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memories

Happy August! (August? Somehow? Already?)

There’s this ~~superstition~~ very real phenomenon where, if I pick a restaurant, something will go wrong and the dining experience will turn into a big dramatic nightmare. I first noticed this anti-superpower when I said, on a hot summer’s day many years ago, “Let’s go to Dairy Queen,” and so me and a college buddy went … and they were out of ice cream.

I suggested they lock up and go home, because what’s the point? And on the basis of that very true story, and a lot of other incidents that are far more consistent than random chance — one time, for instance, we went to a suburban Outback and they were out of steak! — I carefully avoid most restaurant-making decisions. To the chagrin, it must be said, of anyone that I’m dining with. The burden of the decision is on the other person or people, but we all have a much better chance of getting a reasonable meal.

Since we hardly go out to restaurants in a Covid world, this has become less of a problem.

Today …

Today I wondered, for a few moments, if that whole restaurant thing (which is very real, I assure you) would carry over to bike routes because, today, I picked the road we rode.

It was a simple out and back. Leave the neighborhood, head north until the road ends because, on the other side of that hill, there’s the river. Turn around and head back. There were two stop signs and one tiny little community along that road. And there were also several cars parked on the road along the way for one unhurried reason or another. But the route turned out fine. It was an easy little spin, and it was pleasant and I’m ready for a lot of rides like this.

I did get a close pass by a guy in his work van. This is an odd thing to do because, I know who that guy works for. There’s a particular local HVAC company that will get a little email about it.

Everything else on the ride was just fine. I may repeat part of the route tomorrow, just for fun.

Elsewhere today, we marked a significant moment in the house move. The last three boxes of our things, part of an advanced shipment, were finally brought into the house. Cleaning supplies and the like. The things, basically, that the moving company didn’t want on their truck. My god-sister-in-law (just go with it) has been holding onto these things. My lovely bride retrieved them today. Two boxes went into the basement. The other was quickly unpacked.

But that’s not the significant moment, no. I noticed, the day we moved in, that the stairwell to the basement had a light burned out. Owing to the way things have been organized, today was the first opportunity I had to carry the big aluminum ladder downstairs, extend it to almost its full height, and bring light to what was once darkness.

You don’t count how many lightbulbs you’ve changed in life — probably for the best, after a certain level of achievement the notation would make you go mad — but despite the great many light bulbs I’ve changed, this one gave me a certain feeling of satisfaction. Can’t quite put my finger on why.

It isn’t the first one in this house. It might not even be the last one I change this week, so flush with the feeling of momentum am I.

Also in the day’s list of boundless achievement I have watered many plants, studied the baseboards and vainly attempted to tighten an electrical outlet cover. Oh, and we determined which outlet in my lovely bride’s home office is a switched outlet. We have at least three of those in the house. One in each office and one in the living room. While that last one is fairly convenient, I have an unexplainable disdain to the entire concept of switched outlets. That I spent two or three minutes plugging in a table lamp and flipping switches today is the least of it.

I also watched a video on DIY drywall, so if you’re ever interested in a productive day or two, and appreciative friends … I have a project.

The most productive thing of the day, aside from that light bulb, was when we lazed about in the water this evening. That was a fine end to an easy summer’s day.

Did you know that, when we drove 11 hours across some 20 percent of this great nation on the move that I listened to CDs? I listened to a lot of CDs. What that means for us, now, is that I am still playing catchup in the Re-Listening project. That’s the one where I’m listening to all of my old CDs, in their order of acquisition, and padding out blog posts for my own amusement. I am very far behind, so let’s get to it. Remember, these aren’t reviews, but an excuse to post some videos, and maybe dig up a memory or two along the way. It’s good fun, come rock out with me now.

I load these into the CD player blind, which is to say I often don’t know what is coming next. Sometimes I remember the order — since this album just ended, then thaaat one is next, and so on. More likely, and more fun, is when I don’t recall. There’s that little pause as the CD changer pulls one CD away from the laser eye and slides the next one into place. It’s like watching a movie fanfare on TV and wondering what you’re about to see. And when the first plucked strings of this CD sprang to life I said, and I quote, “YESSSSS!”

Angie Aparo, out of Atlanta, is indirectly, come to think of it, probably my first experience with radio payola. The owner of the station I worked for when this record was released in March of 2000 “encouraged” all of his employees to attend a performance Aparo was putting on at a small venue in town. Record label people wanted to see a big turnout and somehow, this was our concern. I went to the show, pressured as I was, and only later did I make the connection.

