The photosphere is about 10,000 degrees, Fahrenheit, but it’s cooling at that level. In the chromosphere, scientists figure, it is about 7,800 degrees. The light and heat has to travel the 93 million miles here. It takes a little more than eight minutes. And, sure, we’re pointed the wrong direction, but we’re turning back the right way. But, still, despite all of that, the nuclear fusion can’t burn away the clouds for days, days, on end.
Finally, today, as promised, the sun:
Saw that for a few minutes. It was chilly, but bright. If you can only one weather condition in January, you take sunny, because it’s always going to be cold.
There was a meeting! And it was filled with things both new and old! Decisive and not! And nothing will be reframed in such a way that requires any of the substantive articles of the meeting to change! I took notes and everything! A few of them will make sense to me in a month or so.
So … like every 90-minute meeting you’ve ever enjoyed. And then also a lot of email, and some demo reels to review, and a few other light chores to address. So a normal day. Except the sun was out, and so everything was great.
Tomorrow morning starts with another meeting, so we’re back in the swing of things, is what I’m saying.
In the spring of 2019 Wright Thompson came to campus and, at the end of his visit, he talked about his collection of sports stories, The Cost of These Dreams, which had just been released the week before. Someone gave me a copy of his book and I finally got around to pulling it from the To Read bookcase. Yes, I have an entire bookcase of books waiting to be read. Doesn’t everyone?
I keep those books well away from the Have Read bookcases. We can’t have intermingling of texts. It would get too confusing. Why, just this weekend I had to go through all of the books to see if I already had a book I was considering online. (I did.) It was in the To Read bookcase, so I picked that one out for my next read, along with a few others. They’re now sitting on my nightstand, part of a multi-stage on deck system to ease the complaints of the To Read bookcase which is groaning under the weight of paper. It’s a beautiful sound.
I digress. It’s a shame I waited all this while to get to Thompson’s book. He is easily one of the best contemporary sports writers. Take, for example, this little tidbit in a longform story about the New Orleans Saints, which is really about Katrina, which is really about New Orleans, which is really about inequity.
This is part of an 11-graph sidebar arc you could use in a master class. I read it over and over the other night, just to dissect it, to imagine, as you often do, how the story part of it came to be. It would be inappropriate to share the whole sidebar, but here’s the return, where Thompson is describing Charity Hospital. It was a teaching hospital and was, you might recall, utterly neglected after Katrina.
He gets all the details, like any great feature writer. He gets the best quotes and writes about all of the moments in a contemporaneous way, so it’s difficult to determine if he was in the room, or heard about it later through the course of his reporting — which is terrific. The next time I see him I’m going to ask him this: You get people to tell you things, for publication, that you say they have never told to anyone. How?
Sometimes it’s simply because you ask. A lot of it is about the relationship, which is about time. How much time do you have to spend with someone to get them to talk to you like their oldest friend? How long until it no longer seems strange to them that you’ve asked? How much listening does it take to become a professional confidant? This is a particular kind of reporting. Thompson is great at it.
If you like stories and people and storytelling and A-plus writing, buy this book. It’s incredible at every turn. (Except the Urban Meyer story. Some characters are just beyond the redemption of soulful prose.)
Just don’t read it all at once. Read a story, put the book down and come back several weeks later. This isn’t a criticism. Indeed, the writing is easy and the subject matter draws you in. You want to keep reading. Problem is, Thompson, like all great writers, has recurring themes. Being a great writer, they are some of the big ones. So space it out. Think of it as a textual indulgence.
