I choose the routes for all manner of different reasons. Sometimes, admitting my deficiency on climbs, I’ll set out for the biggest “hills” we have around here. On another day, hoping to feel fast, I’ll find an easier route. Boredom, adventure, the name of a road, a fleeting thought or spontaneity can all decide the plan.

Last night, though, I knew today’s ride would be a special one, so I set out for what would be a nice photograph. I broke 5,000 miles on my odometer and I didn’t want to do that in a neighborhood. I planned, instead, to find a nice quiet, woody road.

And I still managed to wind up by this silly little carport:

That’s the way it goes sometimes, I guess. That’s the view ahead. This is the view from whence I just came:

And here’s my proof:

Did it all on this little guy:

I’ve had a lot of fun on that bike. I’ve suffered on it, too. It has hurt me and I don’t think I’ve ever made it flinch. Sometimes it carries me along, more frequently I’m having to convince it I can ride. Occasionally, I feel like I need a new bike. It is a little undersized and sometimes (or perhaps in the same vein) I can generate more power than others and it feels shaky. But that’s a fine ride. Shame the cyclist isn’t better.

I’m also a little embarrassed by how long it took to get to 5,000 miles. Must ride more.

Things to read … because we should also read more, too.

This is interesting, How a Copyright Dispute Helped Give America Rock ‘n’ Roll:

We associate iconic musicians and musical genres with places, stars, and cultural narratives. Less often we recognize the markets and economic forces shaping popular music’s trajectory. But in 1940-41, a dispute over music royalties brought music once relegated to local audiences to national radio, spurring the popularity of blues, country, and, ultimately, rock ‘n’ roll. Were it not for a battle over how much radio should pay for music royalties, performers like Ray Charles and Elvis Presley may have never become classic American musicians.

[…]

The boycott lasted for almost a year. In late 1941, ASCAP signed an agreement with radio stations at terms less generous than it had before the boycott. The Justice Department also sued ASCAP again on antitrust grounds. This time ASCAP lost, and it was forced to accept regulations that opened it up to other musicians and set blanket rates for licensing deemed fair by third parties.

With the gatekeeper gone, the new genres maintained their national audience and anointed new stars, including the first rock and roll icons in the following years, a development that grew out of the once neglected genres like blues.

There is a lot to process here, and it is worth your time. This is a fine collection of information from the New York Times. The Iraq-ISIS Conflict in Maps, Photos and Video

Here’s another informative piece with some good takeaways. How a Norwegian public radio station is using Snapchat to connect young listeners with news

I’ll be honest, this one — Journalism Digital News Archive — had me at the pull quote:

“We should have had a historian running around saying ‘I don’t care if you are ever going to use them — we are going to keep them.'”

Alabama biz taxes account for 47.5% of all state and local taxes:

That represented an 1.8 percent increase from the previous fiscal year, giving it the ninth lowest state and local business tax growth in the U.S.

It works out to $7.2 billion dollars last year.

Meanwhile, Baxter International adding 200 new jobs in Opelika by 2016, means a $300 million 230,000-square-foot expansion for the dialyzer manufacturing facility.