. I’m pleased to have done so, as part of my quest to read pretty much everything possible that Willie Morris wrote. It isn’t all grand, but if you read Terrains of the Heart, you’ll understand the impulse.

I forgot to mention this entirely, but since we’re on the subject of books, last week I finished Marching Home. The subhead is “Union Veterans and Their Unending Civil War.” Subtitles are a terrible modern publishing necessity, but they hit the nail on the head in terms of the thesis.

It turns out, we’ve never been especially good at supporting veterans. I knew that. It goes back to the Revolutionary War and has been a shame and sometimes downright shameful part of the American condition. These guys had it no different.

One part was physical, and one part was the rest of the north wanted to get on with it. Another part was, psychological therapy just wasn’t a thing yet. That’s seeing a 19th century problem through a 21st century lens. It is a thing we caution people about when reading about historical periods, but it’s easy to do, and easy to return to.

Another one would be: 19th century alcohol might have been less than helpful. The descriptions of some of the people in this book beggars belief. But the whole thing really does seem a shame. And while this is, of course, a book about the Union army, reading it makes the humanist wonder how these same real, gritty, daily problems impacted the soldiers who fought for the Confederacy, too. As lousy as some of the northern infrastructure was for dealing with these problems en masse, it would have necessarily been hard for those guys, too.

After I finished that book, which was well-written and seemingly exhaustively researched — almost 40 percent of it were footnotes and other after matter — I asked the random number generator to pick another book from my Kindle queue, and I started in on Rising Tide. Again, the subtitle, “The Great Mississippi Flood of 1927 and How it Changed America” tells the tale. (Why not just use that as the title?)

Where I am, as of this writing, is still about 50 years prior to the flood, but it has been a fine read, and very digestible. These two pages are the bulk of what has been offered in terms of hydrology.

Even something like the movement of water is written in a lean-in style, to author John Barry‘s immense credit. And if these two pages intrigue you, even a little bit, this is a book for you.

I’m five chapters, I think, in. We’ve met three main players. Two of them were surveyor-engineers. One of them was fast, and the other fastidiously, obsessively thorough. The former died in the Civil War. The later did not, and, thus far, has proven to be something of a megalomaniac who becomes the head of the Army Corps of Engineers. And he’s just about to run, head-first, into the third main character, a captain of industry who Barry has thus far portrayed as an irresistible object.

Speaking of which, I think I’ll go back and continue on. When I last looked in, they were just getting to the problem of the legendary sandbars.


20
May 24

‘From the Dairy Queen to the head of the parade’

On Friday we went across the river. And that’s how you know it was a special day, because there was a bridge involved. So, once again, we must applaud the civil engineers. Their work allows for a lot of life’s parties to happen. And it was no different on that fine day, as we went over the Commodore Barry Bridge …

My god-sister-in-law (just go with it) told us about a concert. A lunchtime concert. Rock ‘n’ roll at lunch. Also, it was a free show from XPN. So we saw Guster do a 35-minute set as they promote their new album. In fact, it was released on Friday. In fact, I got a push notification about it while we are at the show.

It was a fun, if altogether too-short, set.

 

They were playing on a lot of rental equipment because they were in New York and their truck broke down. For not knowing all of the gear, everything came off pretty well. That’s 30-or-so years of touring will do for you, I guess.

In that time I have now seen Guster in … five states, but never in the middle of the afternoon.

Lunchtime concerts, I could get used to that.

In the late afternoon, or the very earliest part of the evening, my lovely bride called me to the backyard to meet a new friend.

He was a big boy. We weren’t sure where he came from — the nearest water is a considerable hop away — or where he should go. So I showed him the woods. Hopefully I sent him into the right direction.

Speaking of critters, let’s check on the kitties. Poseidon, for his part, is upset we didn’t introduce him to the frog. Poe is always looking for new friends.

Ours are indoor cats, and what they know of other animals they see through windows. I wonder what they’d do if they were confronted by an oversized amphibian.

I wonder if Phoebe would even be impressed.

Probably. She likes hoping around, too.

We had a nice ride this weekend, and it featured a freshly paved road, a road that was just reopened on Friday evening. You somehow go a little faster on new asphalt.

