Today, a bit of wabi-sabi.

That’s a deck post. And wabi-sabi, Wikipedia tells you, is:
In traditional Japanese aesthetics, wabi-sabi is a world view centered on the acceptance of transience and imperfection. The aesthetic is sometimes described as one of appreciating beauty that is “imperfect, impermanent, and incomplete” in nature.
Characteristics of wabi-sabi aesthetics and principles include asymmetry, roughness, simplicity, economy, austerity, modesty, intimacy, and the appreciation of both natural objects and the forces of nature.
I’ve written about this here before, about keeping some of the wear and tear in a house as artifacts of previous owners. Long ago we cleaned up the markings that noted all the kids that used to live in this house. We’ll get the rest of this place painted one day, when we feel we can safely get painters in. There are two or three bigger gouges that I’d like to correct, but there are nicks in some places which I want to keep. It’s part of the story of the place.
It’s all small and cosmetic, but keeping one or two things here or there might let you imagine the children playing here, the joy their family had, the lives they were living here. Oh, sure, those little corners of molding at the foot of a few doors, that’s from furniture moving in or out, or a zealous vacuuming session. The one place on the windowsill in one of the bedrooms, I have no idea what that was, but I want to hear the story, a story I’ll never know, and I hope it’s better than “We were moving out with our hops and dreams and clipped it with a dresser.” Some of these other marks might be from imaginary gun fights or adventurous car races or a time a grandmother — three generations lived here, together — just leaned a little too far to the right. Some of those should absolutely stay.
I bet those kids had a lot of fun on the deck out back. It’s held up by that post pictured above. And that post isn’t just a post. It could be a base for hide-and-seek or part of a doorway to the yard and the woods and the creek beyond. That big tall chunk of wood could have been anything.
And, to a kid, the imperfect and impermanent might be just the opposite.
Plus, you’ve got an entire national concept behind it. And, with wabi-sabi, you don’t have to replace things quite so often.