{"id":573899354,"date":"2026-09-17T20:10:47","date_gmt":"2026-09-18T00:10:47","guid":{"rendered":"https:\/\/www.kennysmith.org\/wordpress\/?p=573899354"},"modified":"2026-09-18T03:02:08","modified_gmt":"2026-09-18T07:02:08","slug":"the-statue-contact","status":"publish","type":"post","link":"http:\/\/www.kennysmith.org\/wordpress\/blog\/2026\/09\/17\/the-statue-contact\/","title":{"rendered":"The statue, &#8216;Contact&#8217;"},"content":{"rendered":"<p>I&#8217;ve mentioned this and, if you&#8217;ve been reading along, you&#8217;ve seen some or all of these photos. But it seemed important to put them all in one place. <\/p>\n<p>To teach one of my classes I must leave my building, turn right, walk to the end of the block, turn left and do another block. There, you run into this statue. And now I know it is coming, but it still catches me off guard somehow. So I&#8217;ve been taking these photographs, because it seems interesting enough. Next week we&#8217;ll start looking more closely at some of the details, but here we have the same work from four different sides. <\/p>\n<p>This installation is called &#8220;Contact.&#8221; The artist is Seward Johnson. He was born in 1930, lived all over by the time he was old enough to go to school. He knew Georgia O&#8217;Keeffe. Served in the Navy during Korea. Did some sailing of his own, of a sort, taking a 2,000 mile canoe trip from western Alberta to the upper edge of the Northwest Territories on the Arctic Ocean. <\/p>\n<p>He worked for Johnson &#038; Johnson, which was the family business. He was also fired from the family business. <\/p>\n<p>There&#8217;s a great anecdote about the man that makes him perfect for a college campus. In search of a career to support his young family he took a sculpture class. He left the class because the instructor talked theory. <\/p>\n<p>He would learn his craft in other ways, and eventually he found metal work, which was what really clicked. Now he&#8217;s this world renowned artist with a huge body of work of large and life-sized sculptures. <\/p>\n<p>Somewhere along the way he decided to find a way to <a href=\"https:\/\/hvartscouncil.org\/about-seward-johnson\/\" target=\"_blank\">help other sculptors<\/a>, and in 1974 he opened the <a href=\"https:\/\/sewardjohnsonatelier.org\/\" target=\"_blank\">Johnson Atelier Technical Institute of Sculpture<\/a>. This place works with artists on retaining control over their artwork and opening doors to learning previously mysterious production techniques, becoming a place where the art and technology advanced because of it. Artists from all over the world have been a part of the Johnson Atelier.<\/p>\n<p>This is a <a href=\"https:\/\/en.wikipedia.org\/wiki\/Trompe-l'%C5%93il\" target=\"_blank\">trompe-l&#8217;\u0153il<\/a> painted bronze statue. That&#8217;s French for &#8220;deceive the eye,&#8221; Wikipedia tells me. The paint used here is a heavy-duty coating that is also used by the aeronautic and automotive industries. Seems to be holding up pretty well, compared to earlier photos. The blues aren&#8217;t quite as dark, perhaps, but that only adds heft to whatever story you&#8217;re about to imagine here. <\/p>\n<p><center><img decoding=\"async\" src=\"https:\/\/www.kennysmith.org\/photo\/sept26\/sept06.jpg\"><\/center><\/p>\n<p><center><img decoding=\"async\" src=\"https:\/\/www.kennysmith.org\/photo\/sept26\/sept17.jpg\"><\/center><\/p>\n<p><center><img decoding=\"async\" src=\"https:\/\/www.kennysmith.org\/photo\/sept26\/sept22.jpg\"><\/center><\/p>\n<p><center><img decoding=\"async\" src=\"https:\/\/www.kennysmith.org\/photo\/sept26\/sept36.jpg\"><\/center><\/p>\n<p>Johnson died in 2020. There are several of his other statues around town and I&#8217;ll have to explore them all, but, first, we&#8217;ll take closer looks at this one, starting next week. <\/p>\n","protected":false},"excerpt":{"rendered":"<p>I&#8217;ve mentioned this and, if you&#8217;ve been reading along, you&#8217;ve seen some or all of these photos. But it seemed important to put them all in one place. To teach one of my classes I must leave my building, turn right, walk to the end of the block, turn left and do another block. There, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10,101],"tags":[],"class_list":["post-573899354","post","type-post","status-publish","format-standard","hentry","category-photo","category-rowan"],"_links":{"self":[{"href":"http:\/\/www.kennysmith.org\/wordpress\/wp-json\/wp\/v2\/posts\/573899354","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.kennysmith.org\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.kennysmith.org\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.kennysmith.org\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.kennysmith.org\/wordpress\/wp-json\/wp\/v2\/comments?post=573899354"}],"version-history":[{"count":1,"href":"http:\/\/www.kennysmith.org\/wordpress\/wp-json\/wp\/v2\/posts\/573899354\/revisions"}],"predecessor-version":[{"id":573899355,"href":"http:\/\/www.kennysmith.org\/wordpress\/wp-json\/wp\/v2\/posts\/573899354\/revisions\/573899355"}],"wp:attachment":[{"href":"http:\/\/www.kennysmith.org\/wordpress\/wp-json\/wp\/v2\/media?parent=573899354"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.kennysmith.org\/wordpress\/wp-json\/wp\/v2\/categories?post=573899354"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.kennysmith.org\/wordpress\/wp-json\/wp\/v2\/tags?post=573899354"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}