What’s important is the show was good. This record is stinking amazing. This was the single, all futuristic and almost from a different planet.

I knew that song before the station gave me the full CD, because it was programmed a lot, but what is pleasantly surprising is how deep this record is. You most likely know this song from Faith Hill’s cover. (Her cover isn’t as good as his original.)

And maybe you know this one from a cover that Faith Hill’s husband did.

The thinnest pop tune on the whole disc will stick with you for hours. So here’s that.

They aren’t all radio pop songs, but they’re all great in the car, great to singalong with, and, if you are in the car, good for a good hand dance.

Angie Aparo put out six more albums, then had some life-and-death health problems. After he recovered, he’s put out one more album, in 2018, and is still playing around the southeast. I’ve only seen his show that one time, in early 2000.

Somehow, around that same time, I picked up Bobby Bradford’s “No Saints Walkin’.” It’s perfectly acceptable blue-eyed blues, if you’re looking for that. I never played it a lot, owing to all of the good music surrounding it in my CD books, I’m sure. And nothing really stood out this time through it, that I recall. Here’s the title track.

I think his label released that album three different times across seven years. I’m not sure why. Perhaps it found a lot of success abroad.

Speaking of success, this is where I get to tell the radio success story. My campus radio station was one of a small handful across the country that reported their song counts to some influential charts and labels. The easiest way to explain this is to say that important music executives sometimes used that data to determine who they should push. “If it is a hit on low-powered stations with college kids, we should mainstream it!” And, friends, someone (not me, in fact, this was just barely before my time) at my station liked one guy a little too much. That person wrote down the performer’s name in the playlist affidavits a little too often. And, I fear, my college radio station is responsible for making Kid Rock a thing.

I don’t own any Kid Rock albums, mind you. I always changed the station if I heard him on the radio. I was doing that long before he started experimenting with three-sample lifts and chorus quotes in the hopes of being noticed by legacy performers. If someone at my station was an early trend setter, I was an early avoider. But then I stumbled on Robert Bradley’s Blackwater Surprise. This band is amazing, even if Kid Rock is all over the first track.

It’s an odd thing to say, but he adds something invaluable to the song.

Now, before we go any farther, a little backstory is required. Robert Bradley came up out of Alabama. He sang at the Alabama School for the Blind. He was a busker in Detroit. And, there, four white guys decided to work with him, forming Robert Bradley’s Blackwater Surprise. This record, their second, was a refined step up from their debut. RBBS’s fans noticed the difference, sometimes critically. And if you feel the same way about Kid Rock, here’s a version with out that guy.

I don’t recall which song I heard that prompted me to pick this up. But there’s a great deal here. This, after all, was an instant modern blues classic. Maybe the first in a generation.

(Also, that song sounds better live. This feels like the most real thing in the world, somehow.)

This one, this might be the song that got me.

Also, this record … it’s autobiographical.

RBBS produced four more studio albums after this one, and a double live CD, which I may have to pick up one of these days. Bradley ran a vending machine business for a while, returned to busking, and then put out another album on his own in 2018. I’m not sure what’s become of him since then. I hope he’s still out there around Detroit’s Eastern Market, singing and writing.

So now we’re three CDs closer to being caught up. I think I’m only nine behind, now. And, in the next round of the Re-Listening project, we’ll go back in time to April of 2000 to listen to a record that was released in 1994.

It’ll make sense when we get to it.

Happy August!

adventures / memories / music / video / Wednesday — Comments Off
19
Jul 23

Another installment of the Last Summer on Earth tour

Somehow the day passed quickly. It doesn’t seem like I got a lot down, and, on a Wednesday in July, that’s as it should be. I did get some things vacuumed. Moved a few more boxes and straightened up that sort of thing. Stuff that needed to be done, some which was past due, but nothing big, and nothing which should have filled the day, but there I was, 4 p.m., getting ready to call it a day.

Why, you ask? Because it was a Wednesday in July, that’s why. And also because we had tickets to see a show in Philadelphia.

So we had an early dinner at a place called Marathon and then walked over to The Metropolitan Opera House.

We did not watch an opera. But we did hear an operatic song.

