An email conversation spent me on a late evening genealogy search. My known family tree only goes back so far, it seems. Some people aren’t interested in doing the research. We have common names. We are from a typically inconspicuous rural lifestyle, so there aren’t a lot of newspaper mentions.
I haven’t done any real genealogy research, the extent of my primary searches have come from old digitized newspaper copy, but I do enjoy digging through the hard, good work of others.
So in this conversation today I realized there were names I’d forgotten and names I couldn’t recall ever knowing. I started searching. I got back an extra generation and found two new surnames. I also found the obituary of my great-great grandfather. He was a World War I draftee, and died in his home. He was survived by his wife and four children, including my great-grandmother.
(Update, from several years later … In digging this up to search out one key point, I now think I was wrong about the people in the family tree. I can’t find the original thread anymore, and later clicking and surfing has given me other names. So I’ve put a strike through the parts below that now seem erroneous. Still, one side of my family was Dutch, though.)
These were the ads on the obituary page of The Alabama Courier (Athens, Ala.) on Thursday, February 28, 1946. (The Courier was established in 1892 and merged with the Limestone Democrat in 1969. They’ve been publishing as the News Courier since.)
Miss your loved ones? Bury yourself in work! The nuts and bolts of the Army Air Corps will see you through! The coveralls are free, but you’ll earn the stripes.

This is from the Ads You Don’t See Anymore department of the newspaper:

I couldn’t find any mention of the Clem Brothers Gin, but I’ll ask around. The closest thing I can find is a lumber concern over in Georgia.
Ahhh, a glamorous night out on the town. You’ve put on your best coat, your wife is wearing that beautiful dress. And the maitre’ de can set you up at the best table! “We’ll take the milk. Christopher’s.”

“Garçon! This is from a different dairy. Please take it back.”
I can’t figure out if this was the local logo or something that died out before the muscle car era, but here’s the Dodge ad:

A man named Robert Mills had worked at Draper Motor Company for about a year when this ad came out. After a decade on the lot he bought the dealership in 1955. It stayed open at least until he retired, in 1979. Can’t find anything about the place after that.
The Plaza Theater was on the square in neighboring Athens:

The movie, West of Pinto Basin, was released six years before, in 1940. My how the world changed in between. The IMDB blurb for the movie: “Three cowboys fight a saloon owner who is trying to grab up all the local land by engineering stagecoach robberies so an irrigation dam can’t be built.”
Can’t miss, right? It is a durable plot. Shows up in a lot of westerns.
Here’s the Zorro serial, in full:
Three people are killed and a stagecoach crashes off a cliff into a creek in the story’s first two minutes, before the first word is spoken. They do a great cliffhanger at the end of the episode, too. (You can watch the entire story at the Internet Archive.
And, yes, the title says Zorro, but the character is Black Whip. Released in 1944, the serial was meant to capitalize off of a 20th Century Fox remake of The Mark of Zorro. Republic couldn’t get Zorro, and so this was how they solved the problem. (See? Hollywood has been out of ideas before.) The serial is set in Idaho and the main theme is a fight to prevent and ensure statehood by the villains and heroes respectively. You wonder if other territories had other Zorro spinoff franchisees. A different color, a different weapon and some hero could pay a few royalties to the Big Z and save the day, and probably a few Hollywood production companies, too.
One last thing on the Zorro serial: James Lileks has a theory that projects from this period always have a Star Trek tie. So I ran the entire cast and crew through the Star Trek filter — it zooms along at warp speed don’t ya know … — and found exactly one match. Tom Steele was a stuntman on Black Whip. He started in 1932 and worked until the mid-1980s. He appeared in Bread and Circuses as Slave #2. He has the best stuntman bio ever:
Stuntmen are often selected because of their resemblance to the star they are doubling for. In contrast to this, many of Republic Pictures’ western stars in the 1940s and early 1950s, such as Allan Lane, Bill Elliot, Rex Allen and Monte Hale, were selected in part due to their resemblance to Steele, who would do their stunts.
The Added Joy? It was a cartoon short from 1937, back when Mel Blanc was uncredited.
But I digress. The Plaza opened in 1939 and sat 340 people. (The city itself had about 4,300 at the time.) In 1954 a newspaper ad said the theatre would be closed temporarily starting in June, but it never reopened.
Here’s where the theater stood:
Last year, the Courier reported that a non-profit community organization that prettifies the downtown area asked the current owner of the building, a pharmacist, to improve the façade of the old theater. The dilapidated stucco came down, the brick underneath was still in good condition.
BABY CHICKS – The KIND THAT LIVE. As opposed to the chicks that, you know, die.

It verily screams out at you on the obits page.
Anyway. In my paternal grandfather’s family I gained an extra generation — Smith’s are tough to trace at a casual glance — dating back to my great-great-grandfather.
Now, my paternal grandfather’s mother? She told me when I was very young about some uncles who fought in the Civil War. I was young enough to be enthralled by this, but not smart enough yet to ask if she knew any details. If she were still here I might be able to tell her a few things after this bit of reading.
It was her father’s obituary we started discussing here. I picked up a thread on rootsweb that allows me to go back 13 more generations. Assuming these various people’s hard work is correct (I see a few logic errors in chronology in some peripheral details, but let’s assume the big stuff is accurate) we can go back to a man named Eltekens, in 16th century Midwolda, Groningen, Netherlands.
The Hendricks family, again I didn’t even know this name until today, came over to the New World in 1662. (In my mother’s family a young man came over on the Mayflower, so my roots are fairly deep, it seems.) Albertus Hendrickssen became Albert Hendricks. He was a house carpenter, owned land in Pennsylvania and was a constable and a juror.
This would have been his land around the turn of the 18th century:
Albert’s particular son that matters to this story, Johannes (or John), was a shipbuilder. His second wife extends the chain a bit closer to my family. He had two children in Philadelphia before dying in 1709. It was John’s son, James, that moved the family south. He found himself in North Carolina in the early 1740s. He had nine sons and “several unknown daughters as he left no will.”
James Jr. changed Hendricks to Hendrix. He is believed to have fought in the Revolutionary War. James Jr.’s son, Larkin, moved the family to Alabama in 1830 or earlier.
Larkin’s son, William, and grandson, Joseph, lived through the Civil War — though I don’t know if they fought. Joseph also read about World War I and the Great Depression in the local paper. He was a farmer, and he died in 1933 at the age of 88. His son was James, the World War I draftee, my great-great-grandfather at the beginning of this post.
At least one branch of my family tree has been in that county for nine generations and 180 years. It’s only been a county for 196 years. (They should really own more property don’t you think?)
All of this is more than you wanted, of course. But when you do this sort of thing it is good to write it down and make good sense of it all. That way you can bore your friends endlessly at parties.