I get these monthly emails from Strava, the exercise tracking app. Well, that’s one of the apps. Every month they try to encourage me. Look what you’ve done! You’re doing great! (Even if you’ve done less!) Look how many people you congratulated for their efforts, too! And look! A few of them gave you some pats on the back, too.
They call theirs kudos, because every social app has to have different word for this. I’m afraid, or excited, I can’t decide, that this will be what ultimately limits the growth of the social media data mining industry: running out of ways that we can all say we saw each other’s post, image or exercise.
Anyway, November was a good month on the bike. A record-setting month, for me. Most miles ever! By one mile! And I did that with the busy holiday week and some bracingly cold weather. “Bracingly” means stimulating and invigorating, so “bracingly” might be the wrong word to use there. Anyway, a big month, and also, I had a few achievements on Strava, itself.
December will likely be underwhelming, in comparison, but that’s OK! It’ll be exactly what it can be, which is exactly what it needs to be. And it’ll also be a cap to my best year ever on the bike, in terms of miles. And, somehow, for some reason, I am still riding outside. In December.
For a few more days, anyway.
But not today. Today, we were on campus.
Finals begin this time next week and so, for today’s classes, this was our final regular class together. Most people were able to stay awake. I think. I might have nodded off once or twice myself.
We talked about video graphics today. I had 13 pages of notes to share. Twelve of them were good pages. I probably should have stopped at a dozen. The slides were quite fun, though, and it allowed us to put a nice little bow on the class.
This semester these classes learned about camera controls, camera movements, audio capture and had some studio time. They made a commercial, beginning the lifelong journey of editing and post-production. Just recently we talked lights and graphics and some of the other tools and techniques like file management, group work and deadlines that go into media productions. Right now, they are working in groups on fake public service announcements.
From the snippets I hear, there is a lot of enthusiasm for that project. Some people seem very entertained by it. That part might be the best part of all, particularly for an introduction class.
Let’s go back to the Re-Listening project, where I am listening to all of my old CDs in the car, but in the order in which I acquired them. These aren’t music reviews — no one needs that — but an exercise in sharing great music, digging up some old memories and padding out the blog.
Today’s album debuted in 1995. I bought the thing in the summer of 2004, and I don’t know why I waited that long, but I’ll plead poverty. I don’t remember the first time I heard “Blue,” but it was in the 90s. And I remember playing that song, and a few others from “Tomorrow the Green Grass” on college radio a lot.
You’ll remember “Blue.” Everyone remembers “Blue.” For a time, everyone had a cover of “Blue.” It was the proto-Wagon Wheel. You might not recall the video. I certainly don’t. Ignore the obvious pretentiousness of 1990s music videos and soak in some harmonies.
Some hack writer around that time write of them:
At the intersection of country and jangle-pop lies a dusty old house. The upper-midwestern architecture is out of place with the scraggly ground surrounding it. Paint is peeling and flecking from the white porch railing. The planks of that porch are old and should be aged, but they’ve been worn smooth by bad-assed boots. There’s a swing, but it rarely swings; a ceiling fan that never turns.
When it rains — if it rains — the precious fluid falls in big dollops onto dust so dry it long ago gave up. The roof on that porch is tin — what else could it be? — the shutters could use some work and the whole structure got on its knees for paint three or four seasons ago. It has had lots of residents, that dusty old house at the intersection of country and jangle-pop. Its foundation is sturdy, its lines clean, its soul still dreaming.
The music coming from inside: The Jayhawks.
Whoever wrote that is cheesy, but it isn’t wrong. Not really.
I might have written it.
If there was ever a band I turned my stereo up too loud for, this was one of those bands. There were a few of them. That song was probably the reason why.
The band was a four-piece back then. Mark Olson was still in the group, this was, I guess, just before the first time he left. He’s splitting time with Gary Louris. Marc Perlman was there, of course, and Karen Grotberg was still on her first tour of duty. It’s a high quality quartet, but the percussion on the CD is a session player. Tim O’Reagan didn’t join the group until the subsequent tour. For my money, he’s been the player that makes the band work ever since.
Well, O’Reagan, and also Grotberg’s magical ability to fit in all over the melody.
Olson’s wife, the legendary Victoria Williams plays on the record, as does the great Lili Haydn, who was the virtuoso person you called if you wanted a violin for your rock ‘n’ roll project. You can hear on the song above.
This was The Jayhawks’ fourth record, but the first one I bought. (There will be many more, and some of them right away.) And there’s a Grand Funk Railroad cover right in the middle. I distinctly remember discovering that, a mixture of “HeyWhatWow!?!?!”
There’s a fair amount of stylistic exploration in this record, and none of it seems wasteful. You have to put that up against what was happening in music in 1995 — a year dominated by Garth Brooks, Van Halen, Boyz II Men, Springsteen, 2Pac, Lion King, Live, Ice Cube, Hootie & the Blowfish, Michael Jackson, Selena, Bone Thugs-n-Harmony, Coolio, Alanis, Mariah Carey and The Smashing Pumpkins. These guys, if you could find the record, would stand out. Several decades on, not every song is my favorite — that’s coming on another part of their discography, when they strip things back to the essential elements — but every one of them is still worth a listen.
My lovely bride and I saw them when we were first dating. It was an over-and-back trip to Atlanta, my first and so far only time seeing The Jayhawks, and the show that told me I was too old to do all of that in one day and go to work early the next morning.
Happily, they’ll be on the road next spring; some of those shows are already sold out. The next time they get close, I’ll be there to see them again.
The next two CDs in my collection are also from The Jayhawks. I bought them in August of 2004, on the day I was accepted into graduate school. I saw it as a little celebration, and that was some reward to myself. But that’s for the next installment of the Re-Listening project.