I think it was 2000 when I last saw John Ondrasik. It was at Five Points. Was he opening for Guster? Edwin McCain? Train? Probably someone else. This was right about the time Five for Fighting was getting a lot of airplay off that second record and I saw a lot of bands in those days. Anyway, that was a great venue. They existed at a time when the local Birmingham radio play was helping set the tone, and the people that book shows put those things together and you could see all manner of up-and-coming acts and an eclectic mix of true artists with their share of road miles in there. Five Points South Music Hall existed from 1994 to 2003. Then it became a night club, and then the shooting happened. That joint had been around for five years by then, but late on July night a fight turned deadly. Two killed, two wounded and the neighbors and the city had enough. That club folded. But the next year, 2009, it opened as Five Points Music Hall again. New owners. It last for less than a year. No one seemed to figure out why they shut it down. It got torn down in 2015. (I was in town, but not in town.) A hotel is in that spot these days.

Someone is probably singing Bohemian Rhapsody in there right now, but I bet they’re doing it un-ironically.

Anyway, tonight’s headliner was Barenaked Ladies. And it was a singalong kind of night.

And Kevin Heard serenaded us. This is, I guess, the fourth time I’ve heard this live. They’ve been using that multimedia show for the song for several years. They should keep it up. It works and the synch is pretty great.

I’ve got nine or 10 of those to consider doling out over the coming days. It was, as ever, a fine, fun show from BNL.

IU / journalism / memories / television — Comments Off
23
Jun 23

Thanks Indiana, thank you, IUSTV

A note of gratitude for the people who have meant the most, as my time at IU comes to a close.

When I arrived at Indiana University seven years ago The Media School, at that time just a year old itself, was moving into its new building. Simultaneously, the dynamics of all of the student media outlets on campus were changing.

What was once a collection of independent groups — the newspaper had thrived in the basement of the old Ernie Pyle Hall, a building named after the journalism program’s most famous alumnus, the radio station operated out of a house, the TV station produced content from a dorm basement — were all being more formally pulled into The Media School’s new portfolio.

I was given the opportunity to advise and oversee IUSTV. No one else wanted the project, which was often mistakenly viewed as a pesky afterthought, a nuisance. Some people, though, just don’t know what they are looking at. Those first two years, we had to teach equipment and writing, but I also had to institutionalize things like deadlines, planning and various house rules.

Those things were the difference between struggling on a makeshift basement set and growing into two state-of-the-art television studios. Fortunately, I was surrounded that first year by a solid handful of upperclassmen that knew a few things. Together, we re-shaped the organization. Over time, the students that have come through have built on that, and the current roster continues to create good and important work.

My favorite part of academia is watching people grow. The time between a person’s freshman or sophomore year and their senior year is substantial. Their growth, in terms of their maturity and confidence, can be remarkable.

In those seven years, IUSTV produced 935 scripted episodes of TV and video productions. They have has also produced 328 podcasts. We’ve run 15 original shows – each with their own show bible, show runners, schedule breakers and everything else. I’ve watched, or helped, them create 12 of those – seven of which are still ongoing. This year alone, they continually produced 10 different programs and a handful of podcast series. The year before was no less busy.

Viewership from 2022-2023 compared to 2015-2016 before my arrival, is up an improbable 1,901 percent. One thousand, nine hundred and one percent. The social media metrics all show substantial increases. Some six-dozen students and shows have won statewide and regional and national awards. They’ve earned every bit of their success. And when they leave, IUSTV alumni work in the professional media all over the country and abroad.

With gratitude and pride I think of them all, seven years worth of them, in the collective. Their teamwork, and how they so generously support one another, creates lessons we all learn over and over. What makes the work they do great is that they do it together.

Today, we are now graduating students who tell us they enrolled at IU specifically to be a part of what IUSTV is building.

What IUSTV is building. That is what I’ll look back on proudly. That notion is what I’ll take away. Even as I am sad to know I’ll miss out on some truly talented, hardworking people there right now, even as I am excited about what is coming next, that continued growth at IUSTV is the part of IU I will truly miss.

adventures / family / memories / photo / Tuesday — Comments Off
20
Jun 23

An anniversary post

I took this photo of my lovely bride 14 years ago, yesterday, the night before we were married. Today, on our anniversary, and every day, I think of the many smiles and laughs and quiet times we have shared. It’s an ever-growing list of wonderful history and adventures both grand and regular. We have a lot for which we are grateful in our relationship, but that the regular is such a delight is one of the most important parts of all.