It was pretty good for me throughout. My fastest split was at mile 16. And, then, at 19.70, my legs decided they’d done enough. That’s when I decided I need to ride a lot more, too. But, hey, it’s summertime, I figured, and so I’ll have more time — and that’s when she blew by me for the last time on the ride, in one powerful, speedy little flourish, over a roller, turning to the left, down and up two small hills, not to be seen again.

Yep. I need to ride more. And, also, to go to more rock ‘n’ roll shows.


13
May 24

And how was your aurora?

Not sure what all the fuss was about. This was our view Friday night, and Saturday night. Seems like we never get the good views. Meteorites, eclipses, auroras, there are always clouds in the way. But the chimney looks cool.

I’m not jealous of the incredible photos I’ve seen online. I’m glad everyone got to see the celestial light show. Now, they can tell me all about it, and that’s nice.

Sunday was a first for us. My lovely bride and I were able to see both of our mothers on Mother’s Day for the first time since we’ve been together. They live about 900 miles apart, so there are always logistics and schedules and logistics. But this year, my mom, of course, was visiting with us for the last few days. We took her to the airport on Sunday afternoon, after a nice deli brunch. From there, we drove up to see my in-laws and had a lovely dinner with them. So it was just lovely all the way around.

And for all of you other mothers out there, happy belated Mother’s Day, please enjoy this virtual flower.

The rose bushes look great just now, here on the inner coastal plain — where the heavy land and the green sands meet.

Standing in my in-laws yard last night, there was still no luck. But the stars look nice.

We drove back to our place today, because the cats will want our attention. Which is a nice way to work into the site’s most popular weekly feature, our check-in with the kitties.

I opened a new box of food for them recently and, as ever, the most important thing was the box itself. Phoebe approves of her new hiding place.

And, right now, Poseidon is wondering why I am busy pecking away at the keyboard. That’s probably a cue.

There’s a fun-filled week ahead here. I hope that’s the case for you, as well. Come back tomorrow and we’ll talk flowering things and music and probably one or two other things that come up between now and then.


6
May 24

My eyes may now be semi-permanently crossed

It took an effort, and by effort I mean most of the weekend and Friday before it, but two-thirds of my grades are now submitted. Grading, then making sure I have all of the same grades in independent spreadsheets, the making sure the formulas comport with what’s on the syllabus. After that, I have to make sure I did the math correctly. I do this part several times because, ya know, math. Then I make sure my two spreadsheets agree with one another. With all of those potential stumbling blocks avoided, it’s time to actually upload the grades.

You can import this data from a spreadsheet, but my classes are small enough that I do it by hand. Scroll down a list, select the correct value from the drop down boxes. The problem is that my classes are large enough that all of the names won’t fit on one screen, and so I must scroll. But, also, scrolling websites is somehow a challenge in this, the 21st century.

It’s a process, and now mostly complete.

I’ll wrap up the last class in the next day or so. The good news is that most of the above has been completed for that one too. And summer is coming.

Theoretically. It’s been damp and cold for days. It’s mid-May.

Some around-the-place shots. We have some nice tables out back, and I know I need to clean this off the iron, but the moss does look nice.

Maybe next week, presuming we have a day when it isn’t raining.

The weather doesn’t seem to be hampering some of the other things growing around here. Well, hello, peaches!

I’ll be pulling all of these — and many, many more — inside in a few months.

Want some peaches? Now taking requests.

The rhododendrons are looking lovely, as well.

Let’s go back to California to see the bloody-belly comb jelly. Red looks black even just below the surface of the water, and in the deep sea, where these creatures live, you won’t find spotlights. It is very dark 1,000 feet below the surface in the North Pacific.

These jellies, then, hide in plain sight. Predators and prey never see those incredible colors of the light diffracting off the combs. Technically, these are ctenophores, meaning that they are not true jellies, but the name is sticking. This species were first collected off San Diego in 1979 and described in just 2001.

 

There’s one more California video, I think. I’ll try to get it here next week.

Tomorrow, we’ll see how things are shaping up with a few of the other growing things. But, for now, I have to get back to the household chores. I have to make the place look presentable; company is coming tomorrow!


