{"id":573895491,"date":"2023-03-12T23:00:02","date_gmt":"2023-03-13T03:00:02","guid":{"rendered":"http:\/\/www.kennysmith.org\/wordpress\/?p=573895491"},"modified":"2023-03-22T16:48:43","modified_gmt":"2023-03-22T20:48:43","slug":"inside-sagrada-familia","status":"publish","type":"post","link":"http:\/\/www.kennysmith.org\/wordpress\/blog\/2023\/03\/12\/inside-sagrada-familia\/","title":{"rendered":"Inside Sagrada Familia"},"content":{"rendered":"

There are a few things you should know before we step inside one of Spain’s most important cultural icons, and one of her most popular attractions. In no particular order … <\/p>\n

As I said<\/a>, I didn’t care for the aesthetic of the exterior of Sagrada Familia. It just doesn’t appeal to me. Secondly, I am probably not a talented enough photographer, and I certainly didn’t have the proper equipment with me, to capture the incredible beauty of the interior. <\/p>\n

I say that because, in my humble and awe-inspired opinion, this was one of the most beautiful places I’ve ever stood, including some of the best places of worship in London, Paris, Rome, Berlin, Istanbul, New York and elsewhere. <\/p>\n

Third, all of the liberally quoted text that follows about Antoni Gaud\u00ed’s masterwork, is from this page<\/a>.<\/p>\n

Finally, if we ever have the opportunity to visit Barcelona again, we’re blocking off a sunny day, just to sit inside this place to watch the light change. You’ll see why, just as soon as we go through the Door of the Portal of Faith.<\/p>\n

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I previously mentioned the long-running construction.<\/p>\n

“The date of completion<\/a> of the Sagrada Familia has been postponed many times. It is one of the longest architectural projects in the world and if the finish date is met, construction will have taken 147 years. This is surprising if we consider that we are in the 21st century. In this article we are going to understand why the work has taken so long and why now they are moving at a good pace.<\/p>\n

“The year 2026 will mark the centenary year of the death of Gaud\u00ed and we want to celebrate this anniversary by completing the Sagrada Familia. However, there are two things which won\u2019t be finished by 2026: the artistic part and the surroundings of the Basilica.”<\/p>\n

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“Finishing the Sagrada Familia is a long and complicated task. The reasons for the delay in the finalization of the project are its complicated architecture and historical changes such as the death of Gaud\u00ed, the Spanish Civil War, the destruction of the original project and the limited economic support from private donations that have subsidized it.<\/p>\n

“The photo collage<\/a> shows the evolution of the work over the years.”<\/p>\n

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I’m not the sort to pick on these things myself, but if you listen to the audio tour, there is some discussion of the columns, which are both artistic and structural. They, like so much of Gaud\u00ed’s work, are meant to be evocative of nature. Trees, in this case. And once you realize that — the shape, the shade of the selected stones, the way the branches fly into the ceiling — you can’t unsee it. As … you’ll see … <\/p>\n

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The windows facing the west are the reds, oranges and yellows. The ones to the east are in cooler blues and greens. And this sets the mood of the entire place. <\/p>\n

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We were there in the middle of the afternoon, at a time of day when you’re struck by how much of this enormous space is filled with natural light. <\/p>\n

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“(A)narchists set fire to part of the Sagrada Familia at the beginning of the Spanish Civil War, including the workshop where Gaud\u00ed had always worked.<\/p>\n

“In Gaud\u00ed’s workshop there was not a large library and the graphic material was reduced to a minimum. There was a photographic workshop, a space for sculptures, a large area for plaster models (scale 1:10 or 1:25) and a large number of models to investigate aspects of lighting, functionality, construction and structure.<\/p>\n

“Many of the sketches, drawings and models by the great architect disappeared and a lot of information on how to continue the work was lost. In 1936 they tried to preserve the remains of the destruction by sandwiching the pieces, and that is how they survived the conflict, hidden between two walls.<\/p>\n