It’s a special thing, to know and love someone for a great length of time, a great gift to still find new things to learn from one another. It’s a comfort to do all of that in the company of someone invested in you.
Fourteen years, all a blessing.

Tomorrow, it’ll be just a bit better; the day after, a little better still …

Happy anniversary, love.

bespoke / Indigo Girls / memories / music / photo / Re-Listening / Thursday / video — Comments Off
15
Jun 23

Thumb-made

I made a handful of cufflinks today. Sixty will go to a larger project that a friend inspired. But, as I went through my old cufflink making supplies, as one does, I discovered there were some colors and fabrics that didn’t exist in my personal cufflink catalog. So, having remembered the workflow, my fingers regaining their muscle memory, I made a few extras for myself.

Now I just need to pull a french cuff shirt out of the closet, to show them off.

So I made 72 cufflinks. The three-part History Channel George Washington docudrama. Just trying to clear things off the DVR. There are so many things on the DVR.

Let’s watch something else.

Last weekend we were at The Ryman with the Indigo Girls. This was the third single off their sixth studio album, 1997’s “Shaming of the Sun.” (I wrote some more about the record in February.) This is, perhaps, the least good song on a terrific album.

Amy Ray talks about how this is the beginning of a new kind of sound for the band. There’s more rock in there, some Patti Smith perhaps, and some literate punk elements, too.

Tom Morello did a remix of this song some years back. I had no idea this existed until now. It’s a remix. Every remix basically feels like this — Yes, I liked your song, though this is how it should have been done, in a longer, and still lesser, way — but at least you can hear Ulali on this version of the track. (Sadly the a capella group is not on this tour. Though they toured with the Indigo Girls for part of 1997.)

That song was a big part of the setlist on the original Lilith Fair tour, turns out. They released an EP alongside it. (That Morello remix was on the EP). In one of those curious examples of timing, the 1998 double live CD that went alongside that particular music festival is playing in my car right now.

I really ought to move beyond the late nineties, I know.

The Re-Listening project will probably bring us the Lilith Fair album on Monday or Tuesday — because this is suddenly a music blog? — but first we have to work through one other record. The Re-Listening project, of course, is just an excuse to write about, and play some of the music I’m listening to in the car. In the car, I am listening to all of my old CDs in the order in which I acquired them. Today, that CD is Dishwalla’s second studio album, released in 1998 “And You Think You Know What Life’s About.”

I know I picked this up a bit late, based on the 1999 album that came before it, in my CD books. Then as now, it’s a soft, crooning filler. Nothing too remarkable here. The Re-Listening project isn’t about musical reviews because, who cares? But, if you’re interested in that, the Critical Reception section of Wikipedia has an incredibly spot-on summation.

The Washington Post noted that “the band’s most bombastic choruses contain echoes of the slick power ballads that grunge banished.” Entertainment Weekly wrote that “when they pull out the cheesy Top 40 stops … like on the ballad ‘Until I Wake Up’, they come off like a modern-rock Journey—a guilty pleasure, but a pleasure nonetheless.” The Ottawa Citizen determined that “the band remains a non-innovator, relying on go-to guitar riffs and catchy rock melodies.”

Stereo Review concluded that “Dishwalla spends part of its second album whining about the success of its first one.” Rolling Stone thought that frontman J.R. Richards “has managed to shed his grumbly, disaffected vocals for a softer croon on tracks such as ‘The Bridge Song’.” The Boston Globe opined that “Dishwalla’s chameleon act seems in total defiance of establishing a trademark sound.” The Los Angeles Times wrote that “this angst-filled and metal-tinged sophomore try sinks quickly under the weight of overblown emotion and puerile lyrics.”

It started with such promise, too.

The second track gives the whole game away.

Already, you can see what a handful of harried, on-deadline music reviewers were finding out.

Their first record felt like a gateway into pop-friendly distortion bars and industrial sounds. Not as a slight, but I think this record just hit on all of the same things every other band hit on, about nine months later, and at about 80 percent saturation.

I saw them on their first national tour, they were opening for Gin Blossoms, and, at that moment, they were almost as popular. The lead singer, J.R. Richards, was doing his rock lothario bit when he split his pants on stage. He was embarrassed, as anyone would be. Not so much then, but after that first album, it was all downhill after that. This was one of those records I bought, listened to a few times, and found few reasons to ever play it again.

I think we’re in another none of those stretches of the CD collection, stuff I listened to only a little, looking for the next heavy rotation winners.