29
Apr 24

Welcome back to the age of jive

Friday afternoon we got into the car, and the car took us to a train. On the train my lovely bride made the Lord of the Flies joke.

She thinks I don’t like mass transit. I’m not sure why she thinks that, except for my dislike of mass transit. OK, that’s not fair. It’s a dislike of buses, and an intense dislike of subways. Have you ever looked at the people on buses and subway cars? The vacant look, the hollow, sorrowful, dead eyes. They all left their souls at home that day. They all left their souls at home because they knew they had to take a bus, or catch a subway train.

But trains, that is trains trains, can be quite nice. They can only get so crowded, and they seldom seem to reach that capacity. This train, for instance, had about two people on it. And a conch shell. And look who has the conch shell.

The mostly empty train took us to New York. We visited the High Line, a 1.45-mile-long elevated linear park, a greenway, built on a former spur of the New York Central Railroad in Manhattahn. Designed as a “living system,” Wikipedia tells us the High Line draws from multiple disciplines which include landscape architecture, urban design, and ecology. It was inspired by a similar project in Paris. And this one looks much more like New York than Paris.

For instance, instead of a tree, we have a sculpture of a tree.

What’s New Yorker for Le Sigh?

For the third High Line Plinth commission, Rosenkranz presents Old Tree, a bright red-and-pink sculpture that animates myriad historical archetypes wherein the tree of life connects heaven and earth. The tree’s sanguine color resembles the branching systems of human organs, blood vessels, and tissue, inviting viewers to consider the indivisible connection between human and plant life. Old Tree evokes metaphors for the ancient wisdom of human evolution as well as a future in which the synthetic has become nature. On the High Line—a contemporary urban park built on a relic of industry—Old Tree raises questions about what is truly “artificial” or “natural” in our world. Made of man-made materials and standing at a height of 25 feet atop the Plinth, it provides a social space, creating shade while casting an ever-changing, luminous aura amid New York’s changing seasons.

It raises questions for me, but not that one.

That sandwich board says that maintenance of the sculpture is in progress. They are repainting it. It’s only been in place for 11 months. And it will come down this fall. That’s the synthetic becoming nature, for sure.

A bit farther down we found some lovely little building art.

In between we found some ridiculous stuff that was either art or a multimedia mixture of yard sale offerings that someone spray painted at the last minute.

There’s a lot more miss than hit in public outdoor art.

Oh, look, here’s another tree, one evocative of modern wisdom and human evolution, backdropped by the not cold and not sterile brick wall of earlier craftsmen synthesizing nature into domesticized bits of symbolism that people live and work in. It is a grouping that resembles places every other city in the country sees regularly, inviting viewers to consider the indivisible relationship of pink parts and some other nouns we threw together.

There’s no artist or art writer in the world, however, that can summon the language to satisfactorily why we brick in windows.

The purpose of our visit, to see the conclusion of a popular concert CBS aired recently.

That’s right, the Piano Man, in his 101st sell out of Madison Square Garden, one of Billy Joel’s last performances in his residency here.

The Yankee brought her parents to a show last year. He was celebrating 50 years of music and they were celebrating 50 years of marriage and isn’t that something, here’s an act who’s been around, or part of, the entirety of their adult lives.

He’s beginning to show his age, which, hey, he turns 75 next month. He still sounds fantastic.

He played most of the hits and some deep cuts. (I was hoping for “Matter of Trust” and “Lullaby,” respectively. The Yankee was hoping for “The Downeaster Alexa.”) He did some covers and introduced a bit of opera. He played all the familiar songs he needed to play. His 30-something daughter came out to sing to him. When he did “Uptown Girl” the cameras found his ex-wife, Christie Brinkley in the crowd. She was having a ball.

I recorded a few things, just because it feels almost musically historic, I guess. I’ll back them up to an external drive, perhaps. But here’s the big finish.

It was a fine show. A lot of fun. It was me, my lovely bride, her god-sisters and her college diving coach. Everyone had a great time. Everyone that hangs out with Christie Brinkley was having fun. After that, a late train back to the car and then back home.

And that was just the beginning of the weekend!

But, for now, I have to go to campus.

Next phase, new wave, dance craze, anyways last class of the year for me.