“The Civil War caused the paralysis of the works for 17 years (1935 – 1952). It was not until 1976 that the four towers of the Passion fa\u00e7ade were finished, where Josep Maria Subirachs added his sculptural work which begun in 1988.<\/p>\n

“The Sagrada Familia is an expiatory temple<\/a> which means that it is financed only by selfless donations from the loyal supporters and by the tickets of the tourists who visit it.”<\/p>\n

See those trees yet?<\/p>\n

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So there’s interpreting the architect’s intent, following what survived of his plans, and continuing on, but also those budget problems. What’s before us, then, is even more breathtaking considering these circumstances.<\/p>\n

“Three generations of architects have dedicated themselves<\/a> to recomposing the more than 1,000 pieces of model left over from the fire of Gaud\u00ed’s studio in 1936. But Gaud\u00ed’s work was so avant-garde, that architects could not easily reconstruct their designs.<\/p>\n

“The forms that make up the building are so complex that five different computer programs have had to be combined to reconstruct the surfaces outlined by Gaud\u00ed. These programs are used in the automotive and aeronautical industry. This is without a doubt an important factor in the completion of the Sagrada Familia. <\/p>\n

“Gaud\u00ed transformed his plans into large scale models because he wanted to see the three dimensions.”<\/p>\n

If you stand right in the center, and look up, this is the ceiling, the underside of Gaud\u00ed’s magesterial canopy.<\/p>\n

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“Since 2000, his model has been continued thanks to the use of 3D printers. These allow us to manufacture the gypsum models originally designed by Gaud\u00ed. It is indisputable that 3D vision has helped guide decisions about the design and structural behaviour of the project.<\/p>\n

“Since the end of 2016<\/a>, the technology offered by virtual reality glasses has been used to carry out three-dimensional simulations. This technology allows us to reduce the work times in projection.”<\/p>\n

New building techniques are also speeding up actual construction, particularly as it applies to the towers, of which you’ll count 18 when the building’s work is done.<\/p>\n

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Remember, I began this post saying I’m not a talented enough photographer to share this with you. I mentioned the changing light. Both of these are proven in the last two shots, taken from almost the same spot, just a few moments apart.<\/p>\n

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Yes, I would spend a day in here, watching the wonder of the wandering light dancing through Gaud\u00ed’s inspired work. <\/p>\n

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“The straight line belongs to Man; the curved line belongs to God,” Gaudi said. The man knew some stuff. <\/p>\n

Up next:<\/strong> A quick trip into one of Sagrada Familia’s towers.<\/p>\n","protected":false},"excerpt":{"rendered":"

There are a few things you should know before we step inside one of Spain’s most important cultural icons, and one of her most popular attractions. In no particular order … As I said, I didn’t care for the aesthetic of the exterior of Sagrada Familia. It just doesn’t appeal to me. Secondly, I am […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[19,32,25,10,1],"tags":[],"class_list":["post-573895491","post","type-post","status-publish","format-standard","hentry","category-adventures","category-history","category-links","category-photo","category-weekend"],"_links":{"self":[{"href":"http:\/\/www.kennysmith.org\/wordpress\/wp-json\/wp\/v2\/posts\/573895491","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.kennysmith.org\/wordpress\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.kennysmith.org\/wordpress\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.kennysmith.org\/wordpress\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.kennysmith.org\/wordpress\/wp-json\/wp\/v2\/comments?post=573895491"}],"version-history":[{"count":9,"href":"http:\/\/www.kennysmith.org\/wordpress\/wp-json\/wp\/v2\/posts\/573895491\/revisions"}],"predecessor-version":[{"id":573895500,"href":"http:\/\/www.kennysmith.org\/wordpress\/wp-json\/wp\/v2\/posts\/573895491\/revisions\/573895500"}],"wp:attachment":[{"href":"http:\/\/www.kennysmith.org\/wordpress\/wp-json\/wp\/v2\/media?parent=573895491"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.kennysmith.org\/wordpress\/wp-json\/wp\/v2\/categories?post=573895491"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.kennysmith.org\/wordpress\/wp-json\/wp\/v2\/tags?post=573895491"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}